Читать книгу A Golden Book of Venice - Mrs. Lawrence Turnbull - Страница 5

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The little Zuane had eaten his supper of polenta and, in the painted cradle which his grandfather Girolamo had bought for him from under the arcades of the Piazetta, lay at last asleep, consigned to the care of all those saints and guardian angels who make the little ones their charge, and who smiled down upon him from the golden aureoles and clouds of rose and blue on the cradle-roof while, slowly balancing, it charmed him into dreams.

And now, at her window, Marina had the night and the stars to herself, over the still lagoon and down in its mirroring depths.

It was a sad little tale soon told, this tragedy of Toinetta which had seemed so great to the dwellers in that home three years ago. A pretty, wilful child of fifteen, who had grown up impatient of all needful home restraint, finding rebellion easier because there was no mother to control her—with a love of motion, color, sunshine, sound, and laughter that made her an Ariel of Venice, as full of frolic as a kitten and as irresponsible, choosing in her latest caprice one from the many lovers who were ready for the wooing with the seriousness with which she would have chosen a partner for a festa, since to-morrow, if something else seemed better, this lover also could be changed. But the opposition of the grave father and sister made their consent the better worth winning, and set the youthful Gabriele in a more attractive light. So the betrothal had been duly made in the presence of the numerous circle of friends and relatives who stand as witnesses at a betrothal feast in this City of the Sea, and who were as ready with their smiles and their felicitations for any event in the home life of the quarter, as they would be withering in their criticism should there be any failure of complete fulfilment of those traditional observances which are imperative in Venice. Thus the boy and girl were spoza and novizio, waiting the fuller bond in all that pretty interchange of tokens so faithfully prescribed in Venetian circles of every degree; but the period had been one of quarrels and forgivenesses, of fallings away from and returns to favor, as might have been expected from two capricious, foolish children.

To make part of the pretty pageant of the "Brides of Venice," which took place on Lady Day in San Pietro in Castello, the maidens, all in white with floating hair, their dower-boxes fastened by ribbons from their shoulders, had seemed to Toinetta, as she stood each year an onlooker in the admiring crowd, a happiness devoutly to be desired. The custom was a survival of an earlier time, fast losing favor with the better classes of the people; but to Toinetta its dramatic possibilities held a greater fascination than the more sober ceremonial of the usual wedding service, and, all persuasion to the contrary, when the procession gathered in San Pietro in Castello, Toinetta, with flushed cheeks and sparkling eyes, was one of the twelve maidens. Marina looked on with offended eyes; her father consenting, yet only half-convinced, atoning for this lessening of the family dignity by the elegance of the feast he had provided, and all permitted bravery in the gondolas that were waiting to take them thence.

The ups and downs of her childish courtship had culminated in more tears and jealousies than usual on the previous day, but these were secrets between the lovers, and quite unguessed by father or sister. But when the wedding oration had been preached over those twelve bridal pairs, and the wedding benediction had been granted, it was not Gabriele, the boyish betrothed of Toinetta, who brought the blushing bride, partly in triumph and partly in pique, to her father's side, but Piero Salin, the handsomest gondolier on the lagoons, the most daring and dreaded foe of all the established traghetti. It had been impossible for the spectators from the body of the church to follow closely the movements of the twelve white-robed maidens with their attendant swains while the ceremony was progressing in the dim recesses of the choir, and the surprise and dishonor this unexpected dénouement brought upon the home were nothing to the unhappiness in store for the childish bride, whose latest and wildest freak brought neither wisdom for self-discipline nor power to endure that relentless criticism which ceased only when a little one lay in the place of the child-mother, who had been too weak to cope with the worries of the year that had followed upon that unhappy day in San Pietro.

The jilted Gabriele had accepted the situation with a parade of philosophical scorn which removed him beyond the pale of the sympathy Marina would have offered him; and Marina—whose exquisite sense of truth, decorum, and duty had been outraged to a degree beyond Toinetta's comprehension—forgot it all in the overwhelming compassion with which she took her little sister in her arms and tried to help her live her difficult life; she realized, as only a large nature could, that love was the only hope for this emergency, and, feeding on her measureless compassion, love, the diviner faculty, grew to be a power.

