Читать книгу The Tribes and Castes of the Central Provinces of India, Volume 3 - Robert Vane Russell - Страница 40

Survivals of the custom of marriage by capture are to be found in many localities. In Bastar the prospective bridegroom collects a party of his friends and lies in wait for the girl, and they catch her when she comes out and gets a little distance from her house. The girl cries out, and women of the village come and rescue her and beat the boys with sticks till they have crossed the boundary of the village. The boys neither resist nor retaliate on the women, but simply make off with the girl. When they get home a new cloth is given to her, and the boys have a carouse on rice-beer, and the marriage is considered to be complete. The parents do not interfere, but as a rule the affair is prearranged between the girl and her suitor, and if she really objects to the match they let her go. A similar procedure occurs in Chānda. Other customs which seem to preserve the idea that marriage was once a forcible abduction are those of the bride weeping and hiding, which are found in most Districts. In Bālāghāt the bride and one or two friends go round to the houses of the village and to other villages, all of them crying, and receive presents from their friends. In Wardha the bride is expected to cry continuously for a day and a night before the wedding, to show her unwillingness to leave her family. In Kanker it is said that before marriage the bride is taught to weep in different notes, so that when that part of the ceremony arrives in which weeping is required, she may have the proper note at her command. In Chhindwāra the bridegroom’s party go and fetch the bride for the wedding, and on the night before her departure she hides herself in some house in the village. The bridegroom’s brother and other men seek all through the village for her, and when they find her she runs and clings to the post of the house. The bridegroom’s brother carries her off by force, and she is taken on a bullock to the bridegroom’s house. In Seoni the girl hides in the same manner, and calls out ‘Coo, coo,’ when they are looking for her. After she is found, the bridegroom’s brother carries her round on his back to the houses of his friends in the village, and she weeps at each house. When the bride’s party arrive at the bridegroom’s village the latter’s party meet them and stop them from proceeding further. After waving sticks against each other in a threatening manner they fall on each other’s necks and weep. Then two spears are planted to make an arch before the door, and the bridegroom pushes the bride through these from behind, hitting her to make her go through, while she hangs back and feigns reluctance. In Mandla the bride sometimes rides to the wedding on the shoulders of her sister’s husband, and it is supposed that she never gets down all the way.