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It is winter and the natives are established in their warm snow houses. At this time of the year it is necessary to make use of the short daylight and twilight for hunting. Long before the day begins to dawn the Eskimo prepares for hunting. He rouses his housemates; his wife supplies the lamp with a new wick and fresh blubber and the dim light which has been kept burning during the night quickly brightens up and warms the hut. While the woman is busy preparing breakfast the man fits up his sledge for hunting. He takes the snow block which closes the entrance of the dwelling room during the night out of the doorway and passes through the low passages. Within the passage the dogs are sleeping, tired by the fatigues of the day before. Though their long, heavy hair protects them from the severe cold of the Arctic winter, they like to seek shelter from the piercing winds in the entrance of the hut.

The sledge is iced, the harnesses are taken out of the storeroom by the door, and the dogs are harnessed to the sledge. Breakfast is now ready and after having taken a hearty meal of seal soup and frozen and cooked seal meat the hunter lashes the spear that stands outside of the hut upon the sledge, hangs the harpoon line, some toggles, and his knife over the antlers, and starts for the hunting ground. Here he waits patiently for the blowing seal, sometimes until late in the evening.

Meanwhile the women, who stay at home, are engaged in their domestic occupations, mending boots and making new clothing, or they visit one another, taking some work with them, or pass their time with games or in playing with the children. While sitting at their sewing and at the same time watching their lamps and cooking the meat, they incessantly hum their favorite tunes. About noon they cook their dinner and usually prepare at the same time the meal for the returning hunters. As soon as the first sledge is heard approaching, the pots, which have been pushed back during the afternoon, are placed over the fire, and when the hungry men enter the hut their dinner is ready. While hunting they usually open the seals caught early in the morning, to take out a piece of the flesh or liver, which they eat raw, for lunch. The cut is then temporarily fastened until the final dressing of the animal at home.

In the western regions particularly the hunters frequently visit the depots of venison made in the fall, and the return is always followed by a great feast.

After the hunters reach home they first unharness their dogs and unstring the traces, which are carefully arranged, coiled up, and put away in the storeroom. Then the sledge is unloaded and the spoils are dragged through the entrance into the hut. A religious custom commands the women to leave off working, and not until the seal is cut up are they allowed to resume their sewing and the preparing of skins. This custom is founded on the tradition that all kinds of sea animals have risen from the fingers of their supreme goddess, who must be propitiated after being offended by the murder of her offspring (see p. 583). The spear is stuck into the snow at the entrance of the house, the sledge is turned upside down, and the ice coating is removed from the runners. Then it is leaned against the wall of the house, and at last the hunter is ready to enter. He strips off his deerskin jacket and slips into his sealskin coat. The former is carefully cleaned of the adhering ice and snow with the snowbeater and put into the storeroom outside the house.

This done, the men are ready for their dinner, of which the women do not partake. In winter the staple food of the Eskimo is boiled seal and walrus meat, though in some parts of the western districts it is musk ox and venison, a rich and nourishing soup being obtained by cooking the meat. The natives are particularly fond of seal and walrus soup, which is made by mixing and boiling water, blood, and blubber with large pieces of meat.

The food is not always salted, but sometimes melted sea water ice, which contains a sufficient quantity of salt, is used for cooking. Liver is generally eaten raw and is considered a tidbit. I have seen the intestines eaten only when there was no meat.

Fig. 517. Forks. a, b (From Iglulik.) (National Museum, Washington, a, 10395; b, 10393.)

Forks (Fig. 517)6 are used to take the meat out of the kettle and the soup is generally poured out into a large cup. Before the introduction of European manufactures these vessels and dishes generally consisted of whalebone. One of these has been described by Parry (I, p. 286). It was circular in form, one piece of whalebone being bent into the proper shape for the sides and another flat piece of the same material sewed to it for a bottom, so closely as to make it perfectly watertight. A ladle or spoon (Fig. 518) is sometimes used in drinking it, but usually the cup is passed around, each taking a sip in turn. In the same way large pieces of meat are passed round, each taking as large a mouthful as possible and then cutting off the bit close to the lips. They all smack their lips in eating. The Eskimo drink a great deal of water, which is generally kept in vessels standing near the lamps. When the men have finished their meal the women take their share, and then all attack the frozen meat which is kept in the storerooms. The women are allowed to participate in this part of the meal. An enormous quantity of meat is devoured every night, and sometimes they only suspend eating when they go to bed, keeping a piece of meat within reach in case they awake.

Fig. 518. Ladle of musk ox horn. (National Museum. Washington. 10382.) ½

After dinner the seals, which have been placed behind the lamps to thaw, are thrown upon the floor, cut up, and the spare meat and skins are taken into the storerooms. If a scarcity of food prevails in the village and a hunter has caught a few seals, every inhabitant of the settlement receives a piece of meat and blubber, which he takes to his hut, and the successful hunter invites all hands to a feast.

