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1808-1809

Yea, oft alone,

Piercing the long-neglected holy cave

The haunt obscure of old Philosophy,

He bade with lifted torch its starry walls

Sparkle, as erst they sparkled to the flame

Of odorous lamps tended by Saint and Sage.

S. T. C.

INOPEM ME COPIA FECIT

If one thought leads to another, so often does it blot out another. This I find when having lain musing on my sofa, a number of interesting thoughts having suggested themselves, I conquer my bodily indolence, and rise to record them in these books, alas! my only confidants. The first thought leads me on indeed to new ones; but nothing but the faint memory of having had these remains of the other, which had been even more interesting to me. I do not know whether this be an idiosyncrasy, a peculiar disease, of my particular memory—but so it is with me—my thoughts crowd each other to death.

A NEUTRAL PRONOUN

Quære—whether we may not, nay ought not, to use a neutral pronoun relative, or representative, to the word "Person," where it hath been used in the sense of homo, mensch, or noun of the common gender, in order to avoid particularising man or woman, or in order to express either sex indifferently? If this be incorrect in syntax, the whole use of the word Person is lost in a number of instances, or only retained by some stiff and strange position of words, as—"not letting the person be aware, wherein offence has been given"—instead of—"wherein he or she has offended." In my [judgment] both the specific intention and general etymon of "Person" in such sentences, fully authorise the use of it and which instead of he, she, him, her, who, whom.

THE HUMBLE COMPLAINT OF THE LOVER

If love be the genial sun of human nature, unkindly has he divided his rays [in acting] on me and my beloved! On her hath he poured all his light and splendour, and my being doth he permeate with his invisible rays of heat alone. She shines and is cold like the tropic fire-fly—I, dark and uncomely, would better resemble the cricket in hot ashes. My soul, at least, might be considered as a cricket eradiating the heat which gradually cinerising the heart produces the embers and ashes from among which it chirps out of its hiding-place.

N.B.—This put in simple and elegant verse, [would pass] as an imitation of Marini, and of too large a part of the madrigals of Guarini himself.

TRUTH

Truth per se is like unto quicksilver, bright, agile, harmless. Swallow a pound and it will run through unaltered and only, perhaps, by its weight force down impurities from out the system. But mix and comminute it by the mineral acid of spite and bigotry, and even truth becomes a deadly poison—medicinal only when some other, yet deadlier, lurks in the bones.

LOVE THE INEFFABLE

O! many, many are the seeings, hearings, of pure love that have a being of their own, and to call them by the names of things unsouled and debased below even their own lowest nature by associations accidental, and of vicious accidents, is blasphemy. What seest thou yonder? The lovely countenance of a lovely maiden, fervid yet awe-suffering with devotion—her face resigned to bliss or bale; or a bit of flesh; or, rather, that which cannot be seen unless by him whose very seeing is more than an act of mere sight—that which refuses all words, because words being, perforce, generalities do not awake, but really involve associations of other words as well as other thoughts—but that which I see, must be felt, be possessed, in and by its sole self! What! shall the statuary Pygmalion of necessity feel this for every part of the insensate marble, and shall the lover Pygmalion in contemplating the living statue, the heart-adored maiden, breathing forth in every look, every movement, the genial life imbreathed of God, grovel in the mire and grunt the language of the swinish slaves of the Circe, of vulgar generality and still more vulgar association? The Polyclete that created the Aphrodite καλλιπυγος, thought in acts, not words—energy divinely languageless— δια τον Λογον, ου συν επεσι, through the Word, not with words. And what though it met with Imp-fathers and Imp-mothers and Fiendsips at its christening in ts parents' absence!

THE MANUFACTURE OF PROPHESY

One of the causes of superstition, and also of enthusiasm, and, indeed, of all errors in matters of fact, is the great power with which the effect acts upon and modifies the remembrance of its cause, at times even transforming it in the mind. Let A have said a few words to B, which (by some change and accommodation of them to the event in the mind of B) have been remarkably fulfilled; and let B remind A of these words which he (A) had spoken, A will instantly forget all his mood, motive, and meaning, at the time of speaking them, nay, remember words he had never spoken, and throw back upon them, from the immediate event, an imagined fulfillment, a prophetic grandeur—himself, in his own faith, a seer of no small inspiration. We yet want the growth of a prophet and self-deceived wonder-worker step by step, through all the stages; and, yet, what ample materials exist for a true and nobly-minded psychologist! For, in order to make fit use of these materials, he must love and honour as well as understand human nature—rather, he must love in order to understand it.

