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VI. — POMPEIUS MAGNUS

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If we had been painting an ideal heroine, gifted with all the virtues which Christian traditions of female perfection throw around such characters, Cornelia would have resigned herself quietly to the inevitable, and exhibited a seraphic serenity amid tribulation. But she was only a grieved, embittered, disappointed, sorely wronged, Pagan maiden, who had received few enough lessons in forbearance and meekness. And now that her natural sweetness of character had received so severe a shock, she vented too often the rage she felt against her uncle upon her helpless servants. Her maid Cassandra—who was the one that had told Lentulus of her mistress's nocturnal meeting with Drusus—soon felt the weight of Cornelia's wrath. The young lady, as soon as Lentulus was out of the way, caused the tell-tale to receive a cruel whipping, which kept the poor slave-girl groaning in her cell for ten days, and did not relieve Cornelia's own distress in the slightest degree. As a matter of fact, Cornelia was perpetually goaded into fresh outbursts of desperation by the tyrannical attitude of her uncle. Lentulus boasted in her presence that he would accomplish Drusus's undoing. "I'll imitate Sulla," he would announce, in mean pleasure at giving his niece pain; "I'll see how many heads I can have set up as he did at the Lacus Servilius. You can go there, if you wish to kiss your lover."

But Cornelia's life at Rome was rendered unhappy by many other things besides these occasional brutal stabs from her uncle. Her mother, as has been hinted, was a woman of the world, and had an intense desire to draw her daughter into her own circle of society. Claudia cared for Cornelia in a manner, and believed it was a real kindness to tear the poor girl away from her solitary broodings and plunge her into the whirl of the world of Roman fashion. Claudia had become an intimate of Clodia, the widow of Quintus Metellus, a woman of remarkable gifts and a notoriously profligate character. "The Medea of the Palatine Hill," Cicero had bitingly styled her. Nearly all the youth of parts and social distinction enjoyed the wild pleasures of Clodia's garden by the Tiber. Catullus the poet, Caelius the brilliant young politician, and many another had figured as lovers of this soulless and enchanting woman. And into Clodia's gilded circle Claudia tried desperately to drag her daughter. The Lentuli had a handsome palace on the Carinae, one of the most fashionable quarters of the capital; and here there were many gay gatherings and dinner parties. Cornelia was well born enough, by reputation wealthy enough, and in feature handsome enough, to have a goodly proportion of the young men of this coterie her devoted admirers and slaves. Claudia observed her daughter's social triumphs with glee, and did all she could to give Cornelia plenty of this kind of company. Cornelia would not have been a mortal woman if she had not taken a certain amount of pleasure in noticing and exercising her power. The first occasion when she appeared at a formal banquet in the splendid Apollo dinner hall of the Luculli, where the outlay on the feast was fixed by a regular scale at two hundred thousand sesterces, she gathered no little satisfaction by the consciousness that all the young men were admiring her, and all the women were fuming with jealousy. But this life was unspeakably wearisome, after the first novelty had worn away. Cornelia lived in an age when many of the common proprieties and decencies of our present society would have been counted prudish, but she could not close her eyes to the looseness and license that pervaded her mother's world. Woman had become almost entirely independent of man in social and economic matters, though the law still kept its fictions of tutelage. Honourable marriages were growing fewer and fewer. Divorces were multiplying. The morality of the time can be judged from the fact that the "immaculate" Marcus Cato separated from his wife that a friend might marry her; and when the friend died, married her himself again. Scandals and love intrigues were common in the highest circles; noble ladies, and not ballet- dancers[86] merely, thought it of little account to have their names besmirched. Everything in society was splendid, polished, decorous, cultivated without; but within, hollow and rotten.

[86] Mimae.

