Читать книгу The Book of the National Parks - Robert Sterling Yard - Страница 22

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From a photograph by J.T. Boysen

EL CAPITAN, SURVIVOR OF THE GLACIERS

Looking eastward up the Yosemite Valley, Half Dome is seen on the right horizon

To appreciate the Valley we must consider certain details. It is eight miles long, and from half a mile to a mile wide. Once prehistoric Lake Yosemite, its floor is as level as a ball field, and except for occasional meadows, grandly forested. The sinuous Merced is forested to its edges in its upper reaches, but lower down occasionally wanders through broad, blooming opens. The rock walls are dark pearl-hued granite, dotted with pines wherever clefts or ledges exist capable of supporting them; even El Capitan carries its pine-tree half way up its smooth precipice. Frequently the walls are sheer; they look so everywhere. The valley's altitude is 4,000 feet. The walls rise from 2,000 to 6,000 feet higher; the average is a little more than 3,000 feet above the valley floor; Sentinel Dome and Mount Watkins somewhat exceed 4,000 feet; Half Dome nearly attains 5,000 feet; Cloud's Rest soars nearly 6,000 feet.

Two large trench-like canyons enter the valley at its head, one on either side of Half Dome. Tenaya Canyon enters from the east in line with the valley, looking as if it were the Valley's upper reach. Merced Canyon enters from the south after curving around the east and south sides of Half Dome. Both are extremely deep. Half Dome's 5,000 feet form one side of each canyon; Mount Watkin's 4,300 feet form the north side of Tenaya Canyon, Glacier Point's 3,200 feet the west side of Merced Canyon. Both canyons are superbly wooded at their outlets, and lead rapidly up to timber-line. Both carry important trails from the Valley floor to the greater park above the rim.

To this setting add the waterfalls and the scene is complete. They are the highest in the world. Each is markedly individualized; no two resemble each other. Yet, with the exception of the Vernal Fall, all have a common note; all are formed of comparatively small streams dropping from great heights; all are wind-blown ribbons ending in clouds of mist. They are so distributed that one or more are visible from most parts of the Valley and its surrounding rim. More than any other feature, they differentiate and distinguish the Yosemite.

The first of the falls encountered, Bridal Veil, is a perfect example of the valley type. A small stream pouring over a perpendicular wall drops six hundred and twenty feet into a volume of mist. The mist, of course, is the bridal veil. How much of the water reaches the bottom as water is a matter of interesting speculation. This and the condensed mists reach the river through a delta of five small brooks. As a spectacle the Bridal Veil Fall is unsurpassed. The delicacy of its beauty, even in the high water of early summer, is unequalled by any waterfall I have seen. A rainbow frequently gleams like a colored rosette in the massed chiffon of the bride's train. So pleasing are its proportions that it is difficult to believe the fall nearly four times the height of Niagara.

From a photograph by J.T. Boysen

HALF DOME, YOSEMITE'S HOODED MONK

Rising nearly four thousand feet above the valley floor; the view is up Tenaya Canyon to the High Sierra

The Ribbon Fall, directly opposite Bridal Veil, a little west of El Capitan, must be mentioned because for a while in early spring its sixteen hundred foot drop is a spectacle of remarkable grandeur. It is merely the run of a snow-field which disappears in June. Thereafter a dark perpendicular stain on the cliff marks its position. Another minor fall, this from the south rim, is that of Sentinel Creek. It is seen from the road at the right of Sentinel Rock, dropping five hundred feet in one leap of several which aggregate two thousand feet.

Next in progress come Yosemite Falls, loftiest by far in the world, a spectacle of sublimity. These falls divide with Half Dome the honors of the upper Valley. The tremendous plunge of the Upper Fall, and the magnificence of the two falls in apparent near continuation as seen from the principal points of elevation on the valley floor, form a spectacle of extraordinary distinction. They vie with Yosemite's two great rocks, El Capitan and Half Dome, for leadership among the individual scenic features of the continent.

