Читать книгу The Employments of Women: A Cyclopædia of Woman's Work - Virginia Penny - Страница 59

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In equestrian entertainments, much depends on the accessories. Without music, artificial light, and paintings, they would be rather tame. The principal requisites for a circus rider I take to be agility, grace, and fearlessness. Size and form have not so much to do in making a successful rider and gymnast as one would suppose. The athletic exercises require vigor and firmness of muscle. One should be trained from the earliest childhood. Children usually begin as early as three years old. In former times, these children were, many of them, picked up in the streets, and there is no doubt that these human waifs had a hard time of it; but now many of the professionals bring up their own children to the business. All the performers, in addition to their several "star" or "single" acts in the ring, are required to appear in any capacity assigned them in the scenic pieces and spectacles, and to attend the rehearsals of the same; also, to appear and remain on the stage in proper dresses, for the purpose of filling the scene, and giving a gay and animated appearance to the stage. Mr. Nixon's establishment, New York, being the most complete in the country, and being thoroughly systematized in every department, will serve as the best source from which to derive information concerning the routine duties required, and the weekly moneys paid there to circus performers. "The principal performers in Mr. Nixon's company are paid as follows: Ella Zoyara, equestrian, in addition to first-class passage from England and back for self and two servants, medical attendance for self and servants, carriage and horses whenever required, and a benefit every two weeks, receives per week $500; Mr. William Cooke, equestrian, manager, passages for self and wife from England and return, and per week, $500; James Robinson, equestrian, for self and three horses, $305; the Hanlon brothers, six persons, gymnasts, per week $300; Mr. Charlton, stilt walker, passage, &c., $125; Mr. Duverey, contortionist, passage, &c., $125; Mlle. Heloise, equestrienne, $100; Mlle. Clementine, equestrienne, $100; M. and Mad. Du Boch, equestrians, $100; Master Barclay, equestrian, ten years old, $75; Mr. Whitby, ringmaster and equestrian, $100; Mr. S. Stikney, equestrian and general performer, $100; Mr. J. Pentland, clown, $100; Mr. Ellingham, ringmaster and general performer, $40; Mr. Armstrong, equestrian and general performer, $40; W. Kincaid, do., $40; W. Pastor, do., $30; W. Bertine, do., $30; Brennan, do., $25; Niel, do., $25; F. Sylvester, do., $20; A. Sylvester, do., $20; W. Ward, slack rope and clown, $30; Prof. Yates, ballet master, $25; Mr. Stark, general performer, $25; S. Ruggles, $20; Davenport, $20; Foster, $20; Peterson, $20; four lady equestrians, per week, each $20; and twenty ballet girls and twenty supernumeraries." We extract from an English paper the following statement: "In Paris, no less than 15,000 persons were admitted yesterday, although the prices were doubled for the occasion, to witness the performance on the tight rope of a woman—Madame Blanche Saqui—who is entering her eighty-fifth year."