The dogs are fed every second day after dinner. For this purpose two men go to a place at a short distance from the hut, taking the frozen food with them, which they split with a hatchet or the point of the spear. While one is breaking the solid mass the other keeps the dogs off by means of the whip, but as soon as the food is ready they make a rush at it, and in less than half a minute have swallowed their meal. No dog of a strange team is allowed to steal anything, but is kept at a distance by the dogs themselves and by the whip. If the dogs are very hungry they are harnessed to the sledge in order to prevent an attack before the men are ready. They are unharnessed after the food is prepared, the weakest first, in order to give him the best chance of picking out some good pieces. Sometimes they are fed in the house; in such a case, the food being first prepared, they are led into the hut singly; thus each receives his share.

All the work being finished, boots and stockings are changed, as they must be dried and mended. The men visit one another and spend the night in talking, singing, gambling, and telling stories. The events of the day are talked over, success in hunting is compared, the hunting tools requiring mending are set in order, and the lines are dried and softened. Some busy themselves in cutting new ivory implements and seal lines or in carving. They never spend the nights quite alone, but meet for social entertainment. During these visits the host places a large lump of frozen meat and a knife on the side bench behind the lamp and every one is welcome to help himself to as much as he likes.

The first comers sit down on the ledge, while those entering later stand or squat in the passage. When any one addresses the whole assembly he always turns his face to the wall and avoids facing the listeners. Most of the men take off their outer jacket in the house and they sit chatting until very late. Even the young children do not go to bed early.

Fig. 519. Skull used in the game ajegaung, from Ungava Bay. (From L. M. Turner’s collection.) (National Museum, Washington. 90227.) 1/1

The women sit on the bed in front of their lamps, with their legs under them, working continually on their own clothing or on that of the men, drying the wet footgear and mittens, and softening the leather by chewing and rubbing. If a bitch has a litter of pups it is their business to look after them, to keep them warm, and to feed them regularly. Generally the pups are put into a small harness and are allowed to crawl about the side of the bed, where they are tied to the wall by a trace. Young children are always carried in their mothers’ hoods, but when about a year and a half old they are allowed to play on the bed, and are only carried by their mothers when they get too mischievous. When the mother is engaged in any hard work they are carried by the young girls. They are weaned when about two years old, but women suckle them occasionally until they are three or four years of age. During this time they are frequently fed from their mothers’ mouths. When about twelve years old they begin to help their parents, the girls sewing and preparing skins, the boys accompanying their fathers in hunting expeditions. The parents are very fond of their children and treat them kindly. They are never beaten and rarely scolded, and in turn they are very dutiful, obeying the wishes of their parents and taking care of them in their old age.

Fig. 520. Ivory carving representing head of fox, used in the game ajegaung.

(Museum für Völkerkunde, Berlin. IV A 6820.) 1/1

In winter gambling is one of the favorite amusements of the Eskimo. Figs. 519–521 represent the ajegaung, used in a game somewhat similar to our cup and ball. The most primitive device is Fig. 519, a hare’s skull with a number of holes drilled through it. A specimen was kindly lent to me by Lucien M. Turner, who brought it from Ungava Bay; but in Baffin Land exactly the same device is in use. Fig. 520 represents the head of a fox, in ivory; Fig. 521, a polar bear. The specimen shown in Fig. 521 b was brought from Cumberland Sound by Kumlien. The neck of the bear is more elaborate than the one shown in a. The attachment of the part representing the hind legs is of some interest. The game is played as follows: First, the skull or the piece of ivory must be thrown up and caught ten times upon the stick in any one of the holes. Then, beginning with the hole in front (the mouth), those of the middle line must be caught. The three holes on the neck of the bear are double, one crossing vertically, the other slanting backward, but both ending in one hole on the neck. After the mouth has been caught upon the stick the vertical hole in the neck is the next, then the oblique one, and so on down the middle line of the animal’s body. If, in the first part of the game, the player misses twice he must give up the pieces to his neighbor, who then takes his turn. In the second part he is allowed to play on as long as he catches in any hole, even if it be not the right one, but as soon as he misses he must give it up. After having caught one hole he proceeds to the next, and the player who first finishes all the holes has won the game.

Fig. 521. Ivory carvings representing polar bear, used in the game ajegaung.

a (Museum für Völkerkunde, Berlin. IV A 6819.) b (National Museum, Washington. 34078.) ⅔

A game similar to dice, called tingmiujang, i.e., images of birds, is frequently played. A set of about fifteen figures like those represented in Fig. 522 belong to this game, some representing birds, others men or women. The players sit around a board or a piece of leather and the figures are shaken in the hand and thrown upward. On falling, some stand upright, others lie flat on the back or on the side. Those standing upright belong to that player whom they face; sometimes they are so thrown that they all belong to the one who tossed them up. The players throw by turns until the last figure is taken up, the one getting the greatest number of the figures being the winner.

