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MY PHILOSOPHY OF RACING

There are very few people who have any idea what it takes to be successful in this business.

Much of my life has been devoted to the pursuit of the Formula 1 World Championship. I was runner-up three times before I finished the job off in 1992. Yet if circumstances had been different and politics hadn’t intervened, I might also have won a further two World Championships, in 1988 with Williams and in 1990 with Ferrari.

In both cases the essentials were there. The hard work developing the car had been done, but politics dictated that the pendulum should swing away from me. In 1988 Honda quit Williams and dominated the championship with McLaren, while in 1990 Alain Prost joined Ferrari, where we had developed a winning car, and proceeded to work behind the scenes to shift all the team’s support, which I had worked for in 1989, to himself.

Although I consider myself strong in most sporting areas of motor racing, I am a poor politician and there is no doubt that this has accounted for me not winning more races and more championships.

Moreover, these experiences provide an object lesson in just how difficult it is to win a lot of Grands Prix and a World Championship; there is far more to it than simply beating people on the race-track. They also serve as a reminder that nothing in motor racing is ever certain. You might have all the right ingredients in place, the full support of the team, an excellent car, and yet some minor component can let you down or some freak accident, like a wheel nut coming off, can rob you of the prize after you’ve done most of the hard work.

There are no shortcuts to winning the World Championship, but in my fifteen years as a Grand Prix driver I have learned a lot about what it takes to win consistently.

My philosophy of driving a racing car is part and parcel of my philosophy of life. Achievement, success and getting the job done in every area of life, not just in the cockpit, are fundamental to my way of thinking. Everything has to be right. Whether it’s getting to the golf club on time or having the right pasta to eat before a race, the demand for perfection everywhere is critical.

MOTIVATION IS THE KEY

Winning at the highest level of motor sport is not like winning in athletics or tennis or golf. In those sports you have just yourself to motivate. In motor sport, you require a huge team and huge resources and it is incredibly difficult to get it all to gel at the same time, to hit the sweet spot. Everything has to come together in unison.

When people think of Nigel Mansell the World Champion, they think that all my winning is done behind the steering wheel. Although important, the actual driving aspect is the final link in the chain. A lot of what it takes to be a champion takes place out of the car, unseen by the public. Winning World Championships as opposed to winning the odd Grand Prix is about always demanding more from your team and never being satisfied. This was a very important aspect of the 1992 World Championship and it is perhaps an area that the public understand least.

At Paul Ricard in September 1990 I tested the fairly unloved Williams-Renault FW13B. I changed everything on the car and got it going quicker than either Riccardo Patrese or Thierry Boutsen had managed that year, but it was clear to me that although Renault and the fuel company Elf had been doing a reasonable job, they had not been pushed hard enough to deliver the best. I immediately began demanding more from them, especially Elf. Having been at Ferrari for the past two years, I understood the progress which their fuel company Agip had made. Agip was producing a special fuel which gave Ferrari a significant horsepower advantage. I am a plain speaking man and I told them straight. The demands I made on them didn’t endear me to them initially; in fact I pushed so hard that I was told at one point to back off. But I knew that if Williams-Renault and I were going to win the World Championship, we had to begin immediately raising the standards in key areas like fuel.

As I said, it didn’t endear me to them to start with. No-one likes to be told that they can do a lot better, even less that they are well behind their rivals. Perhaps they thought that I was complaining for the sake of it, or ‘whingeing’. I think whingeing is a rather naive term to use for trying to raise everybody up to World Championship level!

Eventually they came around to my way of thinking. In the case of Elf, it took them three or four months to realise that I meant business and another three to deliver the fuel that I wanted, but the performance benefits that began to emerge in the late spring of 1991 were the result of the pressure that I had put on both Renault and Elf in late 1990.

Ayrton Senna opened up a points cushion in the World Championship by winning the first four races of 1991 in the McLaren-Honda, but after that we were able to compete on more equal terms and as the year wore on and the developments came through onto the cars, the wins started to come thick and fast. From then on everybody kept the momentum going, always striving to do a better job than they thought was possible and the result was the total domination of the 1992 Championship. It took a year and a half to get the team into championship winning mode but together we did it.

