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"Home-sickness is no baby-pang."—S. T. C.

THE UNDISCIPLINED WILL

This evening, and indeed all this day, I ought to have been reading and filling the margins of Malthus. ["An Essay on the Principles of Population, &c., London," 1803, 4to. The copy annotated by Coleridge is now in the British Museum.]

I had begun and found it pleasant. Why did I neglect it? Because I ought not to have done this. The same applies to the reading and writing of letters, essays, etc. Surely this is well worth a serious analysis, that, by understanding, I may attempt to heal it. For it is a deep and wide disease in my moral nature, at once elm-and-oak-rooted. Is it love of liberty, of spontaneity or what? These all express, but do not explain the fact.

Tuesday morning, January 10, 1804

After I had got into bed last night I said to myself that I had been pompously enunciating as a difficulty, a problem of easy and common solution—viz., that it was the effect of association. From infancy up to manhood, under parents, schoolmasters, inspectors, etc., our pleasures and pleasant self-chosen pursuits (self-chosen because pleasant, and not originally pleasant because self-chosen) have been forcibly interrupted, and dull, unintelligible rudiments, or painful tasks imposed upon us instead. Now all duty is felt as a command, and every command is of the nature of an offence. Duty, therefore, by the law of association being felt as a command from without, would naturally call up the sensation of the pain roused from the commands of parents and schoolmasters. But I awoke this morning at half-past one, and as soon as disease permitted me to think at all, the shallowness and sophistry of this solution flashed upon me at once. I saw that the phenomenon occurred far, far too early: I have observed it in infants of two or three months old, and in Hartley I have seen it turned up and layed bare to the unarmed eye of the merest common sense. The fact is that interruption of itself is painful, because and as far as it acts as disruption. And thus without any reference to or distinct recollection of my former theory I saw great reason to attribute the effect, wholly, to the streamy nature of the associative faculty, and the more, as it is evident that they labour under this defect who are most reverie-ish and streamy—Hartley, for instance, and myself. This seems to me no common corroboration of my former thought or the origin of moral evil in general.

COGITARE EST LABORARE

A time will come when passiveness will attain the dignity of worthy activity, when men shall be as proud within themselves of having remained in a state of deep tranquil emotion, whether in reading or in hearing or in looking, as they now are in having figured away for an hour. Oh! how few can transmute activity of mind into emotion! Yet there are as active as the stirring tempest and playful as the may-blossom in a breeze of May, who can yet for hours together remain with hearts broad awake, and the understanding asleep in all but its retentiveness and receptivity. Yea, and (in) the latter (state of mind) evince as great genius as in the former.

A SHEAF OF ANECDOTES, Sunday morning, Feb. 5, 1804

I called on Charles Lamb fully expecting him to be out, and intending all the way, to write to him. I found him at home, and while sitting and talking to him, took the pen and note-paper and began to write.

As soon as Holcroft heard that Mary Wollstonecraft was dead, he took a chaise and came with incredible speed to "have Mrs. Godwin opened for a remarkable woman!"

Sunday morning, Feb. 13, 1804

Lady Beaumont told me that when she was a child, previously to her saying her prayers, she endeavoured to think of a mountain or great river, or something great, in order to raise up her soul and kindle it.

Rickman has a tale about George Dyer and his "Ode to the Hero Race." "Your Aunt, Sir," said George to the Man of Figures, "your Aunt is a very sensible woman. Why I read Sir, my Ode to her and she said that it was a very pretty Thing. There are very few women, Sir! that possess that fine discrimination, Sir!"

The huge Organ Pipe at Exeter, larger than the largest at Haarlem, at first was dumb. Green determined to make it speak, and tried all means in vain, till at last he made a second pipe precisely alike, and placed it at its side. Then it spoke.

Sir George Beaumont found great advantage in learning to draw from Nature through gauze spectacles.

At Göttingen, at Blumenbach's lectures on Psychology, when some anatomical preparations were being handed round, there came in and seated himself by us Englishmen a Hospitator, one, that is, who attends one or two lectures unbidden and unforbidden and gratis, as a stranger, and on a claim, as it were, of hospitality. This Hospes was the uncouthest, strangest fish, pretending to human which I ever beheld. I turned to Greenough and "Who broke his bottle?" I whispered.

Godwin and Holcroft went together to Underwood's chambers. "Little Mr. Underwood," said they, "we are perfectly acquainted with the subject of your studies, only ignorant of the particulars. What is the difference between a thermometer and a barometer?"

THE ADOLESCENCE OF LOVE

It is a pleasure to me to perceive the buddings of virtuous loves, to know their minutes of increase, their stealth and silent growings—

A pretty idea, that of a good soul watching the progress of an attachment from the first glance to the time when the lover himself becomes conscious of it. A poem for my "Soother of Absence."

THE RAGE FOR MONITION

To J. Tobin, Esq., April 10, 1804.

Men who habitually enjoy robust health have, too generally, the trick, and a very cruel one it is, of imagining that they discover the secret of all their acquaintances' ill health in some malpractice or other; and, sometimes, by gravely asserting this, here there and everywhere (as who likes his penetration [hid] under a bushel?), they not only do all they can, without intending it, to deprive the poor sufferer of that sympathy which is always a comfort and, in some degree, a support to human nature, but, likewise, too often implant serious alarm and uneasiness in the minds of the person's relatives and his nearest and dearest connections. Indeed (but that I have known its inutility, that I should be ridiculously sinning against my own law which I was propounding, and that those who are most fond of advising are the least able to hear advice from others, as the passion to command makes men disobedient) I should often have been on the point of advising you against the two-fold rage of advising and of discussing character, both the one and the other of which infallibly generates presumption and blindness to our own faults. Nay! more particularly where, from whatever cause, there exists a slowness to understand or an aptitude to mishear and consequently misunderstand what has been said, it too often renders an otherwise truly good man a mischief-maker to an extent of which he is but little aware. Our friends' reputation should be a religion to us, and when it is lightly sacrificed to what self-adulation calls a love of telling the truth (in reality a lust of talking something seasoned with the cayenne and capsicum of personality), depend upon it, something in the heart is warped or warping, more or less according to the greater or lesser power of the counteracting causes. I confess to you, that being exceedingly low and heart-fallen, I should have almost sunk under the operation of reproof and admonition (the whole too, in my conviction, grounded on utter mistake) at the moment I was quitting, perhaps for ever! my dear country and all that makes it so dear—but the high esteem I cherish towards you, and my sense of your integrity and the reality of your attachment and concern blows upon me refreshingly as the sea-breeze on the tropic islander. Show me anyone made better by blunt advice, and I may abate of my dislike to it, but I have experienced the good effects of the contrary in Wordsworth's conduct to me; and, in Poole and others, have witnessed enough of its ill effects to be convinced that it does little else but harm both to the adviser and the advisee.

