Читать книгу History of the Warfare of Science with Theology in Christendom - Andrew Dickson White - Страница 8

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In one of the windows of the cathedral at Ulm a mediaeval glass-stainer has represented the Almighty as busily engaged in creating the animals, and there has just left the divine hands an elephant fully accoutred, with armour, harness, and housings, ready-for war. Similar representations appear in illuminated manuscripts and even in early printed books, and, as the culmination of the whole, the Almighty is shown as fashioning the first man from a hillock of clay and extracting from his side, with evident effort, the first woman.

This view of the general process of creation had come from far, appearing under varying forms in various ancient cosmogonies. In the Egyptian temples at Philae and Denderah may still be seen representations of the Nile gods modelling lumps of clay into men, and a similar work is ascribed in the Assyrian tablets to the gods of Babylonia. Passing into our own sacred books, these ideas became the starting point of a vast new development of theology.(11)