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III

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Butley had lost the toss. As we went on to the field I tightened the black and yellow scarf which I wore round my waist; the scarf proved that I had won a place in my House Eleven at school, and it was my sole credential as a cricketer. But to-day was more exciting and important than any ‘House Match,’ and my sense of my own inferiority did not prevent me from observing every detail of the proceedings which I am now able to visualize so clearly across the intervening years.

The umpires in their long white coats have placed the bails on the stumps, each at his own end, and they are still satisfying themselves that the stumps are in the requisite state of exact uprightness. Tom Seamark, the Rotherden umpire, is a red-faced sporting publican who bulks as large as a lighthouse. As an umpire he has certain emphatic mannerisms. When appealed to he expresses a negative decision with a severe and stentorian ‘Not Out’: but when adjudicating that the batsman is out, he silently shoots his right arm toward the sky—an impressive and irrevocable gesture which effectively quells all adverse criticism. He is, of course, a tremendous judge of the game, and when not absorbed by his grave responsibilities he is one of the most jovial men you could meet with.

Bill Sutler, our umpire, is totally different. To begin with, he has a wooden leg. Nobody knows how he lost his leg; he does not deny the local tradition that he was once a soldier, but even in his cups he has never been heard to claim that he gave the limb for Queen and Country. It is, however, quite certain that he is now a cobbler (with a heavily waxed moustache) and Butley has ceased to deny that he is a grossly partisan umpire. In direct contrast to Tom Seamark he invariably signifies ‘not out’ by a sour shake of the head: when the answer is an affirmative one he bawls ‘Hout’ as if he’d been stung by a wasp. It is reputed that (after giving the enemy’s last man out leg-before in a closely fought finish) he was once heard to add, in an exultant undertone—“and I’ve won my five bob.” He has also been accused of making holes in the pitch with his wooden leg in order to facilitate the efforts of the Butley bowlers.

The umpires are in their places. But it is in the sunshine of my own clarified retrospection that they are wearing their white coats. While I was describing them I had forgotten that they have both of them been dead for many years. Nevertheless, their voices are distinctly audible to me. “Same boundaries as usual, Bill?” shouts Seamark, as loudly as if he were talking to a deaf customer in his tap-room. “Same as usual, Muster Seamark; three all round and four over the fence. Draw at six-thirty, and seven if there’s anything in it,” says Sutler. And so, with an intensified detachment, I look around me at the Butley players, who are now safely distributed in the positions which an omniscient Dodd has decreed for them.

I see myself, an awkward overgrown boy, fielding anxiously at mid-on. And there’s Ned Noakes, the whiskered and one-eyed wicketkeeper, alert and active, though he’s forty-five if he’s a day. With his one eye (and a glass one) he sees more than most of us do, and his enthusiasm for the game is apparent in every attitude. Alongside of him lounges big Will Picksett, a taciturn good-natured young yokel; though over-deliberate in his movements, Will is a tower of strength in the team, and he sweeps half-volleys to the boundary with his enormous brown arms as though he were scything a hayfield. But there is no more time to describe the fielders, for Dodd has thrown a bright red ball to Frank Peckham, who is to begin the bowling from the top end. While Crump and Bishop are still on their way to the wickets I cannot help wondering whether, to modern eyes, the Butley team would not seem just a little unorthodox. William Dodd, for example, comfortably dressed in a pale pink shirt and grey trousers; and Peter Baitup, the ground-man (whose face is framed in a ‘Newgate fringe,’) wearing dingy white trousers with thin green stripes, and carrying his cap in his belt while he bowls his tempting left-hand slows. But things were different in those days.

In the meantime Bill Crump has taken his guard and is waiting with watchful ease to subjugate the first ball of the match, while Peckham, a stalwart fierce-browed farmer, takes a final look round the field. Peckham is a fast bowler with an eccentric style. Like most fast bowlers, he starts about fifteen paces from the wicket, but instead of running he walks the whole way to the crease, very much on his heels, and breaking his aggressive stride with a couple of systematic hops when about half-way to his destination. Now he is ready. Seamark pronounces the word ‘Play!’ And off he goes, walking for all he is worth, gripping the ball ferociously, and eyeing the batsman as if he intends to murder him if he can’t bowl him neck and crop. On the ultimate stride his arm swings over, and a short-pitched ball pops up and whizzes alarmingly near Crump’s magnificent moustache. Ned Noakes receives it rapturously with an adroit snap of his gauntlets. Unperturbed, and with immense deliberation, Crump strolls up the pitch and prods with his bat the spot where he has made up his mind that the ball hit the ground on its way toward his head. The ground-man scratches his nose apologetically. “Don’t drop ’em too short, Frank,” says Dodd mildly, with an expostulatory shake of his bristly grey cranium. Thus the match proceeds until, twenty-five years ago, it is lunch time, and Rotherden has made seventy runs with three wickets down. And since both Crump and Bishop have been got rid of, Butley thinks it hasn’t done badly.

Memoirs of a Fox-hunting Man

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