[See Letters of Samuel Taylor Coleridge, Letter cli., ii. 474, 475.]

PLACES AND PERSONS, Thursday, April 19, 1804

This is Spain! That is Africa! Now, then, I have seen Africa! &c., &c. O! the power of names to give interest. When I first sate down, with Europe on my left and Africa on my right, both distinctly visible, I felt a quickening of the movements in the blood, but still it felt as a pleasure of amusement rather than of thought or elevation; and at the same time, and gradually winning on the other, the nameless silent forms of nature were working in me, like a tender thought in a man who is hailed merrily by some acquaintance in his work, and answers it in the same tone. This is Africa! That is Europe! There is division, sharp boundary, abrupt change! and what are they in nature? Two mountain banks that make a noble river of the interfluent sea, not existing and acting with distinctness and manifoldness indeed, but at once and as one—no division, no change, no antithesis! Of all men I ever knew, Wordsworth himself not excepted, I have the faintest pleasure in things contingent and transitory. I never, except as a forced courtesy of conversation, ask in a stage-coach, Whose house is that? nor receive the least additional pleasure when I receive the answer. Nay, it goes to a disease in me. As I was gazing at a wall in Caernarvon Castle, I wished the guide fifty miles off that was telling me, In this chamber the Black Prince was born (or whoever it was). I am not certain whether I should have seen with any emotion the mulberry-tree of Shakspere. If it were a tree of no notice in itself, I am sure that I should feel by an effort—with self-reproach at the dimness of the feeling; if a striking tree, I fear that the pleasure would be diminished rather than increased, that I should have no unity of feeling, and find in the constant association of Shakspere having planted it an intrusion that prevented me from wholly (as a whole man) losing myself in the flexures of its branches and intertwining of its roots. No doubt there are times and conceivable circumstances in which the contrary would be true, in which the thought that under this rock by the sea-shore I know that Giordano Bruno hid himself from the pursuit of the enraged priesthood, and overcome with the power and sublimity of the truths for which they sought his life, thought his life therefore given him that he might bear witness to the truths, and morti ultra occurrens, returned and surrendered himself! So, here, on this bank Milton used to lie, in late May, when a young man, and familiar with all its primroses, made them yet dearer than their dear selves, by that sweetest line in the Lycidas, "And the rathe primrose that forsaken dies:" or from this spot the immortal deer-stealer, on his escape from Warwickshire, had the first view of London, and asked himself, And what am I to do there? At certain times, uncalled and sudden, subject to no bidding of my own or others, these thoughts would come upon me like a storm, and fill the place with something more than nature. But these are not contingent or transitory, they are nature, even as the elements are nature—yea, more to the human mind, for the mind has the power of abstracting all agency from the former and considering [them] as mere effects and instruments. But a Shakspere, a Milton, a Bruno, exist in the mind as pure action, defecated of all that is material and passive. And the great moments that formed them—it is a kind of impiety against a voice within us, not to regard them as predestined, and therefore things of now, for ever, and which were always. But it degrades the sacred feeling, and is to it what stupid superstition is to enthusiastic religion, when a man makes a pilgrimage to see a great man's shin-bone found unmouldered in his coffin. Perhaps the matter stands thus. I could feel amused by these things, and should be, if there had not been connected with the great name upon which the amusement wholly depends a higher and deeper pleasure, that will [not] endure the co-presence of so mean a companion; while the mass of mankind, whether from nature or (as I fervently hope) from error of rearing and the worldliness of their after-pursuits, are rarely susceptible of any other pleasures than those of amusement, gratification of curiosity, novelty, surprise, wonderment, from the glaring, the harshly-contrasted, the odd, the accidental, and find the reading of the Paradise Lost a task somewhat alleviated by a few entertaining incidents, such as the pandemonium and self-endwarfment of the devils, the fool's paradise and the transformation of the infernal court into serpents and of their intended applauses into hisses.

["Dear Sir Walter Scott and myself were exact, but harmonious opposites in this—that every old ruin, hill, river or tree called up in his mind a host of historical or biographical associations; whereas, for myself, I believe I should walk over the plain of Marathon without taking more interest in it than in any other plain of similar features."—Table Talk, August 4, 1833, Bell & Co., 1834, p. 242.]

THE INTOLERANCE OF CONVERTS

Why do we so very, very often see men pass from one extreme to the other? στοδκαρδια [Stoddart, for instance]. Alas! they sought not the truth, but praise, self-importance, and above all [the sense of] something doing! Disappointed, they hate and persecute their former opinion, which no man will do who by meditation had adopted it, and in the course of unfeigned meditation gradually enlarged the circle and so get out of it. For in the perception of its falsehood he will form a perception of certain truths which had made the falsehood plausible, and can never cease to venerate his own sincerity of intention and Philalethie. For, perhaps, we never hate any opinion, or can do so, till we have impersonated it. We hate the persons because they oppose us, symbolise that opposition under the form and words of the opinion and then hate the person for the opinion and the opinion for the person.

[For some weeks after his arrival at Valetta Coleridge remained as the guest of Dr. John (afterwards Sir John) Stoddart, at that time H.M. Advocate at Malta.]

FACTS AND FICTION

Facts! Never be weary of discussing and exposing the hollowness of these. [For, in the first place,] every man [is] an accomplice on one side or the other, [and, secondly, there is] human testimony. "You were in fault, I hear," said B to C, and B had heard it from A. [Now] A had said, "And C, God bless her, was perhaps the innocent occasion"! But what a trifle this to the generality of blunders!

CANDOUR ANOTHER NAME FOR CANT

[I have no pity or patience for that], blindness which comes from putting out your own eyes and in mock humility refusing to form an opinion on the right and the wrong of a question. "If we say so of the Sicilians, why may not Buonaparte say this of the Swiss?" and so forth. As if England and France, Swiss and Sicilian were the x y z of Algebra, naked names of unknown quantities. [What is this but] to fix morals without morality, and [to allow] general rules to supersede all particular thought? And though it be never acted on in reality, yet the opinion is pernicious. It kills public spirit and deadens national effort.