THE CAPTIVE BIRD May 16th, 1808

O that sweet bird! where is it? It is encaged somewhere out of sight; but from my bedroom at the Courier office, from the windows of which I look out on the walls of the Lyceum, I hear it at early dawn, often, alas! lulling me to late sleep—again when I awake and all day long. It is in prison, all its instincts ungratified, yet it feels the influence of spring, and calls with unceasing melody to the Loves that dwell in field and greenwood bowers, unconscious, perhaps, that it calls in vain. O are they the songs of a happy, enduring day-dream? Has the bird hope? or does it abandon itself to the joy of its frame, a living harp of Eolus? O that I could do so!

Assuredly a thrush or blackbird encaged in London is a far less shocking spectacle, its encagement a more venial defect of just feeling, than (which yet one so often sees) a bird in a gay cage in the heart of the country—yea, as if at once to mock both the poor prisoner and its kind mother, Nature—in a cage hung up in a tree, where the free birds after a while, when the gaudy dungeon is no longer a scare, crowd to it, perch on the wires, drink the water, and peck up the seeds. But of all birds I most detest to see the nightingale encaged, and the swallow, and the cuckoo. Motiveless! monstrous! But the robin! O woes' woe! woe!—he, sweet cock-my-head-and-eye, pert-bashful darling, that makes our kitchen its chosen cage.

ARCHITECTURE AND CLIMATE

If we take into consideration the effect of the climates of the North, Gothic, in contra-distinction to Greek and Græco-Roman architecture, is rightly so named. Take, for instance, a rainy, windy day, or sleet, or a fall of snow, or an icicle-hanging frost, and then compare the total effect of the South European roundnesses and smooth perpendicular surface with the ever-varying angles and meeting-lines of the North-European or Gothic styles.

[The above is probably a dropped sentence from the report of the First or Second Lecture of the 1818 series. See Coleridge's Works (Harper and Brothers, 1853), iv. 232-239.]

NEITHER BOND NOR FREE

The demagogues address the lower orders as if they were negroes—as if each individual were an inseparable part of the order, always to remain, nolens volens, poor and ignorant. How different from Christianity, which for ever calls on us to detach ourselves spiritually not merely from our rank, but even from our body, and from the whole world of sense!

THE MAIDEN'S PRIMER

The one mighty main defect of female education is that everything is taught but reason and the means of retaining affection. This—this—O! it is worth all the rest told ten thousand times:—how to greet a husband, how to receive him, how never to recriminate—in short, the power of pleasurable thoughts and feelings, and the mischief of giving pain, or (as often happens when a husband comes home from a party of old friends, joyous and full of heart) the love-killing effect of cold, dry, uninterested looks and manners.

THE HALFWAY HOUSE Wednesday night, May 18th, 1808

Let me record the following important remark of Stuart, with whom I never converse but to receive some distinct and rememberable improvement (and if it be not remembered, it is the defect of my memory—which, alas! grows weaker daily—or a fault from my indolence in not noting it down, as I do this)—that there is a period in a man's life, varying in various men, from thirty-five to forty-five, and operating most strongly in bachelors, widowers, or those worst and miserablest widowers, unhappy husbands, in which a man finds himself at the top of the hill, and having attained, perhaps, what he wishes, begins to ask himself, What is all this for?—begins to feel the vanity of his pursuits, becomes half-melancholy, gives in to wild dissipation or self-regardless drinking; and some, not content with these (not slow) poisons, destroy themselves, and leave their ingenious female or female-minded friends to fish out some motive for an act which proceeded from a motive-making impulse, which would have acted even without a motive (even as the terror5 in nightmare is a bodily sensation, and though it most often calls up consonant images, yet, as I know by experience, can take effect equally without any); or, if not so, yet like gunpowder in a smithy, though it will not go off without a spark, is sure to receive one, if not this hour, yet the next. I had felt this truth, but never saw it before clearly: it came upon me at Malta under the melancholy, dreadful feeling of finding myself to be man, by a distinct division from boyhood, youth, and "young man." Dreadful was the feeling—till then life had flown so that I had always been a boy, as it were; and this sensation had blended in all my conduct, my willing acknowledgment of superiority, and, in truth, my meeting every person as a superior at the first moment. Yet if men survive this period, they commonly become cheerful again. That is a comfort for mankind, not for me!

