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Illustrations

FIGURES

Figure 1.1. Émile Storms’s home, with Lusinga’s statue centrally displayed, 1929

Figure 1.2. A collection of minkisi brought to the Kangu mission post, 1902

Figure 1.3. Art collector Jeanne Walschot, ca. 1940

Figure 1.4. Colonial Exposition 1897, salle d’honneur

Figure 1.5. Indigenous art room, ca. 1937, with Kuba royal statue, or ndop

Figure 1.6. Map of Olbrechts’s style areas, 1946

Figure 1.7. Congo art room, 1963

Figure 1.8. Marble Hall, 1954

Figure 1.9. Paul Wissaert’s The Aniota of Stanley Falls (1913) and Julien Dillens’s De Dragers (The carriers) (1897), 1953

Figure 1.10. Memorial Hall, 1955

Figure 1.11. Visit of the Yaka king to the Tervuren museum, 1959

Figure 2.1. Robert Verly in one of the Tshikapa workshops, 1957

Figure 2.2. Musée de la Vie Indigène, 1946

Figure 2.3. Musée de la Vie Indigène, Salle Province de Lusambo, 1946

Figure 2.4. Musée de la Vie Indigène, corner representing the provinces Stanleyville, Elisabethville, and Costermansville, 1946

Figure 2.5. Musée de la Vie Indigène, crafts shop, 1946

Figure 2.6. Musée de la Vie Indigène, 1946

Figure 2.7. Back view of the museum in Lubumbashi, 1971

Figure 2.8. Museum of Art and Folklore, Luluabourg, 1959

Figure 2.9. 1956 Biennale

Figure 2.10. The sculptor Kaluesha, who worked in one of Robert Verly’s workshops, 1957

Figure 3.1. The return of a ndop to the IMNZ in 1976

Figure 4.1. Sculptor Kaseya Tambwe Makumbi with a statue commissioned by the IMNZ, 1974

Figure 4.2. Second IMNZ mission, Kiadi and Charlie Hénault, near Mushenge, 1970

Figure 4.3. Kabongo-Kabalo route, Luba area, February 1974

Figure 4.4. IMNZ mission, location unknown, 1970

Figure 4.5. Museum employee Epulu among the Mbuti, northeastern Zaire, March 1973

Figure 4.6. Museum employee Ngamba and a Songye mask, fallen victim to a rat, May 19, 1974

Figure 4.7. Nzembele among the Mbole in zone Opala, April 1974

Figure 5.1. Mont Stanley, Leopoldville, 1957

Figure 5.2. Le Bouclier de la Révolution (The shield of the revolution), by Liyolo

Figure 5.3. IMNZ buildings on Mont Ngaliema, Kinshasa, 1970s

Figure 5.4. IMNZ storeroom with Kuba masks, 1976

Figure 5.5. Early exhibition on Mont Ngaliema, IMNZ, Kinshasa, early 1970s

Figure 5.6. Yaka rattle mask, ABA exposition space, Kinshasa.

Figure 5.7. ABA exposition space, Kinshasa

Figure 5.8. FIKIN exposition, Pende statue of mother and child, Kinshasa, July 1976

Figure 5.9. FIKIN exposition, Kinshasa, July 1976

Figure 5.10. FIKIN exposition, Kinshasa, July 1976

Figure 5.11. Front cover of Initiation à l’art plastique Zairois d’aujourd’hui (Introduction to contemporary zaïrian visual art), published for the AICA modern art exhibition; painting by Chenge Baruti

Figure 5.12. Le Militant (The militant), by Liyolo

Figure 5.13. Badi-Banga in his office at the IMNZ, Kinshasa, n.d. [1970s]

Figure 5.14. Kuba sculptor Sham Kwete with three ndop reproductions, 1974

Figure 6.1. Art of the Congo, Walker Art Center, 1967

Figure 6.2. Art of the Congo, Walker Art Center, 1967

Figure 6.3. Art of the Congo, Walker Art Center, 1967

Figure 6.4. Art of the Congo, Walker Art Center, 1967

Figure 6.5. Art of the Congo, Milwaukee Art Museum, 1969

Figure 6.6. Art of the Congo, Milwaukee Art Museum, 1969

Figure 6.7. Catalog covers for Art of the Congo (Walker Art Center and RMCA, 1967) and Art from Zaire (AAI and IMNZ, 1976)

Figure 6.8. Lengola figure, Art from Zaire, Indianapolis Museum of Art, 1977

Figure 6.9. Art from Zaire, AAI, 1976

Figure 6.10. Art from Zaire, AAI, 1976

Figure 6.11. Kuba objects, Art from Zaire, Indianapolis Museum of Art, 1977

Figure 6.12. Pende objects and image of dancer wearing a Gitenga mask, Art from Zaire, Indianapolis Museum of Art, 1977

Figure 6.13. Kuba masks and images of masked Kuba dancers, Art from Zaire, Indianapolis Museum of Art, 1977

Figure 6.14. Museum shop flyer, Los Angeles County Museum of Natural History, 1976

Figure 6.15. Ethnic Arts Shop advertisement, Los Angeles County Museum of Natural History, 1976

Figure 6.16. The Four Moments of the Sun: Kongo Art in Two Worlds, National Gallery of Art, 1981

Figure 6.17. The Four Moments of the Sun: Kongo Art in Two Worlds, National Gallery of Art, 1981

Figure 6.18. The Four Moments of the Sun: Kongo Art in Two Worlds, National Gallery of Art, 1981

Figure 6.19. The Four Moments of the Sun: Kongo Art in Two Worlds, National Gallery of Art, 1981

Figure 7.1. Salle Joseph Aurélien Cornet, IMNC, 2011

Figure 7.2. Leopold II statue, IMNC, 2011

PLATES

FOLLOWING CHAPTER 6

Plate 1. Front cover of Initiation à l’art plastique zaïrois d’aujourd’hui (Introduction to contemporary Zairian visual art), published for the AICA modern art exhibition; painting by Chenge Baruti

Plate 2. Art of the Congo, Milwaukee Art Museum, 1969

Plate 3. Art of the Congo, Milwaukee Art Museum, 1969

Plate 4. Catalog covers for Art of the Congo (Walker Art Center and RMCA, 1967) and Art from Zaire (AAI and IMNZ, 1976)

Plate 5. Kuba objects, Art from Zaire, Indianapolis Museum of Art, 1977

Plate 6. Pende objects and image of dancer wearing a Gitenga mask, Art from Zaire, Indianapolis Museum of Art, 1977

Plate 7. Kuba masks and images of masked Kuba dancers, Art from Zaire, Indianapolis Museum of Art, 1977

Plate 8. Museum shop flyer, Los Angeles County Museum of Natural History, 1976

Plate 9. The Four Moments of the Sun: Kongo Art in Two Worlds, National Gallery of Art, 1981

Plate 10. The Four Moments of the Sun: Kongo Art in Two Worlds, National Gallery of Art, 1981

Plate 11. The Four Moments of the Sun: Kongo Art in Two Worlds, National Gallery of Art, 1981

Plate 12. The Four Moments of the Sun: Kongo Art in Two Worlds, National Gallery of Art, 1981

Authentically African

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