A SIMILE

The little point, or, sometimes, minim globe of flame remains on the [newly] lighted taper for three minutes or more unaltered. But, see, it is given over, and then, at once, the flame darts or plunges down into the wick, then up again, and all is bright—a fair cone of flame, with its black column in it, and minor cone, shadow-coloured, resting upon the blue flame the common base of the two cones, that is, of the whole flame. A pretty detailed simile in the manner of J. Taylor might be made of this, applying it to slow learners, to opportunities of grace manifestly neglected and seemingly lost and useless.

O STAR BENIGN

Monday evening, July 9, 1804, about 8 o'clock. The glorious evening star coasted the moon, and at length absolutely crested its upper tip.... It was the most singular and at the same time beautiful sight I ever beheld. Oh, that it could have appeared the same in England, at Grasmere!

NEFAS EST AB HOSTE DOCERI

In the Jacobinism of anti-jacobins, note the dreariest feature of Jacobins, a contempt for the institutions of our ancestors and of past wisdom, which has generated Cobbetts and contempt of the liberty of the press and of liberty itself. Men are not wholly unmodified by the opinion of their fellow-men, even when they happen to be enemies or (still worse) of the opposite faction.

THE MANY AND THE ONE

I saw in early youth, as in a dream, the birth of the planets; and my eyes beheld as one what the understanding afterwards divided into (1) the origin of the masses, (2) the origin of their motions, and (3) the site or position of their circles and ellipses. All the deviations, too, were seen as one intuition of one the self-same necessity, and this necessity was a law of spirit, and all was spirit. And in matter all beheld the past activity of others or their own—and this reflection, this echo is matter—its only essence, if essence it be. And of this, too, I saw the necessity and understood it, but I understood not how infinite multitude and manifoldness could be one; only I saw and understood that it was yet more out of my power to comprehend how it could be otherwise—and in this unity I worshipped in the depth of knowledge that passes all understanding the Being of all things—and in Being their sole goodness—and I saw that God is the One, the Good—possesses it not, but is it.

THE WINDMILL AND ITS SHADOW

The visibility of motion at a great distance is increased by all that increases the the distinct visibility of the moving object. This Saturday, August 3, 1804, in the room immediately under the tower in St. Antonio, as I was musing on the difference, whether ultimate or only of degree, between auffassen and erkennen (an idea received and an idea acquired) I saw on the top of the distant hills a shadow on the sunny ground moving very fast and wave-like, yet always in the same place, which I should have attributed to the windmill close by, but the windmill (which I saw distinctly too) appeared at rest. On steady gazing, however, (and most plainly with my spy-glass) I found that it was not at rest, but that this was its shadow. The windmill itself was white in the sunshine, and there were sunny white clouds at its back, the shadow black on the white ground.

SYRACUSE Thursday night at the Opera, September 27, 1804

In reflecting on the cause of the "meeting soul" in music, the seeming recognisance etc., etc., the whole explanation of memory as in the nature of accord struck upon me; accord produces a phantom of memory, because memory is always in accord.

Oct. 5, 1804

Philosophy to a few, religion with many, is the friend of poetry, as producing the two conditions of pleasure arising from poetry, namely tranquillity and the attachment of the affections to generalisations. God, soul, Heaven, the Gospel miracles, etc., are a sort of poetry compared with Lombard Street and Change Alley speculations.

A SERIOUS MEMORANDUM Syracuse, Saturday, Oct. 5, 1804

In company, indeed, with all except a very chosen few, never dissent from anyone as to the merits of another, especially in your own supposed department, but content yourself with praising, in your turn; the really good praises of the unworthy are felt by a good man, and man of genius as detractions from the worthy, and robberies—so the flashy moderns seem to rob the ancients of the honours due to them, and Bacon and Harrington are not read because Hume and Condillac are. This is an evil; but oppose it, if at all, in books in which you can evolve the whole of your reasons and feeling, not in conversation when it will be inevitably attributed to envy. Besides, they who praise the unworthy must be the injudicious: and the eulogies of critics without taste or judgment are the natural pay of authors without feeling or genius—and why rob them? Sint unicuique sua præmia. Coleridge! Coleridge! will you never learn to appropriate your conversation to your company! Is it not desecration, indelicacy, and a proof of great weakness and even vanity to talk to, etc. etc., as if you [were talking to] Wordsworth or Sir G. Beaumont?

"CAST NOT YOUR PEARLS BEFORE SWINE"

Oct. 11, Syracuse, Lecky's, midnight

O young man, who hast seen, felt and known the truth, to whom reality is a phantom and virtue and mind the sole actual and permanent being, do not degrade the truth in thee by disputing. Avoid it! do not by any persuasion be tempted to it! Surely not by vanity or the weakness of the pleasure of communicating thy thoughts and awaking sympathy, but not even by the always mixed hope of producing conviction. This is not the mode, this is not the time, not the place. [Truth will be better served] by modestly and most truly saying, "Your arguments are all consequent, if the foundation be admitted. I do not admit the foundation. But this will be a business for moments of thought, for a Sabbath-day of your existence. Then, perhaps, a voice from within will say to you, better, because [in a manner] more adapted to you, all I can say. But if I felt this to be that day or that moment, a sacred sympathy would at once compel and inspire me to the task of uttering the very truth. Till then I am right willing to bear the character of a mystic, a visionary, or self-important juggler, who nods his head and says, 'I could if I would.' But I cannot, I may not, bear the reproach of profaning the truth which is my life in moments when all passions heterogeneous to it are eclipsing it to the exclusion of its dimmest ray. I might lose my tranquillity, and in acquiring the passion of proselytism lose the sense of conviction. I might become positive! Now I am certain! I might have the heat and fermentation, now I have the warmth of life."

THE YEARNING OF THE FINITE FOR THE INFINITE: Oct. 13, 1804, Saturday, Syracuse

Each man having a spark (to use the old metaphor) of the Divinity, yet a whole fire-grate of humanity—each, therefore, will legislate for the whole, and spite of the De gustibus non est disputandum, even in trifles—and, till corrected by experience, at least, in this endless struggle of presumption, really occasioned by the ever-working spark of the Universal, in the disappointments and baffled attempts of each, all are disposed to [admit] the jus extrinsecum of Spinoza, and recognise that reason as the highest which may not be understood as the best, but of which the concrete possession is felt to be the strongest. Then come society, habit, education, misery, intrigue, oppression, then revolution, and the circle begins anew. Each man will universalise his notions, and, yet, each is variously finite. To reconcile, therefore, is truly the work of the inspired! This is the true Atonement—that is, to reconcile the struggles of the infinitely various finite with the permanent.