HIS OWN GENIUS

My inner mind does not justify the thought that I possess a genius, my strength is so very small in proportion to my power. I believe that I first, from internal feeling, made or gave light and impulse to this important distinction between strength and power, the oak and the tropic annual, or biennial, which grows nearly as high and spreads as large as the oak, but in which the wood, the heart is wanting—the vital works vehemently, but the immortal is not with it. And yet, I think, I must have some analogue of genius; because, among other things, when I am in company with Mr. Sharp, Sir J. Mackintosh, R. and Sydney Smith, Mr. Scarlett, &c. &c., I feel like a child, nay, rather like an inhabitant of another planet. Their very faces all act upon me, sometimes, as if they were ghosts, but more often as if I were a ghost among them—at all times as if we were not consubstantial.

NAME IT AND YOU BREAK IT

"The class that ought to be kept separate from all others"—and this said by one of themselves! O what a confession that it is no longer separated! Who would have said this even fifty years ago? It is the howling of ice during a thaw. When there is any just reason for saying this, it ought not to be said, it is already too late. And though it may receive the assent of the people of "the squares and places," yet what does that do, if it be the ridicule of all other classes?

THE DANGER OF OVER-BLAMING

The general experience, or rather supposed experience, prevails over the particular knowledge. So many causes oppose man to man, that he begins by thinking of other men worse than they deserve, and receives his punishment by at last thinking worse of himself than the truth is.

EXCESS OF SELF-ESTEEM

Expressions of honest self-esteem, in which self was only a diagram of the genus, will excite sympathy at the minute, and yet, even among persons who love and esteem you, be remembered and quoted as ludicrous instances of strange self-involution.

DEFECT OF SELF-ESTEEM. May 23, 1808

Those who think lowliest of themselves, perhaps with a feeling stronger than rational comparison would justify, are apt to feel and express undue asperity for the faults and defects of those whom they habitually have looked up to as to their superiors. For placing themselves very low, perhaps too low, wherever a series of experiences, struggled against for a while, have at length convinced the mind that in such and such a moral habit the long-idolised superior is far below even itself, the grief and anger will be in proportion. "If even I could never have done this, O anguish, that he, so much my superior, should do it! If even I with all my infirmities have not this defect, this selfishness, that he should have it!" This is the course of thought. Men are bad enough; and yet they often think themselves worse than they are, among other causes by a reaction from their own uncharitable thoughts. The poisoned chalice is brought back to our own lips.

A PRACTICAL MAN

He was grown, and solid from his infancy, like that most useful of domesticated animals, that never runs but with some prudent motive to the mast or the wash-tub and, at no time a slave to the present moment, never even grunts over the acorns before him without a scheming squint and the segment, at least, of its wise little eye cast toward those on one side, which his neighbour is or may be about to enjoy.

LUCUS A NON LUCENDO

Quære, whether the high and mighty Edinburghers, &c., have not been elevated into guardians and overseers of taste and poetry for much the same reason as St. Cecilia was chosen as the guardian goddess of music, because, forsooth, so far from being able to compose or play herself, she could never endure any other instrument than the jew's-harp or Scotch bag-pipe? No! too eager recensent! you are mistaken, there is no anachronism in this. We are informed by various antique bas-reliefs that the bag-pipe was well known to the Romans, and probably, therefore, that the Picts and Scots were even then fond of seeking their fortune in other countries.

LOVE AND MUSIC

"Love is the spirit of life and music the life of the spirit."

