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IV
RELIGION THE MAINSPRING

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All his activities were in his own mind one. This, we can hardly repeat too often, is the fundamental fact of Mr. Gladstone's history. Political life was only part of his religious life. It was religion that prompted his literary life. It was religious motive that, through a thousand avenues and channels stirred him and guided him in his whole conception of active social duty, including one pitiful field of which I may say something later. The liberalism of the continent at this epoch was in its essence either hostile to Christianity or else it was indifferent; and when men like Lamennais tried to play at the same time the double part of tribune of the people and catholic theocrat, they failed. The old world of pope and priest and socialist and red cap of liberty fought on as before. In England, too, the most that can be said of the leading breed of the political reformers of that half century, with one or two most notable exceptions, is that they were theists, and not all of them were even so much as theists.123 If liberalism had continued to run in the grooves cut by Bentham, James Mill, Grote, and the rest, Mr. Gladstone would never have grown to be a liberal. He was not only a fervid practising Christian; he was a Christian steeped in the fourth century, steeped in the thirteenth and fourteenth centuries. Every man of us has all the centuries in him, though their operations be latent, dim, and very various; in his case the roots were as unmistakeable as the leafage, the blossom, and the fruits. A little later than the date with which we are now dealing (May 9, 1854)—and here the date matters little, for the case was always the same—he noted what in hours of strain and crisis the Bible was to him:—

On most occasions of very sharp pressure or trial, some word of scripture has come home to me as if borne on angels' wings. Many could I recollect. The Psalms are the great storehouse. Perhaps I should put some down now, for the continuance of memory is not to be trusted. 1. In the winter of 1837, Psalm 128. This came in a most singular manner, but it would be a long story to tell. 2. In the Oxford contest of 1847 (which was very harrowing) the verse—'O Lord God, Thou strength of my health, Thou hast covered my head in the day of battle.' 3. In the Gorham contest, after the judgment: 'And though all this be come upon us, yet do we not forget Thee; nor behave ourselves frowardly in Thy covenant. Our heart is not turned back; neither our steps gone out of Thy way. No not when Thou hast smitten us into the place of dragons: and covered us with the shadow of death.' 4. On Monday, April 17, 1853 [his first budget speech], it was: 'O turn Thee then unto me, and have mercy upon me: give Thy strength unto Thy servant, and help the son of Thine handmaid.' Last Sunday [Crimean war budget] it was not from the Psalms for the day: 'Thou shalt prepare a table before me against them that trouble me; Thou hast anointed my head with oil and my cup shall be full.'

In that stage at least he had shaken off none of the grip of tradition, in which his book and college training had placed him. His mind still had greater faith in things because Aristotle or Augustine said them, than because they are true.124 If the end of education be to teach independence of mind, the Socratic temper, the love of pushing into unexplored areas—intellectual curiosity in a word—Oxford had done none of all this for him. In every field of thought and life he started from the principle of authority; it fitted in with his reverential instincts, his temperament, above all, his education.