Motivation is a vital area of a driver’s skill. Towards the end of 1990 I visited the Williams factory in Didcot to meet the staff. Since I had left at the end of the 1988 season, the team had grown and new staff had been taken on. Consequently there were quite a few people there who didn’t know me and who did not know how I work. I asked for everybody to come to the Williams museum where I did a presentation on what I thought it would take to win the World Championship. I needed them all to know that it isn’t just a driver and a team owner who win World Championships, but the 200 or so people back at base, some of whom only give up the odd Saturday or Sunday to come in to work and do what is required to win, but who are all very important.

Similarly, in February 1992, around a month before the start of the season, I went to Paris with the then Williams commercial director, Sheridan Thynne to visit the Renault factory at Viry Chatillon. We went around the whole place, not just the workshops where they prepare the engines, but every office and every drawing office in the building. We shook hands with every single person from the managing director down to the secretaries and the cleaners and signed posters for each of them.

It was a good visit from a motivational point of view. It got everybody focused on what we were about to do and it helped all the Renault people to understand me a bit better and to feel a part of the success. We were taken around and introduced to everybody by my engineer, Denis Chevrier. I subsequently found out that he had been on a skiing holiday that week and wasn’t due back until the weekend. But so committed was he to the cause of winning the World title, that he had cut short his holiday to be there. That is the stuff of which championships are made.

We also visited Elf’s headquarters and met with all of their people. I believe that this is a key part of building a successful team. You must push everybody involved with the team in every area and tell them that, although they are doing a good job, they can do better. A large part of it is demanding the best, better than people think they can achieve. From suppliers of components through to secretaries in the factory, everyone must be made to feel they can improve and to feel a part of the success when it comes. When I step from the car after winning a race or getting pole position, I shake hands with all my mechanics and congratulate them on the job that we have all done together.

Over the years, through sheer determination to succeed, I have learned all of the things that are required to win. I try to raise everybody’s standards to a level that they don’t always know they can achieve. I demand the highest standards from everyone around me and if everything is working right, then I just have to keep up my end of the deal on the track. If it’s not going right and everybody is searching for answers it puts more pressure on the driver and makes it more difficult to get good race results.

I have also learned that you cannot please everybody and that no matter what you do or say and no matter how you carry yourself when you are in the spotlight, people are going to criticise you. Sadly that is a given element of my life and I have come in for a lot of criticism, some of it justified, most of it, I believe, not.

If pushing everybody to produce commitment at the highest level in order to win really is whingeing, then I’m a whinger – but I have the satisfaction of knowing that it leads directly to success.

There is a deplorable and negative characteristic of the British, which is to try to undermine success and to glorify the gallant loser. It is often called the ‘tall poppy syndrome’. The media have a simplistic perception of a lot of stars; they like to stick a label on someone and work from there. Once the label is stuck on it is difficult to shake off. People are actually a lot more complicated than that and in most cases there is a great deal going on behind the scenes, which would explain a lot if only it were more widely known.

In 1992 I was criticised for implying that the victories we were accumulating were entirely due to me and not to the team and our fabulous car, FW14B. I always paid tribute to the team in post race press conferences, it’s just that the media chose not to use those quotes in their articles. I did a long interview with the BBC at the end of the year, where I spent quite some time going into detail about how the team had done a great job, but they cut that part out when they aired the programme.

The way I work is that I am the captain of the ship and I work for the common good within a team. I don’t like anyone telling me how to drive a racing car or what to do out on the track – that’s my business and my record speaks for itself. Outside the car I listen to all of the technical advice and make use of all the expertise available. I am a team player and I know that unless some outside factor comes in to upset the balance, what’s best for me is what’s best for the team.

When you hire Nigel Mansell as your driver, the actual time spent in the car and what I can do with the car is far from all that you are buying. The ability to get the best out of the the car is well known, but also crucial is the ability to get the car into a shape to be used like that.