Q. What is music? A. Poetry in its grand sense! Passion and order at once! Imperative power in obedience!

Q. What is the first and divinest strain of music? A.—In the intellect—"Be able to will that thy maxims (rules of individual conduct) should be the law of all intelligent being!"

In the heart, or practical reason, "Do unto others as thou wouldst be done by." This in the widest extent involves the test, "Love thy neighbour as thyself, and God above all things." For, conceive thy being to be all-including, that is, God—thou knowest that thou wouldest command thyself to be beloved above all things.

[For the motto at the head of this note see the lines "Ad Vilmum Axiologum." P. W., 1893, p. 138.]

CONSCIENCE AND IMMORTALITY

From what reasons do I believe in continuous and ever-continuable consciousness? From conscience! Not for myself, but for my conscience, that is, my affections and duties towards others, I should have no self—for self is definition, but all boundary implies neighbourhood and is knowable only by neighbourhood or relations. Does the understanding say nothing in favour of immortality? It says nothing for or against; but its silence gives consent, and is better than a thousand arguments such as mere understanding could afford. But miracles! "Do you speak of them as proofs or as natural consequences of revelation, whose presence is proof only by precluding the disproof that would arise from their absence?" "Nay, I speak of them as of positive fundamental proofs." Then I dare answer you "Miracles in that sense are blasphemies in morality, contradictions in reason. God the Truth, the actuality of logic, the very logos—He deceive his creatures and demonstrate the properties of a triangle by the confusion of all properties! If a miracle merely means an event before inexperienced, it proves only itself, and the inexperience of mankind. Whatever other definition be given of it, or rather attempted (for no other not involving direct contradiction can be given), it is blasphemy. It calls darkness light, and makes Ignorance the mother of Malignity, the appointed nurse of religion—which is knowledge as opposed to mere calculating and conjectural understanding. Seven years ago, but oh! in what happier times—I wrote thus—

O ye hopes! that stir within me!

Health comes with you from above!

God is with me! God is in me! I cannot die: for life is love!

And now, that I am alone and utterly hopeless for myself, yet still I love—and more strongly than ever feel that conscience or the duty of love is the proof of continuing, as it is the cause and condition of existing consciousness. How beautiful the harmony! Whence could the proof come, so appropriately, so conformly with all nature, in which the cause and condition of each thing is its revealing and infallible prophecy!

And for what reason, say, rather, for what cause, do you believe immortality? Because I ought, therefore I must!

[The lines "On revisiting the sea-shore," of which the last stanza is quoted, were written in August, 1801. [P.W., 1893, p. 159.] If the note was written exactly seven years after the date of that poem, it must belong to the summer of 1808, when Coleridge was living over the Courier office in the Strand.]

THE CAP OF LIBERTY

Truly, I hope not irreverently, may we apply to the French nation the Scripture text, "From him that hath nothing shall be taken that which he hath"—that is, their pretences to being free, which are the same as nothing. They, the illuminators, the discoverers and sole possessors of the true philosopher's stone! Alas! it proved both for them and Europe the Lapis Infernalis.

VAIN GLORY

Lord of light and fire? What is the universal of man in all, but especially in savage states? Fantastic ornament and, in general, the most frightful deformities—slits in the ears and nose, for instance. What is the solution? Man will not be a mere thing of nature: he will be and shew himself a power of himself. Hence these violent disruptions of himself from all other creatures! What they are made, that they remain—they are Nature's, and wholly Nature's.

CHILDREN OF A LARGER GROWTH

Try to contemplate mankind as children. These we love tenderly, because they are beautiful and happy; we know that a sweet-meat or a top will transfer their little love for a moment, and that we shall be repelled with a grimace. Yet we are not offended.

CHYMICAL ANALOGIES

I am persuaded that the chymical technology, as far as it was borrowed from life and intelligence, half-metaphorically, half-mystically, may be brought back again (as when a man borrows of another a sum which the latter had previously borrowed of him, because he is too polite to remind him of a debt) to the use of psychology in many instances, and, above all, [may be re-adapted to] the philosophy of language, which ought to be experimentative and analytic of the elements of meaning—their double, triple, and quadruple combinations, of simple aggregation or of composition by balance of opposition.

