Читать книгу Les Misérables, v. 3 - Victor Hugo, Clara Inés Bravo Villarreal - Страница 22

Book III
GRANDFATHER AND GRANDSON
CHAPTER I
AN OLD DRAWING-ROOM

Оглавление

When M. Gillenormand lived in the Rue Servandoni, he frequented several very good and highly noble salons. Although a bourgeois, M. Gillenormand was welcome in them, and as he had a two-fold stock of wit, namely, that which he had, and that attributed to him, he was sought after and made much of. There are some people who desire influence and to be talked about, no matter what price they pay; and when they cannot be oracles, they make themselves buffoons. M. Gillenormand was not of that nature; and his domination in the Royalist drawing-rooms which he frequented did not cost him any of his self-respect. He was an oracle everywhere; and at times he held his own against M. de Bonald, and even M. Bengy-Puy-Vallée.

About 1817, he invariably spent two afternoons a week at the house of the Baronne de T – , a worthy and respectable person whose husband had been, under Louis XVI., Ambassador to Berlin. The Baron de T – , who, when alive, was passionately devoted to magnetic ecstasies and visions, died abroad a ruined man, leaving as his sole fortune ten MS. volumes bound in red Morocco and gilt-edged, which contained very curious memoirs about Mesmer and his trough. Madame de T – did not publish these memoirs through dignity, and lived on a small annuity, which survived no one knew how. Madame de T – lived away from Court, "which was a very mixed society," as she said, in noble, proud, and poor isolation. Some friends collected twice a week round her widow's fire, and this constituted a pure Royalist salon. Tea was drunk, and people uttered there, according as the wind blew to elegiacs or dithyrambics, groans or cries of horror about the age, the charter, the Buonapartists, the prostitution of the Cordon Bleu to untitled persons, and the Jacobinism of Louis XVIII.; and they also whispered about the hopes which Monsieur, afterwards Charles X., produced.

Low songs, in which Napoleon was called Nicholas, were greeted here with transports of delight. Duchesses, the most charming and delicate of ladies, went into ecstasies there about couplets like the following, which were addressed to the "Federals":

"Renfoncez dans vos culottes

Le bout d'chemise qui vous pend.

Qu'on n'dis pas qu'les patriotes

Ont arboré l'drapeau blanc!"


They amused themselves with puns which they fancied tremendous, with innocent jokes which they supposed venomous, with quatrains and even distichs; here is one on the Dessolles Ministry, the moderate cabinet of which Mons. Decazes and Deserre formed part: —

"Pour raffermir le trône ébranlé sur sa base,

Il faut changer de sol, et de serre et de case;"


or else they played upon the list of the House of Peers, "an abominably Jacobin chamber," and combined names on this list so as to form, for instance, phrases like the following: "Damas, Sabran, Gouvion de St. Cyr." In this society the Revolution was parodied, and they had some desire to sharpen the same passions in the contrary sense, and sang their ça, ira.

"Ah! ça ira! ça ira! ça ira!

Les buonapartist' à la lanterne!"


Songs are like the guillotine, – they cut off indiscriminately to-day this head, and to-morrow that. It is only a variation. In the Fualdès affair, which belongs to this period (1816), they sided with Bastide and Jansion, because Fualdès was "buonapartiste," They called the Liberals friends and brothers, and that was the last degree of insult. Like some church-steeples, the salon of the Baronne de T – had two cocks: one was M. Gillenormand, the other the Comte de Lamothe Valois, of whom they whispered with a species of respect, – "You know? the Lamothe of the necklace business," – parties have these singular amnesties.

Let us add this; in the bourgeoisie, honored situations are lessened by too facile relations, and care must be taken as to who is admitted. In the same way as there is a loss of caloric in the vicinity of cold persons, there is a diminution of respect on the approach of despised persons. The old high society held itself above this law, as above all others; Marigny, brother of the Pompadour, visited the Prince de Soubise, not although, but because, he was her brother. Du Barry, godfather of the Vaubernier, is most welcome at the house of the Maréchal de Richelieu. That world is Olympus, and Mercury and the Prince de Guemenée are at home in it. A robber is admitted to it, provided he be a god.

The Comte de Lamothe, who, in 1815, was seventy-five years of age, had nothing remarkable about him beyond his silent and sententious air, his angular and cold face, his perfectly polite manners, his coat buttoned up to the chin, and his constantly crossed legs, covered with trousers of the color of burnt Sienna. His face was the same color as his trousers. This M. de Lamothe was esteemed in this salon on account of his "celebrity," and, strange to say, but true, on account of his name of Valois.

As for M. Gillenormand, the respect felt for him was of perfectly good alloy. He was an authority; in spite of his levity, he had a certain imposing, worthy, honest, and haughty manner, which did not at all injure his gayety, and his great age added to it. A man is not a century with impunity, and years eventually form a venerable fence around a head. He made remarks, too, which had all the sparkle of the old régime. Thus, when the King of Prussia, after restoring Louis XVIII., paid him a visit under the name of the Comte de Ruppin, he was received by the descendant of Louis XIV. somewhat as if he were Marquis de Brandebourg, and with the most delicate impertinence. M. Gillenormand approved of it. "All kings who are not King of France," he said, "are provincial kings." One day the following question was asked, and answer given in his presence, – "What has been done about the editor of the Courrier Français?" "He is to be changed." "There's a c too much," M. Gillenormand dryly observed. At an anniversary Te Deum for the return of the Bourbons, on seeing M. de Talleyrand pass, he said, – "There's his Excellency the Devil."

M. Gillenormand was generally accompanied by his daughter, a tall young lady, who at that time was forty and looked fifty; and by a pretty boy of nine years of age, red and white, fresh, with happy, confident eyes, who never appeared in this drawing-room without hearing all the voices buzz around him, – "How pretty he is! What a pity, poor boy!" This lad was the one to whom we referred just now, and he was called "poor boy" because he had for father "a brigand of the Loire." This brigand was that son-in-law of M. Gillenormand, who has already been mentioned, and whom the old gentleman called the "disgrace of his family."

Les Misérables, v. 3

Подняться наверх