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Cover designer’s note

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In attempting to come up with a concept for the cover design for Winter, Len Deighton’s saga of a Berlin family set in the first half of the twentieth century, I sought a striking image that would express the outcome of the Winter family’s story. I recalled a photograph in my wife Isolde’s family album of her father as a child dressed in a sailor suit standing beside his father. This image seemed to fit the time and place precisely. By tearing the photograph apart it implied the outcome of their relationship; and in a metaphorical sense it would also suggest what lay ahead for the city, and indeed the entire country. Sometimes the simplest of images are the most effective.

The related ephemera on the back cover includes a number of objects of the period taken from my personal collection, including a gramophone needle tin (which was featured in my book Phonographics) that has the Berlin dealer’s name on the lid; its contents still containing a few needles, a small button and an unused Adolf Hitler postage stamp. Also appearing is a china Zeppelin ornament, several early postcards including one of Graf Zeppelin and one of the Brandenburg gate, plus a German bank note. The group photograph is of my wife’s mother’s family.

The Nazi era stamp on the book’s spine commemorates Graf Zeppelin and his airship LZ2, one of many that did not survive to make a second flight. Fortunately, when she was driven to the ground in 1906 by winds too strong for her engines, no one was hurt. But this was rarely the case.

Arnold Schwartzman OBE RDI

Winter: A Berlin Family, 1899–1945

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