I need to be surrounded in a team by people who believe in me and who know that if I am given the right equipment, I’ll get the results.

When I aligned myself to Williams in 1991/92, everybody worked my way and we delivered the goods: nine wins, fourteen pole positions and the title wrapped up in record time by August. If we hadn’t delivered the goods then I could sympathise with the team’s frustration and difficulty in continuing the relationship. But to change tack just because of pressure from the team’s French partners to bring aboard one of their fellow countrymen, Alain Prost frustrated me enormously, although I could understand the reason behind it.

There is an old Groucho Marx joke which goes: ‘I wouldn’t want to be a member of a club which would have someone like me as a member.’ I am the exact opposite of this. I only want to be in a team that wants me there and wants to work the best way both for the team and for me. If I feel that I do not have the team’s full support, then I am quite prepared to leave.

I don’t want to be in a situation where everyone is not pulling together.

BE FAST AND CONSISTENT

Patrick Head, Williams’ technical director, has said that one of my major strengths as a racing driver is that I don’t have on days and off days. I am consistently fast, which is a big help to a team when it comes to developing a car. They know that the speed at which I drive a car on any given day is the fastest that car will go, so they always have something consistent to measure against.

Of course, in reality, every human being has on days and off days, but if you are a real professional it shouldn’t show in the car, because you are being paid to drive the car and to perform. Also your professional integrity should not allow you to take it easy on yourself when you feel like it. A champion needs to have that extra will and determination to get the job done so that, although you might not feel on top form out of the car, you perform to the highest levels in it. That takes a lot of energy but it is vital if you are going to be successful.

Sometimes you have to face the fact that even your best efforts are not going to yield the results. In my second year of IndyCars in 1994, it just wasn’t possible to do what we had done the year before and win races consistently with the car we had. I gave it a massive effort in bursts during qualifying and sometimes was able to get on pole or the front row, but the Penskes were so superior over a race distance that there was nothing I could do to beat them, even if I drove every lap of the race as if it were a qualifying lap. When it’s not possible you can’t make it happen. That’s not to say that I gave up or resigned myself to making the numbers up. I was just being realistic.

I am often asked how I feel I have improved as a driver over the years. Obviously you cultivate your skills and talents in all areas, but if I had to be specific I would say that I have improved as a human being and that has matured my racing technique. I’m a little bit more patient now and I’m not as aggressive as I used to be, although there is still a lot of aggression there. I have much more knowledge of how to get the job done and I don’t pressure myself into doing a certain lap time, which I used to do all the time.

I am a better thinker in a racing car nowadays, I don’t feel that I have to lead every lap of a race. As long as I’m the one who crosses the line first that’s the important thing.

I have also developed the courage to come into the pits when the car isn’t working and to tell the crew that it’s terrible, rather than feel that I have to tread on eggshells so as not to hurt their feelings. In the early days, when I complained about a car everybody would say, ‘Oh, he’s whingeing again, he’s no good.’ Now I have the self belief and I know what is right and what is wrong and stick to it. I don’t just steam in and criticise, I make suggestions and pressurise people into accepting that something isn’t good enough and needs to be changed. In other words I have become a little wiser about how to operate and do things.

MY UNUSUAL DRIVING STYLE

My driving style has changed little over the years that I have been racing. It is quite a distinctive style, because I tend to take a different line around corners from other drivers. The classic cornering technique, as taught by racing schools, is to brake and downshift smoothly while still travelling in a straight line and then to turn into the apex of the corner and apply the power. Thus you are slow into the corner and fast out of it.

I never consciously set out to ignore those rules, I just devised my own way of driving and stuck to it because I found it faster. It is a lot more physical and tiring than the classic style, but it’s faster and that’s what counts.

My style is to brake hard and late and to turn in very early to the apex of the corner, carrying a lot of speed with me. I then slow the car down again in the corner and drive out of it. Because I go for the early apex, I probably use less road than many other drivers. In fact if you put a dripping paint pot on the back of my car and on the back of another driver’s car around a lap of a circuit like Monaco, you would probably find that my lap is 20 or 30 metres shorter than theirs!

