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II

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The return to secular life was made two days later, when we left our monastery and set out to drive across the Aprica pass to Edolo. Retracing for a mile or two the way toward Sondrio, we took a turn to the left and began to mount the hills through forests of beech and chestnut. With each bend of the road the views down the Valtelline toward Sondrio and Como grew wider and more beautiful. No one who has not looked out on such a prospect in the early light of an August morning can appreciate the poetic truth of Claude’s interpretation of nature: we seemed to be moving through a gallery hung with his pictures. There was the same expanse of billowy forest, the same silver winding of a river through infinite gradations of distance, the same aërial line of hills melting into illimitable sky.

As we neared the top of the pass the air freshened, and pines and open meadows replaced the forest. We lunched at a little hotel in a bare meadow, among a crowd of Italians enjoying the villeggiatura in their shrill gregarious fashion; then we began the descent to Edolo in the Val Camonica.

The scenery changed rapidly as we drove on. There was no longer any great extent of landscape, as on the other side of the pass, but a succession of small park-like views: rounded clumps of trees interspersed with mossy glades, water-falls surmounted by old mills, campanili rising above villages hidden in foliage. On these smooth grassy terraces, under the walnut boughs, one expected at each turn to come upon some pastoral of Giorgione’s, or on one of Bonifazio’s sumptuous picnics. The scenery has a studied beauty in which velvet robes and caparisoned palfreys would not be out of place, and even the villages might have been “brushed in” by an artist skilled in effects and not afraid to improve upon reality.

It was after sunset when we reached Edolo, a dull town splendidly placed at the head of the Val Camonica, beneath the ice-peaks of the Adamello. The Oglio, a loud stream voluble of the glaciers, rushes through the drowsy streets as though impatient to be gone; and we were not sorry, the next morning, to follow its lead and continue our way down the valley.

Italian Backgrounds

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