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Olney, Jan. 5, 1782.

My dear Friend—Did I allow myself to plead the common excuse of idle correspondents, and esteem it a sufficient reason for not writing that I have nothing to write about, I certainly should not write now. But I have so often found, on similar occasions, when a great penury of matter has seemed to threaten me with an utter impossibility of hatching a letter, that nothing is necessary but to put pen to paper, and go on, in order to conquer all difficulties; that, availing myself of past experience, I now begin with a most assured persuasion that, sooner or later, one idea naturally suggesting another, I shall come to a most prosperous conclusion.

In the last "Review," I mean in the last but one, I saw Johnson's critique upon Prior and Pope. I am bound to acquiesce in his opinion of the latter, because it has always been my own. I could never agree with those who preferred him to Dryden, nor with others (I have known such, and persons of taste and discernment too) who could not allow him to be a poet at all. He was certainly a mechanical maker of verses, and, in every line he ever wrote, we see indubitable marks of most indefatigable industry and labour. Writers, who find it necessary to make such strenuous and painful exertions, are generally as phlegmatic as they are correct; but Pope was, in this respect, exempted from the common lot of authors of that class. With the unwearied application of a plodding Flemish painter, who draws a shrimp with the most minute exactness, he had all the genius of the one of the first masters. Never, I believe, were such talents and such drudgery united. But I admire Dryden most, who has succeeded by mere dint of genius, and in spite of a laziness and carelessness almost peculiar to himself. His faults are numberless, and so are his beauties. His faults are those of a great man, and his beauties are such (at least sometimes) as Pope, with all his touching and retouching, could never equal. So far, therefore, I have no quarrel with Johnson. But I cannot subscribe to what he says of Prior. In the first place, though my memory may fail me, I do not recollect that he takes any notice of his Solomon, in my mind the best poem, whether we consider the subject of it or the execution, that he ever wrote.[126] In the next place, he condemns him for introducing Venus and Cupid into his love verses, and concludes it impossible his passion could be sincere, because when he would express it, he has recourse to fables. But, when Prior wrote, those deities were not so obsolete as they are at present. His contemporary writers, and some that succeeded him, did not think them beneath their notice. Tibullus, in reality, disbelieved their existence, as much as we do; yet Tibullus is allowed to be the prince of all poetical inamoratos, though he mentions them in almost every page. There is a fashion in these things which the Doctor seems to have forgotten. But what shall we say of his rusty-fusty remarks upon Henry and Emma? I agree with him, that, morally considered, both the knight and his lady are bad characters, and that each exhibits an example which ought not to be followed. The man dissembles in a way that would have justified the woman had she renounced him, and the woman resolves to follow him at the expense of delicacy, propriety, and even modesty itself. But when the critic calls it a dull dialogue, who but a critic will believe him? There are few readers of poetry of either sex in this country who cannot remember how that enchanting piece has bewitched them, who do not know that, instead of finding it tedious, they have been so delighted with the romantic turn of it as to have overlooked all its defects, and to have given it a consecrated place in their memories without ever feeling it a burthen. I wonder almost, that, as the bacchanals served Orpheus, the boys and girls do not tear this husky, dry commentator, limb from limb, in resentment of such an injury done to their darling poet. I admire Johnson as a man of great erudition and sense, but, when he sets himself up for a judge of writers upon the subject of love, a passion which I suppose he never felt in his life, he might as well think himself qualified to pronounce upon a treatise on horsemanship, or the art of fortification.

The next packet I receive will bring me, I imagine, the last proof sheet of my volume, which will consist of about three hundred and fifty pages, honestly printed. My public entrée therefore is not far distant.

Yours,

W.C.