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Contents

AcknowledgmentsMunir Akash

IntroductionMunir Akash and Carolyn Forché

Foreword for 2013Fady Joudah

from Fewer Roses (1986)

I Will Slog over This Road

Another Road in the Road

Were It Up to Me to Begin Again

On This Earth

I Belong There

Addresses for the Soul, outside This Place

Earth Presses against Us

We Journey towards a Home

We Travel Like All People

Athens Airport

I Talk Too Much

We Have the Right to Love Autumn

The Last Train Has Stopped

On the Slope, Higher Than the Sea, They Slept

He Embraces His Murderer

Winds Shift against Us

Neighing on the Slope

Other Barbarians Will Come

They Would Love to See Me Dead

When the Martyrs Go to Sleep

The Night There

We Went to Aden

Another Damascus in Damascus

The Flute Cried

In This Hymn

from I See What I Want to See (1993)

The Hoopoe

from Why Have You Left the Horse Alone? (1995)

I See My Ghost Coming from Afar

A Cloud in My Hands

The Kindhearted Villagers

The Owl’s Night

The Everlasting Indian Fig

The Lute of Ismael

The Strangers’ Picnic

The Raven’s Ink

Like the Letter “N” in the Qur’an

Ivory Combs

The Death of the Phoenix

Poetic Regulations

Excerpts from the Byzantine Odes of Abu Firas

The Dreamers Pass from One Sky to Another

A Rhyme for the Odes (Mu‘allaqat)

Night That Overflows My Body

The Gypsy Woman Has a Tame Sky

from A Bed for the Stranger (1999)

We Were without a Present

Sonnet II

The Stranger Finds Himself in the Stranger

The Land of the Stranger, the Serene Land

Inanna’s Milk

Who Am I, without Exile?

Lesson from the Kama Sutra

Mural (2000)

Mural

Three Poems (before 1986)

A Soldier Dreams of White Tulips

As Fate Would Have It

Four Personal Addresses

Glossary

Unfortunately, It Was Paradise

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