To drive like this I need a car which has a very responsive front end and turns in immediately and doesn’t slide at the front. I cannot drive on the limit in a car which understeers, for example. My cars tend to handle nervously because I need them to roll and be supple; a car which does this at high speed is an uncomfortable car to drive and is very demanding, but invariably it is faster. Because it’s ‘nervous’ it will react quickly to the steering and will turn quicker into a corner. The back end feels like it wants to come around on you, but that’s something you learn to live with. Although it’s nervous it’s got to be balanced properly, if it isn’t then there’s nothing you can do with it. A stable stiff car is reassuring to drive and won’t do anything nasty to you, but it’s not fast. If you want the ultimate then you’ve got to have something which is close to the limit. This makes demands on you physically, of course. It’s much more tiring to drive a car this way and you need to have a particularly strong upper body and biceps in order to pick the car up by the scruff of the neck and hurl it around a corner.

The best car is not just a car which wins for you, but one which gives you the feedback that you need as a driver so you can have total confidence in it. The best car I ever drove was the active suspension Williams-Renault FW14B, in which we won the 1992 World Championship. It was a brilliant car because the only limiting factor was you, the driver. The car could do anything you wanted it to. For example, if you wanted to go into a particular corner faster than you had ever done before, all that was holding you back was the mental barrier of being able to keep your foot down. If you went for it, the car would see you through. I loved that.

SLOWING THINGS DOWN

Any top class racing driver must have the ability to suspend time by the coordination of eyes and brain. In other words, when you’re doing 200mph you see everything as a normal person would at 50mph. Your eyes and brain slow everything down to give you more time to act, to make judgments and decisions. In real time you have a split second to make a decision, but to the racing driver it seems a lot longer. If you’re really driving well and you feel at one with the car, you can sometimes even slow it down a bit more so it looks like 30mph would to the normal driver. This gives you all the time in the world to do what you have to do: read the dashboard instruments, check your mirrors, even radio your crew in the pits. That’s why, when I say after I won the British Grand Prix, for example, that I could see the expressions on the faces of the crowd, it’s because everything was slowed and I had time to see such things.

When you first drive a Grand Prix car, everything happens so quickly that you can sometimes frighten yourself. Once you’ve had some experience of racing at these speeds you can get into pretty much any racing car and go quickly, provided that you’re comfortable with the car of course. The more time you spend in the car the more in tune you become with the speeds involved.

Sometimes unexpected things happen incredibly quickly and you just have to rely on instincts to see you through. A good example of this is the incident which occurred when I was with Ferrari at Imola in 1990, when Gerhard Berger in the McLaren pushed me onto the grass at the Villeneuve Curve. That was an incredible moment. It was a split second decision as I travelled backwards at nearly 200mph whether to put it into a spin or whether to try and catch it. I took the first option and managed to bring the nose around the right way and kept on going. Although I cannot say that I saw the direction I was pointing throughout the two full revolutions the car made, I was aware through instincts of exactly where I was going the whole time. The result was a spectacular looking double spin and I kept on going. I probably only lost about 40mph in the spin. Because the adrenalin was pumping so hard after it, I broke the lap record on the next lap.

At times like that you’ve got to be a bit careful. Your heartbeat gets up to 150-200 beats per minute. You don’t think about it, but it is very important that you breathe properly, because you are on the verge of hyperventilating at that pulse level. It is vital that you understand your body and that you manage it as much as you do the car.

DRIVING ON THE LIMIT

Everybody has different limits, that’s one of the things which differentiates good amateur drivers from great professional drivers. Most top Grand Prix drivers will go beyond their limits at some time in their career and a few really top ones are able to go beyond their limit, if the occasion demands, for a period of time. Ayrton Senna talked after qualifying at Monaco in 1988 of going into a sort of trance, where he was lapping beyond his limit, treading into unknown territory. He stopped after three laps because he frightened himself. While I would not describe the feeling as being like a trance, I have had a similar experience several times, most notably at Silverstone in 1987, when I caught and passed Nelson Piquet after 29 laps of totally committed driving. This experience of mesmerising speed is described in detail later in the book. More usually that feeling comes when you commit every ounce of your strength and determination on a qualifying lap.