Thus innocence is distinguished from virtue, and vice versâ. In both of them there is a positive, but in each opposite. A decomposition must take place in the first instance, and then a new composition, in order for innocence to become virtue. It loses a positive, and then the base attracts another different positive, by the higher affinity of the same base under a different temperature for the latter.

I stated the legal use of the innocent as opposed to mere not guilty (he was not only acquitted, but was proved innocent), only to shew the existence of a positive in the former—by no means as confounding this use of the word with the moral pleasurable feeling connected with it when used of little children, maidens, and those who in mature age preserve this sweet fragrance of vernal life, this mother's gift and so-seldom-kept keepsake to her child, as she sends him forth into the world. The distinction is obvious. Law agnizes actions alone, and character only as presumptive or illustrative of particular action as to its guilt or non-guilt, or to the commission or non-commission. But our moral feelings are never pleasurably excited except as they refer to a state of being—and the most glorious actions do not delight us as separate acts, or, rather, facts, but as representatives of the being of the agent—mental stenographs which bring an indeterminate extension within the field of easy and simultaneous vision, diffused being rendered visible by condensation. Only for the hero's sake do we exult in the heroic act, or, rather, the act abstracted from the hero would no longer appear to us heroic. Not, therefore, solely from the advantage of poets and historians do the deeds of ancient Greece and Rome strike us into admiration, while we relate the very same deeds of barbarians as matters of curiosity, but because in the former we refer the deed to the individual exaltation of the agent, in the latter only to the physical result of a given state of society. Compare the [heroism of that] Swiss patriot, with his bundle of spears turned towards his breast, in order to break the Austrian pikemen, and that of the Mameluke, related to me by Sir Alexander Ball, who, when his horse refused to plunge in on the French line, turned round and backed it on them, with a certainty of death, in order to effect the same purpose. In the former, the state of mind arose from reason, morals, liberty, the sense of the duty owing to the independence of his country, and its continuing in a state compatible with the highest perfection and development; while the latter was predicative only of mere animal habit, ferocity, and unreasoned antipathy to strangers of a different dress and religion.

BOOKS IN THE AIR

If, contrary to my expectations—alas! almost, I fear, to my wishes—I should live, it is my intention to make a catalogue of the Greek and Latin Classics, and of those who, like the author of the Argenis [William Barclay, 1546-1605], and Euphormio, Fracastorius, Flaminius, etc., deserve that name though moderns—and every year to apply all my book-money to the gradual completion of the collection, and buy no other books except German, if the continent should be opened again, except Massinger, Beaumont and Fletcher, and Jonson. The two last I have, I believe, but imperfect—indeed, B. and F. worthless, the best plays omitted. It would be a pleasing employment, had I health, to translate the Hymns of Homer, with a disquisitional attempt to settle the question concerning the personality of Homer. Such a thing in two volumes, well done, by philosophical notes on the mythology of the Greeks, distinguishing the sacerdotal from the poetical, and both from the philosophical or allegorical, fairly grown into two octavos, might go a good way, if not all the way, to the Bipontine Latin and Greek Classics.

A TURTLE-SHELL FOR HOUSE-HOLD TUB

I almost fear that the alteration would excite surprise and uneasy contempt in Verbidigno's mind (towards one less loved, at least); but had I written the sweet tale of the "Blind Highland Boy," I would have substituted for the washing-tub, and the awkward stanza in which it is specified, the images suggested in the following lines from Dampier's Travels, vol. i. pp. 105-6:—"I heard of a monstrous green turtle once taken at the Port Royal, in the Bay of Campeachy, that was four feet deep from the back to the belly, and the belly six feet broad. Captain Rock's son, of about nine or ten years of age, went in it as in a boat, on board his father's ship, about a quarter of a mile from the shore." And a few lines before—"The green turtle are so called because their shell is greener than any other. It is very thin and clear, and better clouded than the Hawksbill, but 'tis used only for inlays, being extraordinary thin." Why might not some mariners have left this shell on the shore of Loch Leven for a while, about to have transported it inland for a curiosity, and the blind boy have found it? Would not the incident be in equal keeping with that of the child, as well as the image and tone of romantic uncommonness?

