Читать книгу Handmade Music Factory - Mike Orr - Страница 14
ОглавлениеIntroduction
You may not have realized it, but there is a revolution
unfolding right now in the world of music. For many years,
it seemed that music was a thing to be purchased
—
a thing
that came in shiny packages, ensconced in CD sleeves
and mass-produced guitar cases. Music was something
other people did, or something you created on instruments
strangers made. The revolution happening right now is
taking music off its pedestal and making it accessible to
everyone and anyone who is willing to spend a little time
with their hands, simple tools, and approachable materials.
No longer must you go out to a store to buy your music
makers
—
you can create them right in your own home.
This innovative movement grows in numbers every day,
as people across the world
—
hobbyists and professional
musicians alike
—
reconsider their conceptions about music
and embark into the world of handmade instruments.
Amazing work is happening, as you’ll see when you flip
through the following pages
—
each instrument you’ll see
in this introduction was created for the MacGyver building
contest on
, where the sole rule
was that only 100% recycled materials could be used.
Handmade music builders are creative and ingenious.
They know that just because standard factory-made guitars
have six strings doesn’t mean their guitar can’t have three,
or four, or seven. Instruments can be crafted from old cigar
boxes, cookie tins, bedpans, and whatever else you can
think of. While today’s subversive music makers are blazing
a new trail forward, they’re also hearkening back to their
roots. Before it was common for the average person to be
able to afford a manufactured guitar, musicians built their
own creations, scraping together whatever they could find
to squeeze a note out of. Many famous blues musicians
got their starts stretching a screen door wire between
two nails hammered into the side of a barn, or on a guitar
fashioned from a cigar box and a broomstick handle. So,
as you wade into this world of handmade music, remember
that all you need is your imagination and whatever scraps
you can find
—
there’s no place here for expensive lutherie
tools and hi-tech tuning equipment. Don’t be afraid to
upcycle, recycle, customize, and deconstruct. The sounds
you’ll tease out of these instruments will be rough, and
strange, and beautiful
—
but one thing’s for certain
—
they
will be sounds YOU made.
Papier Mache Guitar
BY DUSTIN BROWN OF CHICAGO, ILLINOIS
This is a 15" (380mm) concert-scale paper ukulele. The back and sides were
cut from black mat board left over from a photo framing project, and covered
with veneers made from an old Taylor guitar catalog to give the illusion of
Macassar ebony on the sides and maple on the back. The top was cut from
spruce left over from a mandolin rebuild, and was finished with expired shellac
and stain. The neck was made from black and white mat board laminated
together and stiffened with a jatoba floorboard scrap. The fretboard was
also cut from jatoba floorboard scrap and fretted with vintage brass frets
pulled from an old Kraftsman archtop. A piece of Koa scrap was added
to the headplate for a touch of island mojo. The tuners and bushings were
reclaimed from an old Yamaha acoustic.
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Handmade Music FactorY