Slowly and very dimly she had helped the young wife to some vague comprehension of the duties she had so rashly assumed. Hitherto, for Toinetta, there had been no difficulties, and now there were so many she was frightened and did not understand; now, when Piero scolded at her tears or temper she could not run away nor change him for a pleasanter companion, and she knew no other way to manage such a difficulty; and there was no pleasure in the Piazza because of that eternal critica. There was triumph still in a canalazzo, for Piero was so handsome and so strong, and in the gondola, on the Canal Grande, one could not hear the talking—besides, Venice was not Murano; but in the home the old friends came no more, and life was very sad—quite other than it used to be!

Even her father, who traced the disgrace that had come upon his house to his over-indulgence, was now proportionately severe, and to his stern sense of honor the lawless son-in-law was a most unwelcome guest. Through that slow year of Toinetta's life Marina was the veritable angel in the house, not conscious of any self-sacrifice, but only of living intensely, making the living under the same roof possible for these two strong men who looked at life from such different standpoints, soothing the wounded pride of her father by her perfect sympathy while striving to rouse Piero to nobler ideals.

And now that it was all over—was it all over?—there lay the poor little Zuane; and Piero, over the water at his traghetto, was a great care. But he should do his best yet for the people!

A deep voice with a ring of wistfulness came through the darkness:

"Doth he not sleep yet, the little Zuane? The evening hath been long, and I have somewhat to show thee."

"I come, my father," she answered very tenderly, as she followed him through the narrow, dark corridor, into a large chamber which served as a private office, but where the father and daughter often sat alone in the evening; for here Girolamo kept many designs and papers relating to his work, and they often discussed his plans together.

He unlocked an old carved cabinet and brought out a roll of parchments, spreading them upon the table and explaining: "I could not leave them while I went to call thee, for it is an order from the Senate—thou see'st the seal—and a copy of the letter of the Ambassador of the Republic to the Levant, with this folded therein—truly a curious scheme of color, but very rich, and the lines are somewhat uneven. What thinkest thou of the design?"

"The outline is good," she answered, after a careful scrutiny, for she had been trained in copying his best designs. This was a pattern furnished by the grand vizier of the sultan for a mosque lamp of a peculiar shape, wrought over with verses from the Koran, in various colored enamels. "The outline is well; but the colors—mayst thou not change this yellow? there is too much of it."

"Nay, for the colors have a meaning; methinks this yellow is their sacred color. But the texts are fine; the broken lines of the characters have a charm, and the scrolls relieve the surface, making semblance of shadow. Yet I will make thee a prettier one for thine own chamber, with some thought of thy choosing."

She looked up at him with shining eyes; their trouble, combated and borne together, had brought them very near to one another.

"I have often wished for a lamp with the colors soft like moonlight; and the design shall be of thine own hand, and the verse upon it shall be an ave, and in it there shall be always a light. It shall be a prayer for the little one!" she said in quick response. "The Senate wished thee to make a lamp of this design? I have seen none like it."

"Nay, not one; there will be nine hundred, for the decoration of a mosque," and Girolamo's eyes sparkled with triumph. "It is not that it is difficult," he explained, for Marina's eyes wandered from her father's face to the design with some astonishment. "It is even simple for us. But when the Levant sends to Venice for these sacred lamps for her own temples it is her acknowledgment that we have surpassed our teachers. It is a glory for us!"

"Father, I thought the glass of Venice was even all our own!" Marina exclaimed in a tone of disappointment. "I knew not that our art had come from the East to us. Some say that it was born here."

"Ay, some; but thou shouldst know the story of thy Venice better, my daughter," Girolamo answered gravely, for to him every detail connected with his art was of vital import. "There may be some who say this, but not thou. In the time of Orseolo the mosaics were brought from the Levant for our old San Marco. Thus came the knowledge to us in those early days. But now there is no longer any country that shares it equally with Venice, for elsewhere they know not the art in its fineness. These, when they are finished, shall be sent as a gift from the Republic; it is so written in this order from the Senate."

"When came it to thee?"

"To-day, with much ceremony, it was delivered into mine own hand by one of the Secretaries of the Ten. For, see'st thou, Marina, it is a mark of rare favor that they have trusted this parchment with me, and have not brought me into their presence to make copy of it in the palace. If thou couldst lend me thy deft fingers——"

"Surely," she answered, smiling up at him.

He was standing over her with one hand on her shoulder; he rested the other lightly on her hair, looking down into her eyes for a moment with a caress still and tender, after his own grave fashion. "It will be safer so," he said, folding the parchment and the letters carefully and locking them away in his cabinet. "And to-morrow, Marina—for they have granted me but one day."