When you go for the big one in qualifying, you give it everything you’ve got and on certain corners you over-commit. Now this is where the judgment comes in because if you over-commit too much then you won’t come out of the corner the other side. You enter the corner at a higher speed than on previous occasions and if you are able to carry that speed through the corner you will exit quicker than before. You can’t do it consistently because the car won’t allow it and something will inevitably give. Of course you have to feel comfortable with the car. If it’s bucking around all over the place and is unstable even at medium speed through a corner then you would be a fool to go in 20mph faster next time round.

Provided that the car is doing more or less what you want it to, you can hustle it around on one or two really quick laps. It then comes down to your own level of commitment and that depends on so many factors. Some drivers become less committed after they have children, others lose the edge after a major accident, others will become more committed when it’s time to sign a new contract for next year!

Mental discipline plays a huge part in driving on the limit. A top athlete in any sport must be able to close his mind completely to extraneous thoughts and niggling doubts and concentrate 100%. If you want to be a champion, you need to be able to focus completely on the job in hand to the exclusion of everything else going on around you. Your brain must have a switch in it so that the minute you need to concentrate, your mind is right there and ready to go. I have been able throughout my career to give a consistently high level of commitment and even my harshest critics would admit that there are few more committed or focused drivers than me.

It’s a personal thing. You have to be true to yourself and if I thought that I had lost my edge I would stop racing immediately. I am interested only in success and winning races and if my brain and body did not allow me to be completely committed I would know that I was wasting my time. The moment I feel that, I will retire on the spot.

You can only do what your brain and your body will allow you to do. For example, in qualifying for the British Grand Prix in 1992, the telemetry showed that I was taking Copse Corner 25mph faster than my team-mate Riccardo Patrese, using the same Williams-Renault FW14B. In fact over a whole lap I was almost two seconds faster than him. As we sat debriefing after the session, Riccardo looked at the printouts and said that he could see how I was taking Copse at that speed, but that he couldn’t bring himself to do it. His brain was telling his body, ‘If we go in that fast, we’ll never come out the other side.’

Every really hot qualifying lap relies on the brain and body being in harmony and prepared, at certain key points, to push the envelope, to over-extend. That is the only way you are going to beat the Rosbergs, Piquets, Sennas and Schumachers of this world. It goes without saying that once you operate at that level, your self-belief must be absolute.

In all my career I have done maybe 10 perfect laps. One of the ones I savour the most was at Monaco in 1987. To do any kind of perfect lap is special, but when you do it at Monaco that’s as good as it gets. When you run the film of the lap through your mind afterwards and you examine every gearchange, every braking point, every turn-in and how you took every corner and at the end of it you say ‘I could not have done that faster’, that’s when you know you have done a perfect lap. You don’t need to go out and try to do better. When you get a lap like that you don’t even need to look at the stopwatch on your dashboard or read the pit boards. You know it’s quick.

When I came back into the pits David Brown, my engineer and a man who would become one of my closest allies in racing, pointed out that the white Goodyear logos had been rubbed off the walls of the rear tyres where I had brushed the barriers! You have to skim the barriers at a couple of points when you’re flying at Monaco, it’s the only way to be really quick. It sounds frightening, but it’s supremely exhilarating. I never feel more alive on any race track than I do on the streets of Monaco. Everything has to be synchronised and you need to have fantastic rhythm as well as aggression and a truckload of commitment to be fast there. I have always enjoyed the challenge, but I think also that the romantic in me responds to the idea of going well at this most celebrated of Grands Prix.

