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ACKNOWLEDGMENTS

The quotation from James A. Michener's The Floating World is used by permission of Random House, New York; the quotation from Langdon Warner's The Enduring Art of Japan, by permission of the Harvard University Press, Cambridge; and the quotation from Elise Grilli's review of the work of Koshiro Onchi, by permission of the writer.

The present work had its genesis in a paper read before the Asiatic Society of Japan on February 14, 1955, a revised version of which was published in Sophia University's quarterly, Monumenta Nipponica, July, 1955. Grateful acknowledgment is made to both the Society and the University for the cooperation which helped to make this publication possible.