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¹ Tim Page, ed., The Glenn Gould Reader (Nueva York: Vintage, 1990), p. 261.

² Kevin Bazzana, Wondrous Strange: The Life and Art of Glenn Gould (Nueva York: Oxford University Press, 2004), p. 335.

³ Peter Ostwald, Glenn Gould: The Ecstasy and Tragedy of Genius (Nueva York: W. W. Norton, 1997), p. 47.

⁴ Vincent Tovell, “At Home with Glenn Gould” (Disco compacto de la Fundación Glenn Gould, 1996).

⁵ Otto Friedrich, Glenn Gould: A Life and Variations (Nueva York: Random House, 1989), p. 23.

⁶ Bazana, Wondrous Strange, p. 79.

⁷ Bazzana, Wondrous Strange, p. 32.

⁸ John Beckwith, In Search of Alberto Guerrero (Waterloo, Ontario: Wilfrid Laurier University Press, 2006), p. 4.

⁹ John Beckwith, “Glenn Gould, The Early Years: Addenda and Corrigenda”, GlennGould (Otoño 1996): pp. 57-61.

¹⁰ Beckwith, In Search, p. 102.

¹¹ John Roberts, The Art of Glenn Gould: Reflections of a Musical Genius (Toronto: Malcolm Lester Books, 1999), pp. 260-61.

¹² David Dubal, Reflections from the Keyboard: The World of the Concert Pianist (Nueva York, Schirmer Books, 1997), p. 191.

¹³ Roberts, The Art of Glenn Gould, p. 42.

¹⁴ Joseph Roddy, transcripción de una entrevista de 1981.

¹⁵ Andrew Kazdin, Glenn Gould at Work: Creative Lying (Nueva York: E. P. Dutton, 1989), p. 103.

¹⁶ Elyse Mach, Great Contemporary Pianists Speak for Themselves (Londres: Robson Books, 1981), p. 165.

¹⁷ Joseph Roddy, “Appolonian”, The New Yorker (14 de mayo, 1960): p. 52.

¹⁸ Bazzana, Wondrous Strange, p. 248.