Читать книгу The Tribes and Castes of the Central Provinces of India, Volume 4 - Robert Vane Russell - Страница 113

The caste have also a large number of exogamous groups, the names of which are usually derived from plants, animals, and natural objects. A few may be given as examples out of fifty-seven recorded in the Central Provinces, though this is far from representing the real total; all the common animals have septs named after them, as the tiger, cobra, tortoise, peacock, jackal, lizard, elephant, lark, scorpion, calf, and so on; while more curious names are—Darpan, a mirror; Khānda Phari, sword and shield; Undrimāria, a rat-killer; Aglāvi, an incendiary; Andhāre, a blind man; Kutramāria, a dog-killer; Kodu Dūdh, sour milk; Khobragāde, cocoanut-kernel; Bhājikhai, a vegetable eater, and so on.

A man must not marry in his own sept, but may take a wife from his mother’s or grandmother’s. A sister’s son may marry a brother’s daughter, but not vice versa. A girl who is seduced before marriage by a man of her own caste or any higher one can be married as if she were a widow, but if she has a child she must first get some other family to take it off her hands. The custom of Lamjhana or serving for a wife is recognised, and the expectant bridegroom will live with his father-in-law and work for him for a period varying from one to five years. The marriage ceremony follows the customary Hindustāni or Marātha ritual118 as the case may be. In Wardha the right foot of the bridegroom and the left one of the bride are placed together in a new basket, while they stand one on each side of the threshold. They throw five handfuls of coloured rice over each other, and each time, as he throws, the bridegroom presses his toe on the bride’s foot; at the end he catches the girl by the finger and the marriage is complete. In the Central Provinces the Mohtūria or caste priest officiates at weddings, but in Berār, Mr. Kitts states119 the caste employ the Brāhman Joshi or village priest. But as he will not come to their house they hold the wedding on the day that one takes place among the higher castes, and when the priest gives the signal the dividing cloth (Antarpat) between the couple is withdrawn, and the garments of the bride and bridegroom are knotted, while the bystanders clap their hands and pelt the couple with coloured grain. As the priest frequently takes up his position on the roof of the house for a wedding it is easy for the Mahārs to see him. In Mandla some of the lower class of Brāhmans will officiate at the weddings of Mahārs. In Chhindwāra the Mahārs seat the bride and bridegroom in the frame of a loom for the ceremony, and they worship the hide of a cow or bullock filled with water. They drink together ceremoniously, a pot of liquor being placed on a folded cloth and all the guests sitting round it in a circle. An elder man then lays a new piece of cloth on the pot and worships it. He takes a cup of the liquor himself and hands round a cupful to every person present.

In Mandla at a wedding the barber comes and cuts the bride’s nails, and the cuttings are rolled up in dough and placed in a little earthen pot beside the marriage-post. The bridegroom’s nails and hair are similarly cut in his own house and placed in another vessel. A month or two after the wedding the two little pots are taken out and thrown into the Nerbudda. A wedding costs the bridegroom’s party about Rs. 40 or Rs. 50 and the bride’s about Rs. 25. They have no going-away ceremony, but the occasion of a girl’s coming to maturity is known as Bolāwan. She is kept apart for six days and given new clothes, and the caste-people are invited to a meal. When a woman’s husband dies the barber breaks her bangles, and her anklets are taken off and given to him as his perquisite. Her brother-in-law or other relative gives her a new white cloth, and she wears this at first, and afterwards white or coloured clothes at her pleasure. Her hair is not cut, and she may wear patelas or flat metal bangles on the forearm and armlets above the elbow, but not other ornaments. A widow is under no obligation to marry her first husband’s younger brother; when she marries a stranger he usually pays a sum of about Rs. 30 to her parents. When the price has been paid the couple exchange a ring and a bangle respectively in token of the agreement. When the woman is proceeding to her second husband’s house, her old clothes, necklace and bangles are thrown into a river or stream and she is given new ones to wear. This is done to lay the first husband’s spirit, which may be supposed to hang about the clothes she wore as his wife, and when they are thrown away or buried the exorcist mutters spells over them in order to lay the spirit. No music is allowed at the marriage of a widow except the crooked trumpet called singāra. A bachelor who marries a widow must first go through a mock ceremony with a cotton-plant, a sword or a ring. Divorce must be effected before the caste panchāyat or committee, and if a divorced woman marries again, her first husband performs funeral and mourning ceremonies as if she were dead. In Gujarāt the practice is much more lax and “divorce can be obtained almost to an indefinite extent. Before they finally settle down to wedded life most couples have more than once changed their partners.”120 But here also, before the change takes place, there must be a formal divorce recognised by the caste.