Читать книгу El teatro de Sam Shepard en el Nueva York de los sesenta - Ana Fernández-Caparrós - Страница 9

It would be good for certain boundaries, tacit as well as defined, to be broken. It would be good to have a tossing up of values and experiment with the comedy of sincerity, breaking down the structure that we work within, like a person whose habits in living have left him impaled in patterns of acting which anchor him. It would be good to change the relationships that are frozen in: Theatre’s audiences’, directors’, and actors’ relationships. Other kinds of recognition scenes must be played out.

Joseph Chaikin, The Presence of the Actor