A MEASURE IN SELF-REPROOF

Do not be too much discouraged, if any virtue should be mixed, in your consciousness, with affectation and imperfect sincerity, and some vanity. Disapprove of this, and continue the practice of the good feeling, even though mixed, and it will gradually purify itself. Probatum est. Disapprove, be ashamed of the thought, of its always continuing thus, but do not harshly quarrel with your present self, for all virtue subsists in and by pleasure. S. T. C. Sunday evening, October 14, 1804.

But a great deal of this is constitutional. That constitution which predisposes to certain virtues, the Δωρον Θεων, has this τεμενος Νεμεσεως in it. It is the dregs of sympathy, and while we are weak and dependent on each other, and each is forced to think often for himself, sympathy will have its dregs, and the strongest, who have least of these, have the dregs of other virtues to strain off.

THE OPERA

All the objections to the opera are equally applicable to tragedy and comedy without music, and all proceed on the false principle that theatrical representations are copies of nature, whereas they are imitations.

A SALVE FOR WOUNDED VANITY

When you are harassed, disquieted, and have little dreams of resentment, and mock triumphs in consequence of the clearest perceptions of unkind treatment and strange misconceptions and illogicalities, palpably from bad passion, in any person connected with you, suspect a sympathy in yourself with some of these bad passions—vanity, for instance. Though a sense of wounded justice is possible, nay, probably, forms a part of your uneasy feelings, yet this of itself would yield, at the first moment of reflection, to pity for the wretched state of a man too untranquil and perpetually selfish to love anything for itself or without some end of vanity or ambition—who detests all poetry, tosses about in the impotence of desires disproportionate to his powers, and whose whole history of his whole life is a tale of disappointment in circumstances where the hope and pretension was always unwise, often presumptuous and insolent. Surely an intuition of this restless and no-end-having mood of mind would at once fill a hearer having no sympathy with these passions with tender melancholy, virtuously mixed with grateful unpharisaic self-complacency. But a patient almost, but not quite, recovered from madness, yet on its confines, finds in the notions of madness that which irritates and haunts and makes unhappy.

OFFICIAL DISTRUST

Malta, Friday, Nov. 23, 1804.

One of the heart-depressing habits and temptations of men in power, as governors, &c., is to make instruments of their fellow-creatures, and the moment they find a man of honour and talents, instead of loving and esteeming him, they wish to use him. Hence that self-betraying side-and-down look of cunning; and they justify and inveterate the habit by believing that every individual who approaches has selfish designs on them.

FOR THE "SOOTHER IN ABSENCE"

Days and weeks and months pass on, and now a year—and the sea, the sea, and the breeze have their influences on me, and [so, too, has the association with] good and sensible men. I feel a pleasure upon me, and I am, to the outward view, cheerful, and have myself no distinct consciousness of the contrary, for I use my faculties, not, indeed, at once, but freely. But, oh! I am never happy, never deeply gladdened. I know not—I have forgotten—what the joy is of which the heart is full, as of a deep and quiet fountain overflowing insensibly, or the gladness of joy, when the fountain overflows ebullient.

The most common appearance in wintry weather is that of the sun under a sharp, defined level line of a stormy cloud, that stretches one-third or half round the circle of the horizon, thrice the height of the space that intervenes between it and the horizon, which last is about half again as broad as the sun. [At length] out comes the sun, a mass of brassy light, himself lost and diffused in his [own] strong splendour. Compare this with the beautiful summer set of colours without cloud.

Even in the most tranquil dreams, one is much less a mere spectator [than in reveries or day-dreams]. One seems always about to do, [to be] suffering, or thinking or talking. I do not recollect [in dreams] that state of feeling, so common when awake, of thinking on one subject and looking at another; or [of looking] at a whole prospect, till at last, perhaps, or by intervals, at least, you only look passively at the prospect.

MULTUM IN PARVO

At Dresden there is a cherry-stone engraved with eighty-five portraits. Christ and the Twelve Apostles form one group, the table and supper all drawn by the letters of the text—at once portraits and language. This is a universal particular language—Roman Catholic language with a vengeance.

The beautifully white sails of the Mediterranean, so carefully, when in port, put up into clean bags; and the interesting circumstance of the Spéronara's sailing without a compass—by an obscure sense of time.

THROUGH DOUBT TO FAITH

So far from deeming it, in a religious point of view, criminal to spread doubts of God, immortality and virtue (that 3 = 1) in the minds of individuals, I seem to see in it a duty—lest men by taking the words for granted never attain the feeling or the true faith. They only forbear, that is, even to suspect that the idea is erroneous or the communicators deceivers, but do not believe the idea itself. Whereas to doubt has more of faith, nay even to disbelieve, than that blank negation of all such thoughts and feelings which is the lot of the herd of church-and-meeting-trotters.

AN APOLOGY FOR COTTLE

The Holy Ghost, say the harmonists, left all the solecisms, Hebraisms, and low Judaic prejudices as evidences of the credibility of the Apostles. So, too, the Theophneusty left Cottle his Bristolisms, not to take away the credit from him and give it to the Muses.

FOR THE "SOOTHER IN ABSENCE"

His fine mind met vice and vicious thoughts by accident only, as a poet running through terminations in the heat of composing a rhyme-poem on the purest and best subjects, startles and half-vexedly turns away from a foul or impure word.

The gracious promises and sweetnesses and aids of religion are alarming and distressful to a trifling, light, fluttering gay child of fashion and vanity, as its threats and reproaches and warnings—as a little bird which fears as much when you come to give it food as when you come with a desire to kill or imprison it.

That is a striking legend of Caracciolo and his floating corse, that came to ask the King of Naples' pardon.

Final causes answer to why? not to how? and who ever supposed that they did?

O those crinkled, ever-varying circles which the moonlight makes in the not calm, yet not wavy sea! Quarantine, Malta, Saturday, Nov. 10, 1804.

THE CREATIVE POWER OF WORDS AND IMAGES

Hard to express that sense of the analogy or likeness of a thing which enables a symbol to represent it so that we think of the thing itself, yet knowing that the thing is not present to us. Surely on this universal fact of words and images depends, by more or less mediations, the imitation, instead of the copy which is illustrated, in very nature Shaksperianised—that Proteus essence that could assume the very form, but yet known and felt not to be the thing by that difference of the substance which made every atom of the form another thing, that likeness not identity—an exact web, every line of direction miraculously the same, but the one worsted, the other silk.