Cornelia grew weary and sick of the excitement, the fashionable chatter, the mongering of low gossips. She loathed the sight of the effeminate young fops who tried to win her smiles by presenting themselves for a polite call each morning, polished and furbelowed, and rubbed sleek and smooth with Catanian pumice. Her mother disgusted her so utterly that she began to entertain the most unfilial feeling toward the worthy woman. Cornelia would not or could not understand that in such hot weather it was proper to wear lighter rings than in winter, and that each ring must be set carefully on a different finger joint to prevent touching. Cornelia watched her servants, and reached the astonishing conclusion that these humble creatures were really extracting more pleasure out of life than herself. Cassandra had recovered from her whipping, and was bustling about her tasks as if nothing had happened. Agias seemed to have a never failing fund of good spirits. He was always ready to tell the funniest stories or retail the latest news. Once or twice he brought his mistress unspeakable delight, by smuggling into the house letters from Drusus, which contained words of love and hope, if no really substantial promises for the future. But this was poor enough comfort. Drusus wrote that he could not for the time see that any good end would be served by coming to Rome, and he would remain for the present in Praeneste. He and she must try to wait in patience, until politics took such a turn as would drive Lentulus into a more tractable attitude. Cornelia found the days monotonous and dreary. Her uncle's freedman kept her under constant espionage to prevent a chance meeting with Drusus, and but for Agias she would have been little better than a prisoner, ever in charge of his keepers.

In a way, however, Cornelia found that there was enough stirring in the outside world to lend zest and often venom to the average emptiness of polite conversation. Politics were penetrating deeper and deeper into fashionable society. Cornelia heard how Paulus, the consul, had taken a large present from Caesar to preserve neutrality; and how Curio, the tribune, had checked Clodius Marcellus, the other consul, when he wished to take steps in the Senate against Caesar. All that Cornelia heard of that absent statesman was from hostile lips; consequently she had him painted to her as blood-thirsty, treacherous, of flagrant immorality, with his one object to gather a band of kindred spirits to his cause, and become despot. And to hear such reports and yet to keep confident that Drusus was not sacrificing both himself and her in a worse than unworthy cause—this tested her to the uttermost.

To add to her troubles, Lucius Ahenobarbus was ever thrusting in his attentions at every party and at the theatre; and her uncle openly favoured his suit.

"I wish you would be more friendly to him," remarked Lentulus on one occasion. "I should be glad to have a closer tie between his family and ours."

"Uncle," said Cornelia, much distressed, "I do not think I understand what you mean."

"Well," chuckled Lentulus, moving away, "think it over until you do understand."

Cornelia had been reading in the library when this conversation took place. There was to be another party that evening at the house of Marcus Favonius, a prominent anti-Caesarian, and since it was growing late in the afternoon, it was time to dress. Cornelia went into her own room, and was summoning her maids, when a young lady of about her own age, who affected to be on terms of considerable intimacy, was announced—Herennia, a daughter of a certain rich old eques, Caius Pontius, who had kept out of politics and hoarded money, which his daughter was doing her best to spend.

Herennia was already dressed for the party. Her brown hair had been piled up in an enormous mass on her head, eked out by false tresses and puffings, and the whole plentifully powdered with gold dust. She wore a prodigious number of gaudily set rings; her neck and ears and girdle were ablaze with gold and jewels. So far from aiming, as do modern ladies, to reduce the waist to the slenderest possible proportions, Herennia, who was actually quite thin, had carefully padded out her form to proper dimensions, and showed this fact by her constrained motions. She was rouged and painted, and around her floated an incense of a thousand and one rare perfumes. Her amethystine tunic and palla were of pure silk—then literally worth its weight in gold—and embroidered with an elaborate pattern in which pearls and other gems played a conspicuous part. For all this display of extravagance, Herennia was of only very mediocre beauty; and it was on this account that she was always glad to make uncomfortable flings at her "dear friend" Cornelia, whenever possible.

Herennia seated herself on a divan, and proceeded to plunge into all the flying gossip of the day. Incidentally she managed to hint that Servius Maccus, her devoted admirer, had told her that the night before Lucius Ahenobarbus and some of his friends had attacked and insulted a lady on her way back from a late dinner.[87]

[87] A common diversion for "young men of spirit."

"The outrageous scapegrace!" cried Cornelia, while her maids hurried along a toilet which, if not as elaborate as Herennia's, took some little time. "I imagined he might do such things! I always detested him!"

"Then you are not so very fond of Lucius Ahenobarbus," said Herennia, raising her carefully painted eyebrows, as if in astonishment. "I am really a little surprised."