PLACE OF DANTE IN HIS MIND

The lifelong enthusiasm for Dante should on no account in this place be left out. In Mr. Gladstone it was something very different from casual dilettantism or the accident of a scholar's taste. He was always alive to the grandeur of Goethe's words, Im Ganzen, Guten, Wahren, resolut zu leben, 'In wholeness, goodness, truth, strenuously to live.' But it was in Dante—active politician and thinker as well as poet—that he found this unity of thought and coherence of life, not only illuminated by a sublime imagination, but directly associated with theology, philosophy, politics, history, sentiment, duty. Here are all the elements and interests that lie about the roots of the life of a man, and of the general civilisation of the world. This ever memorable picture of the mind and heart of Europe in the great centuries of the catholic age,—making heaven the home of the human soul, presenting the natural purposes of mankind in their universality of good and evil, exalted and mean, piteous and hateful, tragedy and farce, all commingled as a living whole,—was exactly fitted to the quality of a genius so rich and powerful as Mr. Gladstone's in the range of its spiritual intuitions and in its masculine grasp of all the complex truths of mortal nature. So true and real a book is it, he once said,—such a record of practical humanity and of the discipline of the soul amidst its wonderful poetical intensity and imaginative power. In him this meant no spurious revivalism, no flimsy and fantastic affectation. It was the real and energetic discovery in the vivid conception and commanding structure of Dante, of a light, a refuge, and an inspiration in the labours of the actual world. 'You have been good enough,' he once wrote to an Italian correspondent (1883), 'to call that supreme poet “a solemn master” for me. These are not empty words. The reading of Dante is not merely a pleasure, a tour de force, or a lesson; it is a vigorous discipline for the heart, the intellect, the whole man. In the school of Dante I have learned a great part of that mental provision (however insignificant it may be) which has served me to make the journey of human life up to the term of nearly seventy-three years.' He once asked of an accomplished woman possessing a scholar's breadth of reading, what poetry she most lived with. She named Dante for one. 'But what of Dante?' 'The Paradiso,' she replied. 'Ah, that is right,' he exclaimed, 'that's my test.' In the Paradiso it was, that he saw in beams of crystal radiance the ideal of the unity of the religious mind, the love and admiration for the high unseen things of which the Christian church was to him the sovereign embodiment. The mediæval spirit, it is true, wears something of a ghostly air in the light of our new day. This attempt, which has been made many a time before, 'to unify two ages,' did not carry men far in the second half of the nineteenth century. Nevertheless it were an idle dream to think that the dead hand of Dante's century, and all that it represented, is no longer to be taken into account by those who would be governors of men. Meanwhile, let us observe once more that the statesman who had drunk most deeply from the mediæval fountains was yet one of the supreme leaders of his own generation in a notable stage of the long transition from mediæval to modern.

'At Oxford,' he records, 'I read Rousseau's Social Contract which had no influence upon me, and the writings of Burke which had a great deal.' Yet the day came when he too was drawn by the movement of things into the flaming circle of thought, feeling, phrase, that in romance and politics and all the ways of life Europe for a century associated with the name of Rousseau. There was what men call Rousseau in a statesman who could talk of men's common 'flesh and blood' in connection with a franchise bill. Indeed one of the strangest things in Mr. Gladstone's growth and career is this unconscious raising of a partially Rousseauite structure on the foundations laid by Burke, to whom Rousseau was of all writers on the nature of man and the ordering of states the most odious and contemptible. We call it strange, though such amalgams of contrary ways of thinking and feeling are more common than careless observers may suppose. Mr. Gladstone was never an 'equalitarian,' but the passion for simplicity he had—simplicity in life, manners, feeling, conduct, the relations of men to men; dislike of luxury and profusion and all the fabric of artificial and factitious needs. It may well be that he went no further for all this than the Sermon on the Mount, where so many secret elements of social volcano slumber. However we may choose to trace the sources and relations of Mr. Gladstone's general ideas upon the political problems of his time, what he said of himself in the evening of his day was at least true of its dawn and noon. 'I am for old customs and traditions,' he wrote, 'against needless change. I am for the individual as against the state. I am for the family and the stable family as against the state.' He must have been in eager sympathy with Wordsworth's line taken from old Spenser in these very days, 'Perilous is sweeping change, all chance unsound.'125 Finally and above all, he stood firm in 'the old Christian faith.' Life was to him in all its aspects an application of Christian teaching and example. If we like to put it so, he was steadfast for making politics more human, and no branch of civilised life needs humanising more.

Here we touch the question of questions. At nearly every page of Mr. Gladstone's active career the vital problem stares us in the face, of the correspondence between the rule of private morals and of public. Is the rule one and the same for individual and for state? From these early years onwards, Mr. Gladstone's whole language and the moods that it reproduces,—his vivid denunciations, his sanguine expectations, his rolling epithets, his aspects and appeals and points of view,—all take for granted that right and wrong depend on the same set of maxims in public life and private. The puzzle will often greet us, and here it is enough to glance at it. In every statesman's case it arises; in Mr. Gladstone's it is cardinal and fundamental.

The Life of William Ewart Gladstone (Vol. 1-3)

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