SHAKSPERE AND MALONE

Rival editors have recourse to necromancy to know from Shakspere himself who of them is the fittest to edit and illustrate him. Describe the meeting, the ceremonies of conjuration, the appearance of the spirit, the effect on the rival invokers. When they have resumed courage, the arbiter appointed by them asks the question. They listen, Malone leaps up while the rest lay their heads at the same instant that the arbiter re-echoes the words of the spirit, "Let Malone!" The spirit shudders, then exclaims in the dread and angry utterance of the dead, "No! no! Let me alone, I said, inexorable boobies!"

O that eternal bricker-up of Shakspere! Registers, memorandum-books—and that Bill, Jack and Harry, Tom, Walter and Gregory, Charles, Dick and Jim, lived at that house, but that nothing more is known of them. But, oh! the importance when half-a-dozen players'-bills can be made to stretch through half-a-hundred or more of pages, though there is not one word in them that by any force can be made either to illustrate the times or life or writings of Shakspere, or, indeed, of any time. And, yet, no edition but this gentleman's name burs upon it—burglossa with a vengeance. Like the genitive plural of a Greek adjective, it is Malone, Malone, Malone, Μαλων, Μαλων, Μαλων.

[Edmund Malone's Variorum edition of Shakspere was published in 1790.]

OF THE FROWARDNESS OF WOMAN December 11, 1804

It is a remark that I have made many times, and many times, I guess, shall repeat, that women are infinitely fonder of clinging to and beating about, hanging upon and keeping up, and reluctantly letting fall any doleful or painful or unpleasant subject, than men of the same class and rank.

NE QUID NIMIS

A young man newly arrived in the West Indies, who happened to be sitting next to a certain Captain Reignia, observed by way of introducing a conversation, "It is a very fine day, sir!" "Yes, sir," was the abrupt reply, "and be damned to it; it is never otherwise in this damned rascally climate."

WE ASK NOT WHENCE BUT WHAT AND WHITHER

I addressed a butterfly on a pea-blossom thus, "Beautiful Psyche, soul of a blossom, that art visiting and hovering o'er thy former friends whom thou hast left!" Had I forgot the caterpillar? or did I dream like a mad metaphysician that the caterpillar's hunger for plants was self-love, recollection, and a lust that in its next state refined itself into love? Dec. 12, 1804.

ANALOGY

Different means to the same end seem to constitute analogy. Seeing and touching are analogous senses with respect to magnitude, figure, &c.—they would, and to a certain extent do, supply each other's place. The air-vessels of fish and of insects are analogous to lungs—the end the same, however different the means. No one would say, "Lungs are analogous to lungs," and it seems to me either inaccurate or involving some true conception obscurely, when we speak of planets by analogy of ours—for here, knowing nothing but likeness, we presume the difference from the remoteness and difficulty, in the vulgar apprehension, of considering those pin-points as worlds. So, likewise, instead of the phrase "analogy of the past," applied to historical reasoning, nine times out of ten I should say, "by the example of the past." This may appear verbal trifling, but "animadverte quam sit ab improprietate verborum pronum hominibus prolabi in errores circa res." In short, analogy always implies a difference in kind and not merely in degree. There is an analogy between dimness and numbness and a certain state of the sense of hearing correspondent to these, which produces confusion with magnification, for which we have no name. But between light green and dark green, between a mole and a lynceus, there is a gradation, no analogy.

COROLLARY

Between beasts and men, when the same actions are performed by both, are the means analogous or different only in degree? That is the question! The sameness of the end and the equal fitness of the means prove no identity of means. I can only read, but understand no arithmetic. Yet, by Napier's tables or the House-keepers' Almanack, I may even arrive at the conclusion quicker than a tolerably expert mathematician. Yet, still, reading and reckoning are utterly different things.

THOMAS WEDGWOOD AND REIMARUS

In Reimarus on The Instincts of Animals, Tom Wedgwood's ground-principle of the influx of memory on perception is fully and beautifully detailed.

["Observations Moral and Philosophical on the Instinct of Animals, their Industry and their Manners," by Herman Samuel Reimarus, was published in 1770. See Biographia Literaria, chapter vi. and Note, by Mrs. H. N. Coleridge in the Appendix, Coleridge's Works, Harper & Brothers, iii. 225, 717.]

HINC ILLA MARGINALIA

It is often said that books are companions. They are so, dear, very dear companions! But I often, when I read a book that delights me on the whole, feel a pang that the author is not present, that I cannot object to him this and that, express my sympathy and gratitude for this part and mention some facts that self-evidently overset a second, start a doubt about a third, or confirm and carry [on] a fourth thought. At times I become restless, for my nature is very social.

CORRUPTIO OPTIMI PESSIMA

"Well" (says Lady Ball), "the Catholic religion is better than none." Why, to be sure, it is called a religion, but the question is, Is it a religion? Sugar of lead! better than no sugar! Put oil of vitriol into my salad—well, better than no oil at all! Or a fellow vends a poison under the name of James' powders—well, we must get the best we can—better that than none! So did not our noble ancestors reason or feel, or we should now be slaves and even as the Sicilians are at this day, or worse, for even they have been made less foolish, in spite of themselves, by others' wisdom.

REIMARUS AND THE "INSTINCTS OF ANIMALS"

I have read with wonder and delight that passage of Reimarus in which he speaks of the immense multitude of plants, and the curious, regular choice of different herbivorous animals with respect to them, and the following pages in which he treats of the pairing of insects and the equally wonderful processes of egg-laying and so forth. All in motion! the sea-fish to the shores and rivers—the land crab to the sea-shore! I would fain describe all the creation thus agitated by the one or other of the three instincts—self-preservation, childing, and child-preservation. Set this by Darwin's theory of the maternal instinct—O mercy! the blindness of the man! and it is imagination, forsooth! that misled him—too much poetry in his philosophy! this abject deadness of all that sense of the obscure and indefinite, this superstitious fetish-worship of lazy or fascinated fancy! O this, indeed, deserves to be dwelt on.

Think of all this as an absolute revelation, a real presence of Deity, and compare it with historical traditionary religion. There are two revelations—the material and the moral—and the former is not to be seen but by the latter. As St. Paul has so well observed: "By worldly wisdom no man ever arrived at God;" but having seen Him by the moral sense, then we understand the outward world. Even as with books, no book of itself teaches a language in the first instance; but having by sympathy of soul learnt it, we then understand the book—that is, the Deus minor in His work.