Generally speaking, although qualifying is important, merely lapping quickly, in other words driving fast, is not what turns me on the most. Competition is the most important thing and driving flat out against someone else with victory as the end result is my idea of heaven. Nevertheless, when you get a perfect lap in qualifying it feels absolutely marvellous. When I got out of the car at Monaco and looked at the white smears on the walls of the tyres where the manufacturer’s logo had been wiped off, it even impressed me. There are no long straights at Monaco, it’s all short chutes, but coming out of the tunnel I was clocked at 196mph, a full 17mph faster than Prost in the McLaren. I was six tenths faster than Senna and 1.7s faster than my team-mate Nelson Piquet and I had done not just one, but three laps which were good enough for pole!

From the point of view of a race, it’s not a major psychological advantage over your rival to get pole position. Anybody can get pole position if they have an exceptional lap in the right equipment. The key is to prove that you have the ability to do it time and again. It’s not one thing that gets you pole position, it’s a package of things, but you do have to put together the perfect lap and to show that you can do it more than anyone else. I am very competitive and I approach qualifying and racing at the same level.

Some top drivers believe that the race is the most important thing and that their position on the grid does not matter too much. Double IndyCar champion Al Unser Jr is like this, as to some extent was Alain Prost. They would concentrate on getting the set-up of the car absolutely perfect for the race and not over-extend themselves in qualifying. On one level you can see their point and I have done that a couple of times myself, notably at Hungary in 1989. It is the race after all which carries the points, but I have always believed that it is important to be quick and to show that you are strong throughout the weekend. Of course on certain tracks, like Monaco, there is a benefit to being at the front because it is hard to pass in the race.

Sometimes, as happened to me a great deal in the early part of my career, if your car is not up to scratch you are forced to make up the difference yourself. You do not want to be blown off in a bigger way than you have to be. So you delve deep into your reserves of commitment. You have to squeeze the maximum out of your car and out of yourself and whatever that yields is the absolute fastest that it is possible to go with the equipment. You can then go away satisfied in the knowledge that you’ve done the best job you can possibly do. Hopefully, if you are working your way up the ladder despite struggling with inferior equipment, the people who run the top teams will pay attention to you and maybe give you an opportunity in a good car.

It is also very important to be on the limit when testing a car because if you don’t know what a car is going to do when you are on the limit, then you’ll be in trouble when you race it. Anyone can drive at nine-tenths all day, but unless you understand what the car will do at ten-tenths and even occasionally eleven-tenths, then you are not being true to yourself, your car or your team.

When you are testing a car and you are not on the limit, you can make a change which might feel better to you, but which does not show on the stopwatch. If you then say, ‘No, it feels better like that, it’s only slow because I wasn’t pushing it,’ then you might subsequently find that the car won’t work on the limit and in fact you’ve made it go slower by making the change. If you find that out during a race, you’re in big trouble.

Sometimes making a car feel better doesn’t make it quicker, and the name of the game in motor racing is to shave as many fractions of seconds off your lap time as possible and then to be able to lap consistently at your optimum speed. It’s an uncomfortable truth for some, but the only thing that tells you that is the stopwatch.

Motor racing is in general, I think, the art of balancing risk against the instinct of self-preservation, while keeping everything under control. People can only aspire to great endeavours if they believe in their hearts that they can achieve their goals – and to my mind that’s the difference between courage and stupidity.

Courage is calculating risks; when someone sets an objective, realises how dangerous it is, but then does it anyway, fully in control. They have to fight with their feelings and hopefully are honest with themselves when facing up to the dangers inherent in what they are doing. Then there are others who aren’t really in control.

STARTING A RACE

The start of a Grand Prix is a very dramatic moment and there is a lot of chaos and confusion going on around you. But the most important thing you have to think about is your own start and making sure that you get away as well as you can. The first couple of corners in a Grand Prix can make a huge difference to the result. If you have pole position and you get a good clean start, you can open out a lead over the field, because they are jockeying for position behind you. Also it goes without saying that if it’s wet and the cars are kicking up huge plumes of spray, there is only one place to be!

