Читать книгу The Employments of Women: A Cyclopædia of Woman's Work - Virginia Penny - Страница 64

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The impression for chalk drawings is made by delicate manipulations with crayon pencils; for ink drawings, with steel pens and camel-hair brushes. It requires one skilled in the use of her pencil, for every stroke of the pencil or pen on the stone remains, and cannot be erased. Consequently, any defect on the stone is conveyed to every copy of the paper. In answer to a letter of inquiry, respecting the time necessary for preparation, the writer says: "A person who draws well upon paper would, I should think, with six months' practice on stone, become proficient. The process differs little from crayon drawing on paper; and the progress of pupils depends entirely on their previous attainments in drawing. The different kinds of lithography are black, chromo, and gold illuminated; also, lithography combined, or uncombined, with embossing. In a report of a British school of design, it is stated that the chromo-lithographic class for females "exhibit the commencement of a series of useful labors." An immense number of cheap lithographs are colored by women; such as are hung in taverns, country houses, sailors' homes, servants' rooms, &c. At Mr. C.'s establishment, I was told that in France the females are quite as successful as the male artists in lithography. He says lithographs require to be more highly colored than the colors we see in nature. Mr. C. thinks of sending to France for lithographers, as he cannot get enough in New York well qualified. A correct eye, skilful manipulation, and an appreciation of art are required to make one skilful in lithography. Germans excel, because they have so much patience. An American would become nervous at the slow work that they prosecute with the greatest pleasure. At Mr. C.'s they have a forewoman, who superintends the girls, who are paid by the quantity and kind of work they do. He finds that small girls are usually the best workers. Their fingers are more nimble, and they enter into it with more zeal. He thinks it best for them to commence at ten or twelve years of age. Prospect good for employment in that branch. The coloring of all the finest pictures is done by men. It requires some time to become sufficiently expert to earn much. Their girls earn from $3 to $7 a week. The work requires care, and is wearisome, because of sitting long and steadily. Mrs. P., Brooklyn, an English lady, learned to draw when eight years old, and studied lithography with a distinguished artist of London, who executed entirely with his left hand, having lost three fingers on his right when he was a child. She has spent twenty-two years in lithographing—seventeen of them in this country. She is probably the only lady professionally engaged in this business in the United States. She has earned almost constantly, I was told, from $12 to $30 a week. Lithographing is very lucrative to a skilful artist. The remuneration is better than women often receive for their handiwork. We believe some women could find employment in it, if they were prepared. Mrs. P. excels in architectural drawing. She thinks one must have the talent of an artist, and great practice with the pencil, to succeed. She has given instruction to several youths, but never to one of her own sex. One must be articled, and pass through a regular course of advancement, to follow it advantageously. To an apprentice, after two or three years' practice, a small premium is paid. She had one youth to learn of her, who, after four years' time, received $7 a week from her for his work. She thinks there will be employment to a few well qualified. She has always been kept busy. The employment is not more unhealthy than any other of a sedentary kind. Mr. M. says they have no difficulty in finding enough of crayon lithographers, but that there is more lithographic engraving done than crayon lithographing. It is done on stone with instruments, very much as engraving is done on copper. We have read "that an improved method of transferring copies of delicate copper and steel plate engravings to the surface of lithographic stone has been invented. One copy taken from the steel or copper plate, after being transferred to the stone, is capable of producing 3,000 prints." "Lithography, engraving, and especially engraving on wood, would gain in quality by passing from men's hands to the hands of women." "Lithographic works are produced which rival the finest engravings, and even surpass them, in the expression of certain subjects." The first lithography executed in the United States was in Boston, 1826. W. & S. used to employ girls to color lithographs, but found it did not pay. They paid from $4 to $5 a week to women, who did the common part of the work. Men did the finer parts, and earned from $12 to $25 a week; but only those who are expert, have artistic taste, and understand the business, can earn so much. French lithographs are prepared and the coloring done so much cheaper in Europe, they have ceased to have it done in New York. B., lithographer, Philadelphia, employs many ladies—about twenty—in the house. Some associate in companies, and take their work to the house of one of their number; but the greater part are educated women, who do not wish it known that they earn money by their labor: these carry the plates to their own homes (and even have them sent to the fashionable places of resort in summer), so that many a fair damsel trips along Chestnut street with a roll of something, which seems to be music, but is, in fact, work. The coarse handed take no part in this employment. Very few have ever attained the highest degree of proficiency in it. The most delicate work is done by men. Americans have most aptness for coloring, although the Germans excel in drawing on stone. Women seldom attempt the latter art. It requires long practice for girls to excel in coloring. Many grades of skill are required to color lithographs, and there is much difficulty in making all the copies exactly like the first. Some need a treatment so nearly approaching the artistic, that scarcely any one who has the skill can be found to give his labor for the price, which is necessarily limited. We gained no information as to the amount of wages paid to the colorists, but, judging from the price of a very beautiful specimen (29 cents), it must be sadly inadequate. The scientific societies are the main support of this business. The Government, indeed, gives very extensive orders, but there is always so much competition to obtain them, that the profit is small. Audubon was the greatest encourager of this branch of industry. This employment is very desirable in every respect for educated women; and although machinery for printing in colors is fast encroaching on it, yet it will long offer a field for female enterprise. Our informant employs from 100 to 300 hands, according to the prosperity of the times. A commercial crisis affects this as well as all other trades. One of the firm of the best lithographic establishment in New York, told me they pay their men for drawing on stone from $25 to $30 a week. The time required to learn lithography, he thought, would depend much on natural talent. A good knowledge of drawing is necessary. He thought men would soon get over the opposition of women entering the business; but they did not like the restraint of working where women are. They would soon become accustomed to it; and if they were women of the right kind, it might be a very beneficial restraint. But, as to that, women could do the work at home. Many Germans, well acquainted with the art, are engaged in crayoning. When they first come to this country, they work for lower wages than Americans, but after a while learn their value, and ask as much as any one else. On account of the low wages for which foreigners can usually be had, but few Americans have prepared themselves for this occupation. But when work is plenty, and the individual industrious and skilful, he can earn good wages. Seven eighths of the work done for this country is executed in New York. The agent of a lithographic company writes: "Drawing on stone could be done by women as well as men; and would open to them a very genteel and remunerative branch of business. The drawing is now done mostly by Germans and Frenchmen; but ladies who have a taste for drawing could soon learn this art. The usual price for such artists now is from $12 to $35 per week." Prof. P., of New York, gives instruction in lithography, charging $12 per quarter of eleven weeks—two lessons per week. Special arrangements are made with pupils who intend to devote themselves to the profession as artists or teachers. A gentleman remarked to me that Mr. S., a certain distinguished lithographer of this city (New York), would make an excellent teacher in that art. His forte is heads. A few strokes from his pencil always give a beautiful finish to a piece of work.