Fig. 522. Figures used in playing tingmiujang, a game similar to dice.

(Museum für Völkerkunde, Berlin. IV A 6823.) 1/1

A favorite game is the nuglutang (Fig. 523). A small, rhomboidal plate of ivory with a hole in the center is hung from the roof and steadied by a heavy stone or a piece of ivory hanging from its lower end. The Eskimo stand around it and when the winner of the last game gives a signal every one tries to hit the hole with a stick. The one who succeeds has won. This game is always played amid great excitement.

Fig. 523. Game of nuglutang. (Museum für Völkerkunde, Berlin. IV A 6821.)

The sāketān resembles a roulette. A leather cup with a rounded bottom and a nozzle is placed on a board and turned round. When it stops the nozzle points to the winner. At present a tin cup fastened with a nail to a board is used for the same purpose (Fig. 524).

Fig. 524. The sāketān or roulette. (Museum für Völkerkunde, Berlin. IV A 6854.)

Their way of managing the gain and loss is very curious. The first winner in the game must go to his hut and fetch anything he likes as a stake for the next winner, who in turn receives it, but has to bring a new stake, in place of this, from his hut. Thus the only one who loses anything is the first winner of the game, while the only one who wins anything is the last winner.

Fig. 525. The ajarorpoq or cat’s cradle. a representing deer; b, hare; c, hill and ponds.

The women are particularly fond of making figures out of a loop, a game similar to our cat’s cradle (ajarorpoq). They are, however, much more clever than we in handling the thong and have a great variety of forms, some of which are represented in Fig. 525.

As an example I shall describe the method of making the device representing a deer (Fig. 525 a): Wind the loop over both hands, passing it over the back of the thumbs inside the palms and outside the fourth fingers. Take the string from the palm of the right hand with the first finger of the left and vice versa. The first finger of the right hand moves over all the parts of the thong lying on the first and fourth fingers of the right hand and passes through the loop formed by the thongs on the thumb of the right hand; then it moves back over the foremost thong and takes it up, while the thumb lets go the loop. The first finger moves downward before the thongs lying on the fourth finger and comes up in front of all the thongs. The thumb is placed into the loops hanging on the first finger and the loop hanging on the first finger of the left hand is drawn through both and hung again over the same finger. The thumb and first finger of the right and the thumb of the left hand let go their loops. The whole is then drawn tight. A few other devices from Hudson Bay are represented by Klutschak (p. 139).

Fig. 526. Ball. (Museum für Völkerkunde, Berlin. IV A 6822.)

The ball (Fig. 526) is most frequently used in summer. It is made of sealskin stuffed with moss and neatly trimmed with skin straps. One man throws the ball among the players, whose object it is to keep it always in motion without allowing it to touch the ground. Another game of ball I have seen played by men only. A leather ball filled with hard clay is propelled with a whip, the lash of which is tied up in a coil. Every man has his whip and is to hit the ball and so prevent his fellow players from getting at it.

A third game at ball called igdlukitaqtung is played with small balls tossed up alternately from the right to the left, one always being in the air. Songs used in the game will be found in the last pages of this paper.

An amusement of women and children is to point successively on the forehead, the cheek, and the chin and to pronounce as rapidly as possible sulubautiχu´tika, tudliχu´tika, tadliχu´tika, tudliχú´tika, i.e., the forehead, the cheek, the chin, the cheek.

Young children play with toy sledges, kayaks, boats, bows and arrows, and dolls. The last are made in the same way by all the tribes, a wooden body being clothed with scraps of deerskin cut in the same way as the clothing of men. Fig. 527 shows dolls in the dress of the Oqomiut; Fig. 528, in that of the Akudnirmiut.

Fig. 527. Dolls in dress of the Oqomiut. (Museum für Völkerkunde, Berlin. IV A 6702.) 1/1

Fig. 528. Dolls in dress of the Akudnirmiut. (Museum für Völkerkunde, Berlin. IV A 6702.) 1/1

In summer children and grown up people exercise by sitting down on their knees in a large circle and simultaneously jumping up and down, by kneeling and holding their toes in their hands and trying to outdo one another in running in this position, &c.

A favorite amusement during the long winter nights is telling tales and composing songs. Old traditions are always related in a highly ceremonious manner. The narrator takes off his outer jacket, pulls the hood over his head, and sits down in the rear part of the hut, turning his face toward the wall, and then tells the story slowly and solemnly. All the stories are related in a very abridged form, the substance being supposed to be known. The form is always the same, and should the narrator happen to say one word otherwise than is customary he will be corrected by the listeners.