It’s very important at the start to have mental profiles of each of the drivers around you, to know who’s fired up that weekend and who’s depressed, who’s trying to be a hero and who is desperate for a result. If there’s someone who has qualified way beyond expectations, then they will probably want to show that their position is justified so they are probably going to be dangerous. You need to know who is brainless, who is a cautious starter, and so on. You have to put all of this into your brain and let your instinct take you through. It’s like reading the greens on a golf course, or knowing about the going on a race course. It’s the finer points that matter.

Psychologically, the start is vital. In 1992 I had 14 pole positions and at the starts I went off like a rocket. I wasn’t holding anything back. I would open out as big a gap as I could as fast as I could. Sometimes I was two or three seconds clear at the end of the first lap. It was vital to dominate everybody, to intimidate everyone to the point where they knew who was going to win before the race even started. And it worked.

I was on a mission that year. No-one was going to beat me. I had psyched myself up throughout the winter and I was incensed when before the season started Patrick Head said when referring to the Williams drivers, ‘We’ll see who comes out better in 1992.’

That was an insult. My team-mate Riccardo Patrese was a great driver, but my credentials up to that point were a lot better and I had won three or four times as many races as him. What’s more, having spent years as the number two driver, I was finally number one. I was determined to crush everybody. I had to dominate the Williams team and I wanted everybody to know that I was number one. I also wanted Ayrton Senna, the only person whom I perceived as being a threat, to know that I was going to win the World Championship at the earliest possible time. The relentless pressure I applied through qualifying and then at the start helped to cement that idea in people’s minds.

Sometimes it can all go wrong at the start, as it did in Canada in 1982 when Didier Pironi stalled on the front row of the grid and Riccardo Paletti didn’t see him, hit him and was killed. I was one of the cars who had to dodge Pironi and there was no time to think about it, you just had to act. It’s the instinct of self-preservation. We all have this instinct because we don’t want to die. You know when you race a car that if you don’t do the right things at certain times, you could get killed or badly hurt. The start of a race is one of those times.

STRATEGY AND READING THE RACE

Peter Collins played a major role in helping me reach Formula 1 and he was my team manager for a few years at Lotus and Williams. I always used to laugh at him because he used to like to plan the race in minute detail beforehand and sometimes we would have ten different strategies in front of us. It was complete nonsense because usually something would happen that we hadn’t even considered. Before the start we used to study the grid and he would say, ‘What happens if he gets a good start and what if he gets a bad one?’ But whatever you tried to plan, it all used to change.

Niki Lauda was always a great planner, but what he thought about never occurred either, so he gave up wasting his brain power, relaxed and was ready for anything that came up.

That’s one of the strengths of my driving now. I don’t think about things too much. I’ve had so much experience and so many things programmed into my brain that I’m prepared for anything. When something crops up, you don’t have time to think about it anyway. If you try to think, you’ll be too slow in reacting. A mixture of instinct and experience tells your hands and your feet to position the car so that if something does happen, you’re in good shape. It takes years of experience to develop that ability. It just doesn’t occur by chance.

Once you are in the race, you can read what’s going on pretty well. You can control the race more in Formula 1 than you can in IndyCar racing. In IndyCar you rely on the team manager and the crew to call fuel strategies and the yellow flags can wreak havoc to your progress. You can win or lose a race because of yellow flags and that’s according to the rules. It’s a bit frustrating, but they are there for everybody, the fans and the television and the smaller teams. It can work for you and it can work against you. Does it level out? I’m not sure. I think I had a fair bit of luck in 1993, while in 1994 I had some bad breaks, but I’m happy that it worked out for me first time around.

Formula 1 is quite different. You win and lose a race out on the track. It’s a pure sprint and it’s very rare that a yellow flag or a pace car will intervene to deprive you of a win which you thought you had in the bag. You rely on pit signals and the radio link with the crew, but you can tell a lot from the cockpit about where the opposition is on the track.