["In deference to the opinion of a friend," this substitution took place. A promise made to Sara Coleridge to re-instate the washing-tub was, alas! never fulfilled. See Poetical Works of W. Wordsworth, 1859, pp. 197, and 200 footnote.]

THE TENDER MERCIES OF THE GOOD

Tremendous as a Mexican god is a strong sense of duty—separate from an enlarged and discriminating mind, and gigantic ally disproportionate to the size of the understanding; and, if combined with obstinacy of self-opinion and indocility, it is the parent of tyranny, a promoter of inquisitorial persecution in public life, and of inconceivable misery in private families. Nay, the very virtue of the person, and the consciousness that it is sacrificing its own happiness, increases the obduracy, and selects those whom it best loves for its objects. Eoque immitior quia ipse tolerat (not toleraverat) is its inspiration and watchword.

HINTS FOR "THE FRIEND"

A nation of reformers looks like a scourer of silver-plate—black all over and dingy, with making things white and brilliant.

A joint combination of authors leagued together to declaim for or against liberty may be compared to Buffon's collection of smooth mirrors in a vast fan arranged to form one focus. May there not be gunpowder as well as corn set before it, and the latter will not thrive, but become cinders?

A good conscience and hope combined are like fine weather that reconciles travel with delight.

Great exploits and the thirst of honour which they inspire, enlarge states by enlarging hearts.

The rejection of the love of glory without the admission of Christianity is, truly, human darkness lacking human light.

Heaven preserve me from the modern epidemic of a proud ignorance!

Hypocrisy, the deadly crime which, like Judas, kisses Hell at the lips of Redemption.

Is't then a mystery so great, what God and the man, and the world is? No, but we hate to hear! Hence a mystery it remains.

The massy misery so prettily hidden with the gold and silver leaf—bracteata felicitas.

CONCERNING BELLS

If I have leisure, I may, perhaps, write a wild rhyme on the Bell, from the mine to the belfry, and take for my motto and Chapter of Contents, the two distichs, but especially the latter—

Laudo Deum verum, plebem voco, congrego clerum:

Defunctos ploro, pestem fugo, festa decoro.

Funera plango, fulgura frango, sabbata pango:

Excito lentos, dissipo ventos, paco cruentos.

The waggon-horse celsâ cervice eminens clarumque jactans tintinnabulum. Item, the cattle on the river, and valley of dark pines and firs in the Hartz.

The army of Clotharius besieging Sens were frightened away by the bells of St. Stephen's, rung by the contrivance of Lupus, Bishop of Orleans.

For ringing the largest bell, as a Passing-bell, a high price was wont to be paid, because being heard afar it both kept the evil spirits at a greater distance, and gave the chance of the greater number of prayers pro mortuo, from the pious who heard it.

Names of saints were given to bells that it might appear the voice of the Saint himself calling to prayer. Man will humanise all things.

[It is strange that Coleridge should make no mention of Schiller's "Song of the Bell," of which he must, at any rate, have heard the title. Possibly the idea remained though its source was forgotten. The Latin distichs were introduced by Longfellow in his "Golden Legend."

Of the cow-bells in the Hartz he gives the following account in an unpublished letter to his wife. April-May, 1799. "But low down in the valley and in little companies on each bank of the river a multitude of green conical fir-trees, with herds of cattle wandering about almost every one with a cylindrical bell around its neck, of no inconsiderable size. And as they moved, scattered over the narrow vale, and up among the trees of the hill, the noise was like that of a great city in the stillness of the Sabbath morning, where all the steeples, all at once are ringing for Church. The whole was a melancholy scene and quite new to me."]

FOOTNOTES:

5

[O heaven, 'twas frightful! now run down and stared at

By shapes more ugly than can be remembered—

Now seeing nothing and imagining nothing,

But only being afraid—stifled with Fear!

And every goodly, each familiar form

Had a strange somewhat that breathed terrors on me!

(From my MS. tragedy [S. T. C.]) Remorse, iv. 69-74—but the passage is omitted from Osorio, act iv. 53 sq. P. W., pp. 386-499].