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INTRODUCTION

I. DEFINITION

II. THE ORIGIN OF FOLK-SONG

III. THE CANTE-FABLE

IV. THE CONSTRUCTION OF FOLK-MUSIC

V. CHANGES THAT OCCUR IN FOLK-MUSIC

VI. THE QUALITY OF FOLK-SONG, AND ITS DIFFUSION

VII. THE MOVEMENT FOR COLLECTING ENGLISH FOLK-SONG

VIII. THE NOTING OF FOLK-MUSIC

IX. THE DIFFERENT CLASSES OF FOLK-SONG

X. THE NARRATIVE BALLAD

XI. LOVE SONGS AND MYSTIC SONGS

XII. THE PASTORAL

XIII. DRINKING SONGS AND HUMOROUS SONGS

XIV. HIGHWAYMAN AND POACHER SONGS

XV. SOLDIER SONGS

XVI. SEA SONGS

XVII. PRESSGANG SONGS

XVIII. HUNTING AND SPORTING SONGS

XIX. SONGS OF LABOUR

XX. TRADITIONAL CAROLS

XXI. CHILDREN’S SINGING-GAMES

XXII. THE BALLAD SHEET AND SONG GARLAND

BIBLIOGRAPHY

ENGLISH FOLK-DANCE

ACKNOWLEDGMENTS

INTRODUCTION

I. THE MORRIS DANCE TO-DAY

II. TUNES

III. MUSICAL INSTRUMENTS

IV. THE DRESS

V. EXTRA CHARACTERS

VI. THE SWORD DANCE

VII. THE FURRY DANCE

VIII. THE COUNTRY DANCE

IX. THE PRESENT-DAY REVIVAL OF THE FOLK-DANCE

X. CONCLUSIONS

BIBLIOGRAPHY

INDEX