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II

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If the party of reform in the last years of the nineteenth century seemed to be waiting for the death of its leader, the whole English world seems, in retrospect, to have been waiting for the death of the older generation and for the passing of an era which was arrested in its decay by the venerable presence and vigour of the queen and Mr. Gladstone, of Cardinal Manning and Cardinal Newman, of Dr. Spurgeon and Miss Nightingale. The great Victorian age, solid and stable, rich in discovery and invention, richer in literature and art, spanned the historical chasm between the eighteenth century and the twentieth: the political unrest and transition which perplexed the sons of George III had given place to an order so settled that, in the last years of George III's granddaughter, it seemed to defy change; the licence which endured as a legacy of the Napoleonic wars and as a memory of the Regency had been ended by the example and influence of the queen; in material strength and in the bewildering splendour of imperial pageantry, England stood higher than at any time since the last years of Queen Elizabeth. There is a tendency among the shallow-minded of the present day to see only the stiff conventionality and smug complacency of Victorianism, to ridicule its solemnity and to castigate its occasional tastelessness: in the eyes of such critics, Victorianism is to be remembered only by the Albert Memorial. Already in the Queen's last years there might be heard murmurs of revolt against the bloodless rectitude of life which she inspired; hopes were entertained that, when at length the Prince of Wales came to the throne, cheerfulness might be allowed to break in; the English had been on their best behaviour for too long and were profoundly bored.

When those who opened their eyes on the second half of the eighties were still young children, the first attack was made on the outposts of Victorian "respectability": the "new woman" made her appearance, defiantly smoking in public and—until threatened with violence by an outraged and susceptible mob—bicycling about the streets of London in "bloomers"; new ideas were spread, new rights suggested and an alarming new freedom of discussion inaugurated by the plays of Ibsen; a new wave of riches poured into England from the Rand, their possessors resolute to enjoy them without the restrictions of an outworn decorum. The epithet which has become the historic description of these years is "roaring," and, if it described something which by modern standards was mild and blameless, the vigour of the word registers the public misgiving and astonishment at the thing which it described. Nevertheless, though this brawling exuberance gave an earnest of what would come when the brawlers had discredited Victorianism, as yet they misconducted themselves clandestinely or "under the eye of perpetual disapprobation": the nod and frown of the court were still potent; and the rulers of half-a-dozen great houses decided effectively and subject only to the veto of the queen who should be received in the small and envied world known as "society."

In the realm of literature, where the writ of social rulers did not run, a steady movement towards intellectual freedom, more permanent in its results and less open to criticism in its course, made itself felt; and few more illuminating contrasts between the mental range of late Victorianism and that of the present day can be presented than by a study of the once forbidden problems which may now be discussed in novels, on the stage and in the press. The free lover and the unmarried mother have escaped from the tribunal of the moralist into the consulting-room of the pathologist and the workshop of the artist; diseases never before mentioned have supplied the dramatist with a motive; vices still unmentionable furnish a hinted explanation to the psychologist. And between men and women of almost any age there is an unembarrassed interchange of opinion, not always free from the gratification of morbid curiosity, which exceeds the limits even of what may be debated in print. The belief in safety through innocence has been replaced by a belief in safety through knowledge; the war went far towards completing the work begun by the early prophets of women's rights; while the change in outlook must be recorded, there has not yet been time to judge it in its effects on the well-being of the nation or on the spiritual quality of the individual. The revolutionaries of this, as of all other epochs, are too much concerned in pursuing liberty as an end to regard it as a means.

To them the restrictions of Victorianism would be as intolerable as its pleasures would be insipid. London, in the nineties, formal and unvarying, was only in session from Easter until Goodwood; and the slave of routine followed his appointed path from Sussex to Cowes, from Cowes to a foreign watering-place or to Scotland and from Scotland, by way of long visits in different parts of the country, to the shires, returning to London in the spring after a taste of cosmopolitanism in the south of France. Once more in England, he attended a succession of parties as punctually and conscientiously as he murmured the responses in church; if they grew irksome, there was no alternative, and, if he absented himself, he incurred the suspicion, in that intimate small world, of having been left uninvited. So for seven days a week and for twelve weeks of seven days: the week-end party, which now diverts a few and exhausts the rest, only dates from the early nineties; Sunday was always passed in London, with church and church parade, a luncheon party and ceremonial calls to urge the lagging hours.

Though the young girl unchaperoned was the young girl abandoned, it is probably the young bachelor who would have most reason to dread the obligations entailed by a plunge back into the nineties. Etiquette ordained that he must leave cards at any house where he had dined or danced; and a call in those strict days, when no one but a sloven would dare to be seen without a tall hat between the months of May and July, postulated that the caller must array himself in frock-coat and all its concomitants and, for a reason still obscure, must carry his hat into the drawing-room. Later, as a concession to human weakness and in imitation of the bar, a morning-coat was permitted; serge suits and bowler hats, exhibiting themselves tentatively at either end of the week, were excused by a presumed sojourn in the country; and then, with the speed of an avalanche, the reign of dandified dowdiness set in, tidying itself slowly into comfort that was also presentable.

While I Remember

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