The Upper Fall pours over the rim at a point nearly twenty-six hundred feet above the valley floor. Its sheer drop is fourteen hundred and thirty feet, the equal of nine Niagaras. Two-fifths of a mile south of its foot, the Lower Fall drops three hundred and twenty feet more. From the crest of the Upper Fall to the foot of the Lower Fall lacks a little of half a mile. From the foot of the Lower Fall, after foaming down the talus, Yosemite Creek, seeming a ridiculously small stream to have produced so monstrous a spectacle, slips quietly across a half mile of level valley to lose itself in the Merced.

From the floods of late May when the thunder of falling water fills the valley and windows rattle a mile away, to the October drought when the slender ribbon is little more than mist, the Upper Yosemite Fall is a thing of many moods and infinite beauty. Seen from above and opposite at Glacier Point, sideways and more distantly from the summit of Cloud's Rest, straight on from the valley floor, upwards from the foot of the Lower Fall, upwards again from its own foot, and downwards from the overhanging brink toward which the creek idles carelessly to the very step-off of its fearful leap, the Fall never loses for a moment its power to amaze. It draws and holds the eye as the magnet does the iron.

Looking up from below one is fascinated by the extreme leisureliness of its motion. The water does not seem to fall; it floats; a pebble dropped alongside surely would reach bottom in half the time. Speculating upon this appearance, one guesses that the air retards the water's drop, but this idea is quickly dispelled by the observation that the solid inner body drops no faster than the outer spray. It is long before the wondering observer perceives that he is the victim of an illusion; that the water falls normally; that it appears to descend with less than natural speed only because of the extreme height of the fall, the eye naturally applying standards to which it has been accustomed in viewing falls of ordinary size.

On windy days the Upper Fall swings from the brink like a pendulum of silver and mist. Back and forth it lashes like a horse's tail. The gusts lop off puffy clouds of mist which dissipate in air. Muir tells of powerful winter gales driving head on against the cliff, which break the fall in its middle and hold it in suspense. Once he saw the wind double the fall back over its own brink. Muir, by the way, once tried to pass behind the Upper Fall at its foot, but was nearly crushed.

By contrast with the lofty temperamental Upper Fall, the Lower Fall appears a smug and steady pigmy. In such company, for both are always seen together, it is hard to realize that the Lower Fall is twice the height of Niagara. Comparing Yosemite's three most conspicuous features, these gigantic falls seem to appeal even more to the imagination than to the sense of beauty. El Capitan, on the other hand, suggests majesty, order, proportion, and power; it has its many devotees. Half Dome suggests mystery; to many it symbolizes worship. Of these three, Half Dome easily is the most popular.

Three more will complete the Valley's list of notable waterfalls. All of these lie up the Merced Canyon. Illilouette, three hundred and seventy feet in height, enters from the west, a frothing fall of great beauty, hard to see. Vernal and Nevada Falls carry the Merced River over steep steps in its rapid progress from the upper levels to the valley floor. The only exception to the valley type, Vernal Fall, which some consider the most beautiful of all, and which certainly is the prettiest, is a curtain of water three hundred and seventeen feet high, and of pleasing breadth. The Nevada Fall, three-fifths of a mile above, a majestic drop of nearly six hundred feet, shoots watery rockets from its brink. It is full-run, powerful, impressive, and highly individualized. With many it is the favorite waterfall of Yosemite.

In sharp contrast with these valley scenes is the view from Glacier Point down into the Merced and Tenaya Canyons, and out over the magical park landscape to the snow-capped mountains of the High Sierra. Two trails lead from the valley up to Glacier Point, and high upon the precipice, three thousand feet above the valley floor, is a picturesque hotel; it is also reached by road. Here one may sit at ease on shady porches and overlook one of the most extended, varied and romantic views in the world of scenery. One may take dinner on this porch and have sunset served with dessert and the afterglow with coffee.

Here again one is haunted by the suggestion of artistic intention, so happy is the composition of this extraordinary picture. The foreground is the dark, tremendous gulf of Merced Canyon, relieved by the silver shimmer of Vernal and Nevada Falls. From this in middle distance rises, in the centre of the canvas, the looming tremendous personality of Half Dome, here seen in profile strongly suggesting a monk with outstretched arms blessing the valley at close of day. Beyond stretches the horizon of famous, snowy, glacier-shrouded mountains, golden in sunset glow.

The Book of the National Parks

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