"Surprised?" reëchoed Cornelia. "What have I done or said that makes Lucius Ahenobarbus anything more than a very distant, a very distant acquaintance?"

"My dear girl," exclaimed Herennia, throwing up her hands, "either you are the best actress, or the most innocent little wight, in Rome! Don't you know all that they say about you?"

"Who—say—what—about—me?" stammered Cornelia, rising in her chair so suddenly, as to disarrange all the work Cassandra had been doing on her hair.

"Why, everybody," said Herennia, smiling with an exasperating deliberation. "And then it has all come out in the daily gazette."[88]

[88] Acta Diurna, prepared officially.

"Where is it? Read! Let me see," pleaded Cornelia, agitated and trembling.

"Why, how troubled you are," giggled Herennia. "Yes, I have my freedman copy down the whole bulletin every day, as soon as it is posted by the censor's officers; now let me see," and she produced from under her robe a number of wooden, wax-covered tablets, strung together: "the last praetor's edict; the will of old Publius Blaesus;" and she ran over the headings with maddening slowness: "the speech in the Senate of Curio—what an impudent rascal; the money paid yesterday into the treasury,—how dull to copy all that down!—the meteor which fell over in Tibur, and was such a prodigy; oh, yes, here it is at last; you may as well hear what all Rome knows now, it's at the end, among the private affairs. 'Lucius Ahenobarbus, son of Lucius Domitius, the Consular, and Cornelia, daughter of the late tribune, Caius Lentulus, are in love. They will be married soon.'"

These two brief sentences, which the mechanical difficulties under which journalistic enterprise laboured at that day made it impossible to expand into a modern "article," were quite sufficient to tell a whole story to Rome. Cornelia realized instantly that she had been made the victim of some vile trick, which she doubted not her would-be lover and her uncle had executed in collusion. She took the tablets from Herennia's hand, without a word, read the falsehoods once, twice, thrice. The meaning of the day attached to the terms used intimated the existence of a low intrigue, quite as much as any honourable "engagement." If Cornelia did not soon become the lawful wife of Lucius Ahenobarbus, the world would feel justified in piling scandal upon her name. The blow was numbing in its brutality. Instead of crying and execrating the liars, as Herennia fully expected her to do, Cornelia merely handed back the tablets, and said with cold dignity, "I think some very unfortunate mistake has been made. Lucius Ahenobarbus is no friend of mine. Will you be so kind as to leave me with my maids?"

Herennia was overborne by the calm, commanding attitude of the rival she had meant to annoy. When Cornelia became not the radiant debutante, but the haughty patrician lady, there was that about her which made her wish a mandate. Herennia, in some confusion, withdrew. When she was gone, Cornelia ordered her maids out of the room, stripped off the golden tiara they had been plaiting into her hair, tore away the rings, bracelets, necklaces, and flung herself upon the pillows of the divan, quivering with sobs. She did not know of a single friend who could help her. All the knowledge that she had imbibed taught her that there was no God either to hear prayer, or succour the wronged. Her name would become a laughing-stock and a hissing, to be put on a par with Clodia's or that of any other frivolous woman, unless she not merely gave up the man she loved, but also threw herself into the arms of the man she utterly hated. The craving for any respite was intense. She was young; but for the moment, at least, life had lost every glamour. If death was an endless sleep, why not welcome it as a blessed release? The idea of suicide had a grasp on the ancient world which it is hard at first to estimate. A healthy reaction might have stirred Cornelia out of her despair, but at that instant the impulse needed to make her commit an irrevocable deed must have been very slight. But while she lay on the pillows, wretched and heart-sick, the voice of Agias was heard without, bidding the maids admit him to their mistress.

"Stay outside. I can't see you now," moaned poor Cornelia, feeling that for once the sight of the good-humoured, vivacious slave-boy would be maddening. But Agias thrust back the curtains and boldly entered. What he said will be told in its due time and place; but the moment he had gone Cornelia was calling in Cassandra, and ordering the maids to dress her with all possible speed for the dinner-party.

"I must be all smiles, all enchantments," she was saying to herself. "I must dissemble. I must win confidences. I must do everything, and anything. I have no right to indulge in grief any longer. Quintus's dear life is at stake!"

A Friend of Caesar

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