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Praise for The Scent of Death

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‘Andrew Taylor has been quietly producing superb historical fiction since long before Hilary Mantel’s Man Booker wins bestowed literary respectability on the genre … He has the first-rate historian’s ability to channel the spirit of his period and let it speak for itself, combined with a masterly command of plotting and pace. His hair’s-breadth-escape set pieces are superb’

Daily Telegraph

‘Andrew Taylor’s epic historical detective novel is an absorbing and harrowing tale of the last part of America under British rule … The 18th century voice is beautifully achieved: Taylor is as good at this period as C J Sansom is at Tudor England, and like him pulls off novels that work both as literary fiction and detective stories … The mud, blood, corruption and cruelty of early Manhattan ratchet up the suspense’

Independent

‘The narrative unfolds with a leisurely confidence that allows unhurried opportunities for character and motivation to emerge. As the plot satisfyingly thickens to take in profiteering, and love and sex across the racial divide, Taylor once again shows how skilful a historical novelist he is’

Sunday Times

‘Andrew Taylor is an expert in the realm of murder and mystery fiction … The Scent of Death is a triumph of genre plotting: a detective story, and a piece of period writing that excites and surprises in equal measure … Taylor recognizes that successful page-turners come from the author removing himself from view and simply concentrating on telling a story that keeps readers interested to the end. In this respect, The Scent of Death undoubtedly and thrillingly succeeds’

Spectator

‘Andrew Taylor’s historical crime fiction is always an event. Ten years ago The American Boy, a gothic tale of the young Edgar Allan Poe in Regency England, deservedly won him a second CWA Historical Dagger. The Anatomy of Ghosts, from 2010, was both rambunctious and chilling, stripping away the demure veneer of Cambridge to reveal a wilder, and weirder, underside. Now he turns to Manhattan, although not as we know it’

Guardian

‘Taylor has emerged as an historical novelist with a rare gift for mood and atmosphere – especially the 18th century’

i

‘Andrew Taylor is one of the most imaginative historical mystery novelists writing today. Expect this to appear on a lot of “Best Of 2013” lists’

Globe and Mail

The Scent of Death

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