The hirschkäfer (stag-beetle) in its worm state makes its bed-chamber, prior to its metamorphosis, half as long as itself. Why? There was a stiff horn turned under its belly, which in the fly state must project and harden, and this required exactly that length.

The sea-snail creeps out of its house, which, thus hollowed, lifts him aloft, and is his boat and cork jacket; the Nautilus, additionally, spreads a thin skin as a sail.

All creatures obey the great game-laws of Nature, and fish with nets of such meshes as permit many to escape, and preclude the taking of many. So two races are saved, the one by taking part, and the other by part not being taken.

ENTOMOLOGY VERSUS ONTOLOGY

Wonderful, perplexing divisibility of life! It is related by D. Unzer, an authority wholly to be relied on, that an ohrwurm (earwig) cut in half ate its own hinder part! Will it be the reverse with Great Britain and America? The head of the rattlesnake severed from the body bit it and squirted out its poison, as is related by Beverley in his History of Virginia. Lyonnet in his Insect. Theol. tells us that he tore a wasp in half and, three days after, the fore-half bit whatever was presented to it of its former food, and the hind-half darted out its sting at being touched. Stranger still, a turtle has been known to live six months with his head off, and to wander about, yea, six hours after its heart and intestines (all but the lungs) were taken out! How shall we think of this compatibly with the monad soul? If I say, what has spirit to do with space?—what odd dreams it would suggest! or is every animal a republic in se? or is there one Breeze of Life, "at once the soul of each, and God of all?" Is it not strictly analogous to generation, and no more contrary to unity than it? But IT? Aye! there's the twist in the logic. Is not the reproduction of the lizard a complete generation? O it is easy to dream, and, surely, better of these things than of a £20,000 prize in the lottery, or of a place at Court. Dec. 13, 1804.

FOR THE "SOOTHER IN ABSENCE"

To trace the if not absolute birth, yet the growth and endurancy of language, from the mother talking to the child at her breast. O what a subject for some happy moment of deep feeling and strong imagination!

Of the Quintetta in the Syracuse opera and the pleasure of the voices—one and not one, they leave, seek, pursue, oppose, fight with, strengthen, annihilate each other, awake, enliven, soothe, flatter and embrace each other again, till at length they die away in one tone. There is no sweeter image of wayward yet fond lovers, of seeking and finding, of the love-quarrel, and the making-up, of the losing and the yearning regret, of the doubtful, the complete recognition, and of the total melting union. Words are not interpreters, but fellow-combatants.

Title for a Medical Romance:—The adventures, rivalry, warfare and final union and partnership of Dr. Hocus and Dr. Pocus.

Idly talk they who speak of poets as mere indulgers of fancy, imagination, superstition, etc. They are the bridlers by delight, the purifiers; they that combine all these with reason and order—the true protoplasts—Gods of Love who tame the chaos.

To deduce instincts from obscure recollections of a pre-existing state—I have often thought of it. "Ey!" I have said, when I have seen certain tempers and actions in Hartley, "that is I in my future state." So I think, oftentimes, that my children are my soul—that multitude and division are not [O mystery!] necessarily subversive of unity. I am sure that two very different meanings, if not more, lurk in the word One.

The drollest explanation of instinct is that of Mylius, who attributes every act to pain, and all the wonderful webs and envelopes of spiders, caterpillars, etc., absolutely to fits of colic or paroxysms of dry belly-ache!

This Tarantula-dance of repetitions and vertiginous argumentation in circulo, begun in imposture and self-consummated in madness!

While the whole planet (quoad its Lord or, at least, Lord-Lieutenancy) is in stir and bustle, why should not I keep in time with the tune, and, like old Diogenes, roll my tub about?

I cannot too often remember that to be deeply interested and to be highly satisfied are not always commensurate. Apply this to the affecting and yet unnatural passages of the Stranger or of John Bull, and to the finest passages in Shakspere, such as the death of Cleopatra or Hamlet.

A SUNDOG Dec. 15, 1804

Saw the limb of a rainbow footing itself on the sea at a small apparent distance from the shore, a thing of itself—no substrate cloud or even mist visible—but the distance glimmered through it as through a thin semi-transparent hoop.

THE SQUARE, THE CIRCLE, THE PYRAMID

To be and to act, two in Intellect (that mother of orderly multitude, and half-sister of Wisdom and Madness) but one in essence = to rest, and to move = □ and a ○! and out of the infinite combinations of these, from the more and the less, now of one now of the other, all pleasing figures and the sources of all pleasure arise. But the pyramid, that base of stedfastness that rises, yet never deserts itself nor can, approaches to the ○. Sunday. Midnight. Malta. December 16th, 1804.

THE PYRAMID IN ART

I can make out no other affinity [in the pyramid] to the circle but by taking its evanescence as the central point, and so, having thus gained a melting of the radii in the circumference [by proceeding to] look it into the object. Extravagance! Why? Does not everyone do this in looking at any conspicuous three stars together? does not every one see by the inner vision, a triangle? However, this is in art; but the prototype in nature is, indeed, loveliness. In Nature there are no straight lines, or [such straight lines as there are] have the soul of curves, from activity and positive rapid energy. Or, whether the line seem curve or straight, yet here, in nature, is motion—motion in its most significant form. It is motion in that form which has been chosen to express motion in general, hieroglyphical from pre-eminence, [and by this very pre-eminence, in the particular instance, made significant of motion in its totality]. Hence, though it chance that a line in nature should be perfectly straight, there is no need here of any curve whose effect is that of embleming motion and counteracting actual solidity by that emblem. For here the line [in contra-distinction to the line in art] is actual motion, and therefore a balancing Figurite of rest and solidity. But I will study the wood-fire this evening in the Palace.

Wednesday Night, 11 o'clock, December 19

I see now that the eye refuses to decide whether it be surface or convexity, for the exquisite oneness of the flame makes even its angles so different from the angles of tangible substances. Its exceeding oneness added to its very subsistence in motion is the very soul of the loveliest curve—it does not need its body as it were. Its sharpest point is, however, rounded, and besides it is cased within its own penumbra.

FOR THE "SOOTHER IN ABSENCE" Friday Morning, Dec. 21, 8 o'clock

How beautiful a circumstance, the improvement of the flower, from the root up to that crown of its life and labours, that bridal-chamber of its beauty and its two-fold love, the nuptial and the parental—the womb, the cradle, and the nursery of the garden!