The chamber in which they sat was wainscoted with heavy carved woodwork stained black, and every panel was a drawer with a curiously wrought lock, containing some design or some order for the house of Magagnati; and these archives were precious not only for the stabilimento and Girolamo the master, but they would be treasured by the Republic as state papers, representing the highest attainment in this exquisite Venetian industry, which the Government held in such esteem that for a century past one of the chiefs of the Council of Ten had been appointed as inspector and supervisor of the manufactories. For further security the Senate had declared severest penalties against any betrayal of the secrets of the trade—a form of protection not quite needless, since the Ambassador of His Most Christian Majesty had formed a species of secret police with no other object than to bribe the glass-makers and extract from them the lucrative secret which formed no part of the courtesies that were interchanged between France and the Republic.

The large, low table, black and polished like teak-wood, upon which they had been examining the vizier's design, was lighted by a lamp of wrought iron swinging low by fanciful chains from the high ceiling, making a centre of dense yellow flame from which the shadows rayed off into the gloom of the farther portions of the room, and a charming picture of father and daughter was outlined against the vague darkness. Another lamp, fixed against a plate of burnished brass, cast a reflection that was almost brilliant upon the glory of this chamber—a high, central cabinet of the same dark, carved framework, with a back of those wonderful mirror plates so recently brought to perfection by another stabilimento of which the good Girolamo was almost jealous, although against this luminous background the exquisite fabrications of the house of Magagnati reflected their wonderful shapes and colors in increased beauty.

Not yet had any plates of clear glass fine enough for the display of such a cabinet been realized, though it sometimes seemed to Girolamo that such a time was very near; but the solid doors of wood, with ponderous brass locks and hinges, stood open, and the inner silk curtain which protected these treasures from dust was always drawn aside by Marina's own hand when these evening lamps were lighted; they were so beautiful to see, if they but raised their eyes; the very consciousness of their gleaming was sometimes an inspiration to Girolamo, and at this hour they were quite safe, for the working day was over, and no one entered this sanctum save by invitation.

Girolamo Magagnati prided himself on being a Venetian of the people, and it was true that no member of his family had ever sat in the Consiglio; but in few of the patrician homes of Venice could more of what was then counted among the comforts of life have been found than in this less sumptuous house of Murano, while its luxuries were all such as centered about his art. He was one of the magnates of his island, for his furnaces were among the most famous of Murano, and to him belonged secrets of the craft in his special field to which no others had yet attained, while in a degree that would scarcely have been esteemed by the merchant princes of Venice, who sat in the Consiglio, they had brought him wealth and repute. But to him, whose heart was in his work, it was power and glory that sufficed. No stranger whom it was desired to honor came to Venice but was conducted, with a ceremony that was flattering, while it was also a due precaution against too curious questioning, through the show-rooms of the factories of Murano; and often in this chamber had gathered a group of men whom the world called great, led by that special Chief of the Ten who was then in power at Murano, to see the treasures of this cabinet of which Girolamo was justly proud.

This first bit of the wonderful coloring which glowed and flashed when the light shot through it, as if some living fire were caught in its heart; or that curious, tortured shape, with its dragon-eyes of jewels, and its tongue forever thrusting at you some secret which it almost utters, yet withholds; this fragment of tenderest opalescence which is of no color, yet blending all, as if a shower of petals were blown across a rainbow in spring; that one—frosted in silver and gold—pink, with the yellow sunshine in its core; here the aquamarine, lucent as Venice's own sea! And here, throned in regal state, in its quaint case of faded azure velvet, is that very masterpiece of the glass-workers of Murano which was carried in the first solemn procession of all the arts at a Doge's triumph in the thirteenth century. Its very possession was a patent of nobility in Girolamo's reverent esteem; and the most gracious letter of the Senate, conferring upon this piece of glass the distinction of first mention among all that were shown upon that day of triumph, is here also—a yellowed parchment, carefully inclosed in the little morocco case, securely screwed to the shelf beneath, and Marina had been present when it was opened for some rare visitor. It was a relic of those earlier days when there were no furnaces in Murano, though many of the finest workers came from this island and belonged to the corporation of the workers on Rialto, and it was almost a prehistoric record of greatness.

Marina had left the table and gone to the cabinet; her father followed her. "This I would show thee," he said, calling her attention to a whimsical shape, blown and twisted almost into foam. "This Lorenzo Stino brought me only yesterday; he is full of genius; I think none hath a quicker hand, nor a more inventive faculty. I have watched him in his working." He scanned her eagerly as he spoke.