OVERTAKING AND RACE CRAFT

The secret with overtaking is that you’ve got to be in total control of what you are doing before you set about passing other cars. If you are on the ragged edge just to keep your car at racing speed, then you are not going to be effective when trying to make up positions and compete with rivals. Some duels can last a long time and you need to be totally comfortable with your car before you can commit the mental and physical energy required to pass a Senna or a Prost on a race track.

When you come to pass someone, you first have to make sure that they know you’re there. Sometimes they do, but will pretend that they don’t and will try to block you or even put you off the track. It’s up to you to decide when and where to engage them in psychological combat.

You first put the ‘sucker move’ on them, showing them your nose and setting them up with moves through certain corners to make them think that this is where you are going to attack. You are saying to them, ‘This is the move which is going to come off,’ when in reality you know that it isn’t. You feint to one side and they think that this is your last-ditch attempt to come through, but it isn’t. You’ve got something else in mind.

You save up your best move and don’t give them any idea what it is or where it will come. Sometimes you only get one chance and winning a race depends on one proper effort. If it comes off you win, if it doesn’t you lose. But to have many attempts and to fail all the time, merely weakens your position. You must show that you intend to come through and in many cases you can psyche your opponent out before the fight begins. Some will say, ‘Oh God, it’s Mansell, I can’t possibly keep him behind me,’ because they’ve had experience of being beaten in the past. This does not work on the real aces however. You’ve got to do something special to pass them and you’ll probably only get one go.

This is one of the strongest areas of my driving and I haven’t had too much trouble in my career passing people, with one exception. Ayrton Senna stood out during my career as the toughest opponent. Our careers coincided and between 1985 and 1992 we both wanted to win the same Grands Prix. When we both had competitive equipment we knew that to win we would have to beat the other.

We had some fantastic scraps, although in the early days he was quite dangerous to race against. He was so determined to win that he would sometimes put both you and himself into a very dangerous situation. It was a shame he did this. He was so good he didn’t need to do it, but he so badly wanted to win.

Sometimes you over-estimate your opponent and this can have dire consequences. For example you might be lapping a back marker, thinking that he will react a certain way, the way you would react if you were in his shoes. If he reacts in a quite different way he might collide with you and then you’ve thrown away the race because you attributed a higher level of intelligence to a driver than he actually possesses. It is a far greater weakness, however, to under-estimate an opponent, for obvious reasons.

There is no doubt that at the pinnacle of the sport there are some very forceful competitors.


Mike Blanchet, a former competitor of Nigel’s in Formula 3 and now a senior manager at Lola Cars: ‘Nigel likes a car with a good turn-in. He likes a more nervous handling car, which would frighten most drivers. Most of them like a neutral car with a little understeer, which feels safer. Because of his reflexes and his physical upper body strength Nigel is able to carry a lot of speed into corners without losing control of the car. A lot of people would spin if they tried to take that much speed into a corner.’

Peter Windsor, a former Grand Prix editor of Autocar magazine and Nigel’s team manager at Williams in 1991/92: ‘Nigel drives a little like Stirling Moss used to. Moss always said, “Anyone can drive from the apex of a corner to the exit, it’s how you get into the apex that matters.” Nigel got a feel early on for turning in on the brakes, crushing the sidewall of the tyre and thereby getting more out of a tyre. From the outside he makes a car look superb and his technique is very exciting to watch. He gets on the power very early on the exit of the corner. If the track conditions change suddenly or unexpectedly then Nigel is more at risk than other drivers because he’s more committed early on and more blind than others.’

Derek Daly, driver, turned TV commentator: ‘Mansell’s style is an aggressive style more than an efficient one, but it’s very fast. He makes an early turn-in; he gets his business sorted out in the apex and gets out of the corner as soon as possible. The key to being quick is the time it takes from turning in to reaching the apex and then the momentum you carry through the apex and out the other side. That is an area of the track where a lot of people slow down too much. Mansell doesn’t do that. He goes to the apex as soon possible, carrying lots of speed, lots of momentum and gets on his way. It is an unusual style – he often uses different lines through corners, but always the same cornering principle.’

Mansell: My Autobiography

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