Quisque sui faber—a pretty simile this would make to a young lady producing beauty by moral feeling.

Nature may be personified as the πολυμηχανος εργανη, an ever industrious Penelope, for ever unravelling what she has woven, for ever weaving what she has unravelled.

THE MEDITERRANEAN

Oh, said I, as I looked at the blue, yellow, green and purple-green sea, with all its hollows and swells, and cut-glass surfaces—oh, what an ocean of lovely forms! And I was vexed, teased that the sentence sounded like a play of words! That it was not—the mind within me was struggling to express the marvellous distinctness and unconfounded personality of each of the million millions of forms, and yet the individual unity in which they subsisted.

A brisk gale and the foam that peopled the alive sea, most interestingly combined with the number of white sea-gulls, that, repeatedly, it seemed as if the foam-spit had taken life and wing and had flown up—the white precisely-same-colour birds rose up so close by the ever-perishing white-water wavehead, that the eye was unable to detect the illusion which the mind delighted to indulge in. O that sky, that soft, blue, mighty arch resting on the mountain or solid sea-like plain—what an awful omneity in unity! I know no other perfect union of the sublime with the beautiful, so that they should be felt, that is, at the same minute, though by different faculties, and yet, each faculty be predisposed, by itself, to receive the specific modifications from the other. To the eye it is an inverted goblet, the inside of a sapphire basin, perfect beauty in shape and colour. To the mind, it is immensity; but even the eye feels as if it were [able] to look through with [a] dim sense of the non-resistance—it is not exactly the feeling given to the organ by solid and limited things, [but] the eye feels that the limitation is in its own power, not in the object. But [hereafter] to pursue this in the manner of the old Hamburg poet [Klopstock].

I WILL LIFT UP MINE EYES TO THE HILLS

One travels along with the lines of a mountain. Years ago I wanted to make Wordsworth sensible of this. How fine is Keswick vale! Would I repose, my soul lies and is quiet upon the broad level vale. Would it act? it darts up into the mountain-top like a kite, and like a chamois-goat runs along the ridge—or like a boy that makes a sport on the road of running along a wall or narrow fence!

FORM AND FEELING

One of the most noticeable and fruitful facts in psychology is the modification of the same feeling by difference of form. The Heaven lifts up my soul, the sight of the ocean seems to widen it. We feel the same force at work, but the difference, whether in mind or body that we should feel in actual travelling horizontally or in direct ascent, that we feel in fancy. For what are our feelings of this kind but a motion imagined, [together] with the feelings that would accompany that motion, [but] less distinguished, more blended, more rapid, more confused, and, thereby, co-adunated? Just as white is the very emblem of one in being the confusion of all.

VERBUM SAPIENTIBUS

Mem.—Not to hastily abandon and kick away the means after the end is or seems to be accomplished. So have I, in blowing out the paper or match with which I have lit a candle, blown out the candle at the same instant.

THE CONTINUITY OF SENSATIONS

How opposite to nature and the fact to talk of the "one moment" of Hume, of our whole being an aggregate of successive single sensations! Who ever felt a single sensation? Is not every one at the same moment conscious that there co-exist a thousand others, a darker shade, or less light, even as when I fix my attention on a white house or a grey bare hill or rather long ridge that runs out of sight each way (how often I want the German unübersekbar!) [untranslatable]—the pretended sight-sensation, is it anything more than the light-point in every picture either of nature or of a good painter? and, again, subordinately, in every component part of the picture? And what is a moment? Succession with interspace? Absurdity! It is evidently only the icht-punct in the indivisible undivided duration.

See yonder rainbow strangely preserving its form on broken clouds, with here a bit out, here a bit in, yet still a rainbow—even as you might place bits of coloured ribbon at distances, so as to preserve the form of a bow to the mind. Dec. 25, 1804.

HIS CONVERSATION, A NIMIETY OF IDEAS, NOT OF WORDS

There are two sorts of talkative fellows whom it would be injurious to confound, and I, S. T. Coleridge, am the latter. The first sort is of those who use five hundred words more than needs to express an idea—that is not my case. Few men, I will be bold to say, put more meaning into their words than I, or choose them more deliberately and discriminately. The second sort is of those who use five hundred more ideas, images, reasons, &c., than there is any need of to arrive at their object, till the only object arrived at is that the mind's eye of the bystander is dazzled with colours succeeding so rapidly as to leave one vague impression that there has been a great blaze of colours all about something. Now this is my case, and a grievous fault it is. My illustrations swallow up my thesis. I feel too intensely the omnipresence of all in each, platonically speaking; or, psychologically, my brain-fibres, or the spiritual light which abides in the brain-marrow, as visible light appears to do in sundry rotten mackerel and other smashy matters, is of too general an affinity with all things, and though it perceives the difference of things, yet is eternally pursuing the likenesses, or, rather, that which is common [between them]. Bring me two things that seem the very same, and then I am quick enough [not only] to show the difference, even to hair-splitting, but to go on from circle to circle till I break against the shore of my hearers' patience, or have my concentricals dashed to nothing by a snore. That is my ordinary mishap. At Malta, however, no one can charge me with one or the other. I have earned the general character of being a quiet well-meaning man, rather dull indeed! and who would have thought that he had been a poet! "O, a very wretched poetaster, ma'am! As to the reviews, 'tis well known he half-ruined himself in paying cleverer fellows than himself to write them," &c.

THE EMBRYONIC SOUL

How far might one imagine all the theory of association out of a system of growth, by applying to the brain and soul what we know of an embryo? One tiny particle combines with another its like, and, so, lengthens and thickens, and this is, at once, memory and increasing vividness of impression. One might make a very amusing allegory of an embryo soul up to birth! Try! it is promising! You have not above three hundred volumes to write before you come to it, and as you write, perhaps, a volume once in ten years, you have ample time.

My dear fellow! never be ashamed of scheming—you can't think of living less than 4000 years, and that would nearly suffice for your present schemes. To be sure, if they go on in the same ratio to the performance, then a small difficulty arises; but never mind! look at the bright side always and die in a dream! Oh!

OF A NEW HYPOTHESIS

The evil effect of a new hypothesis or even of a new nomenclature is, that many minds which had familiarised themselves to the old one, and were riding on the road of discovery accustomed to their horse, if put on a new animal, lose time in learning how to sit him; while the others, looking too stedfastly at a few facts which the jeweller Hypothesis had set in a perfectly beautiful whole, forget to dig for more, though inhabitants of a Golconda. However, it has its advantages too, and these have been ably pointed out. It excites contradiction, and is thence a stimulus to new experiments to support, and to a more severe repetition of these experiments and of other new ones to confute [arguments pro and con]. And, besides, one must alloy severe truth with a little fancy, in order to mint it into common coin.

HIS INDEBTEDNESS TO GERMAN PHILOSOPHY

In the preface of my metaphysical works, I should say—"Once for all, read Kant, Fichte, &c., and then you will trace, or, if you are on the hunt, track me." Why, then, not acknowledge your obligations step by step? Because I could not do so in a multitude of glaring resemblances without a lie, for they had been mine, formed and full-formed, before I had ever heard of these writers, because to have fixed on the particular instances in which I have really been indebted to these writers would have been hard, if possible, to me who read for truth and self-satisfaction, and not to make a book, and who always rejoiced and was jubilant when I found my own ideas well expressed by others—and, lastly, let me say, because (I am proud, perhaps, but) I seem to know that much of the matter remains my own, and that the soul is mine. I fear not him for a critic who can confound a fellow-thinker with a compiler.

THE METAPHYSICIAN AT BAY

Good heavens! that there should be anything at all, and not nothing. Ask the bluntest faculty that pretends to reason, and, if indeed he have felt and reasoned, he must feel that something is to be sought after out of the vulgar track of Change-Alley speculation.

If my researches are shadowy, what, in the name of reason, are you? or do you resign all pretence to reason, and consider yourself—nay, even that in a contradiction—as a passive ○ among Nothings?

MEANS TO ENDS

How flat and common-place! O that it were in my heart, nerves, and muscles! O that it were the prudential soul of all I love, of all who deserve to be loved, in every proposed action to ask yourself, To what end is this? and how is this the means? and not the means to something else foreign to or abhorrent from my purpose? Distinct means to distinct ends! With friends and beloved ones follow the heart. Better be deceived twenty times than suspect one-twentieth of once; but with strangers, or enemies, or in a quarrel, whether in the world's squabbles, as Dr. Stoddart's and Dr. Sorel in the Admiralty Court at Malta; or in moral businesses, as mine with Southey or Lloyd (O pardon me, dear and honoured Southey, that I put such a name by the side of yours....)—in all those cases, write your letter, disburthen yourself, and when you have done it—even as when you have pared, sliced, vinegared, oiled, peppered and salted your plate of cucumber, you are directed to smell it, and then throw it out of the window—so, dear friend, vinegar, pepper and salt your letter—your cucumber argument, that is, cool reasoning previously sauced with passion and sharpness—then read it, eat it, drink it, smell it, with eyes and ears (a small catachresis but never mind), and then throw it into the fire—unless you can put down in three or four sentences (I cannot allow more than one side of a sheet of paper) the distinct end for which you conceive this letter (or whatever it be) to be the distinct means! How trivial! Would to God it were only habitual! O what is sadder than that the crambe bis cocta of the understanding should be and remain a foreign dish to the efficient will—that the best and loftiest precepts of wisdom should be trivial, and the worst and lowest modes of folly habitual.

VERBAL CONCEITS

I have learnt, sometimes not at all, and seldom harshly, to chide those conceits of words which are analogous to sudden fleeting affinities of mind. Even, as in a dance, you touch and join and off again, and rejoin your partner that leads down with you the dance, in spite of these occasional off-starts—for they, too, not merely conform to, but are of and in and help to form the delicious harmony. Shakspere is not a thousandth part so faulty as the ○○○ believe him. "Thus him that over-rul'd I over-sway'd," etc., etc. I noticed this to that bubbling ice-spring of cold-hearted, mad-headed fanaticism, the late Dr. Geddes, in the "Heri vidi fragilem frangi, hodie mortalem mori."

[Dr. Alexander Geddes, 1737-1802, was, inter alia, author of a revised translation of the Scriptures.]

THE BRIGHT BLUE SEA

How often I have occasion to notice with pure delight the depth of the exceeding blueness of the Mediterranean from my window! It is often, indeed, purple; but I am speaking of its blueness—a perfect blue, so very pure an one. The sea is like a night-sky; and but for its planities, it were as if the night-sky were a thing that turned round and lay in the day-time under the paler Heaven. And it is on this expanse that the vessels have the fine white dazzling cotton sails.

THE BIRTH OF THE IDEA

Centuries before their mortal incarnation, Jove was wont to manifest to the gods the several creations as they emerged from the divine ideal. Now it was reported in heaven that an unusually fair creation of a woman was emerging, and Venus, fearful that her son should become enamoured as of yore with Psyche (what time he wandered alone, his bow unslung, and using his darts only to cut out her name on rocks and trees, or, at best, to shoot hummingbirds and birds of Paradise to make feather-chaplets for her hair, and the world, meanwhile, grown loveless, hardened into the Iron Age), entreats Jove to secrete this form [of perilous beauty]. But Cupid, who had heard the report, and fondly expected a re-manifestation of Psyche, hid himself in the hollow of the sacred oak beneath which the Father of Gods had withdrawn as to an unapproachable adytum, and beheld the Idea emerging in its First Glory. Forthwith the wanton was struck blind by the splendour ere yet the blaze had defined itself with form, and now his arrows strike but vaguely.

THE CONVERSION OF CERES

I have somewhere read, or I have dreamt, a wild tale of Ceres' loss of Proserpine, and her final recovery of her daughter by means of Christ when He descended into hell, at which time she met Him and abjured all worship for the future.

It were a quaint mythological conceit to feign that the gods of Greece and Rome were some of the best of the fallen spirits, and that of their number Apollo, Mars, and the Muses were converted to Christianity, and became different saints.

AS THE SPARKS FLY UPWARD

The ribbed flame—its snatches of impatience, that half-seem, and only seem that half, to baffle its upward rush—the eternal unity of individualities whose essence is in their distinguishableness, even as thought and fancies in the mind; the points of so many cherubic swords snatched back, but never discouraged, still fountaining upwards:—flames self-snatched up heavenward, if earth supply the fuel, heaven the dry light air—themselves still making the current that will fan and spread them—yet all their force in vain, if of itself—and light dry air, heaped fuel, fanning breeze as idle, if no inward spark lurks there, or lurks unkindled. Such a spark, O man! is thy Free Will—the star whose beams are Virtue!