Children tell one another fables and sing short songs. Comic songs making fun of any person are great favorites. Details on the poetry and music of the Eskimo will be found further on.

Parry’s description of the games and sports practiced by the Iglulirmiut is so interesting that I insert it here (II, p. 538):

On an occasion when most of the men were absent from the huts on a sealing excursion, the women joined in playing, one of them being the chief performer. Being requested to amuse the rest, she suddenly unbound her hair, platted it, tied both ends together to keep it out of her way, and then stepping out into the middle of the hut, began to make the most hideous faces that can be conceived, by drawing both lips into her mouth, poking forward her chin, squinting frightfully, occasionally shutting one eye, and moving her head from side to side as if her neck had been dislocated. This exhibition, which they call ajokitarpoq, and which is evidently considered an accomplishment that few of them possess in perfection, distorts every feature in the most horrible manner imaginable, and would, I think, put our most skillful horse-collar grinners quite out of countenance.

This performance is identical with one described later (p. 578) as practiced during the meals in summer.

The next performance consists in looking steadfastly and gravely forward and repeating the words tăbā’-tăbā’; kjaibo, kjaibo; kebang inutovik, kebang inutovik; amatama, amatama, in the order in which they are here placed, but each at least four times, and always by a peculiar modulation of the voice speaking them in pairs as they are coupled above. The sound is made to proceed from the throat in a way much resembling ventriloquism, to which art it is indeed an approach. After the last amatama she always pointed with her finger toward her body, and pronounced the word angakoq, steadily retaining her gravity for five or six seconds, and then bursting into a loud laugh, in which she was joined by all the rest. The women sometimes produce a much more guttural and unnatural sound, repeating principally the word ikeri-ikeri, coupling them as before, and staring in such a manner as to make their eyes appear ready to burst out of their sockets with the exertion. Two or more of them will sometimes stand up face to face, and with great quickness and regularity respond to each other, keeping such exact time that the sound appears to come from one throat instead of several. Very few of the females are possessed of this accomplishment, which is called pitkusiraqpoq, and it is not uncommon to see several of the younger females practising it. A third part of the game, distinguished by the word kaitikpoq, consists only in falling on each knee alternately, a piece of agility which they perform with tolerable quickness, considering the bulky and awkward nature of their dress. ***Then the same woman came forward, and letting her arms hang down loosely and bending her body very much forward, shook herself with extreme violence, as if her whole frame had been strongly convulsed, uttering at the same time, in a wild tone of voice, some of the unnatural sounds before mentioned.

This being at an end, a new exhibition was commenced in which ten or twelve women took a part, and which our gentlemen compared to blind man’s buff. A circle being formed, and a boy dispatched to look out at the door of the hut, a woman placed herself in the center, and, after making a variety of guttural noises for about half a minute, shut her eyes, and ran about till she had taken hold of one of the others, whose business it then became to take her station in the center, so that almost every woman in her turn occupied this post, and in her own peculiar way, either by distortion of countenance or other gestures, performed her part in the game. This continued three-quarters of an hour, and, from the precaution of placing a lookout who was withdrawn when it was over, as well as from some very expressive signs which need not here be mentioned, there is reason to believe that it is usually followed by certain indecencies, with which their husbands are not to be acquainted. ***

The most common amusement however, and to which their husbands made no objection, they performed at Winter Island expressly for our gratification. The females, being collected to the number of ten or twelve, stood in as large a circle as the hut would admit, with a man in the center. He began by a sort of half howling, half singing noise, which appeared as if designed to call the attention of the women, the latter soon commencing the Amna Aya song. This they continued without variety, remaining quite still while the man walked round within the circle; his body was rather bent forward, his eyes sometimes closed, his arms constantly moving up and down, and now and then hoarsely vociferating a word or two as if to increase the animation of the singers, who, whenever he did this, quitted the chorus and rose into the words of the song. At the end of ten minutes they all left off at once, and after one minute’s interval commenced a second act precisely similar and of equal duration, the man continuing to invoke their muse as before. A third act which followed this, varied frequently towards the close only in his throwing his feet up before and clapping his hands together, by which exertion he was thrown into a violent perspiration. He then retired, desiring a young man (who as we were informed was the only individual of several then present thus qualified) to take his place in the center as master of the ceremonies, when the same antics as before were again gone through. After this description it will scarcely be necessary to remark that nothing can be poorer in its way than this tedious singing recreation, which, as well as in everything in which dancing is concerned, they express by the word mumipoq. They seem, however, to take great delight in it; and even a number of the men as well as all the children crept into the hut by degrees to peep at the performance.

The Eskimo women and children often amuse themselves with a game not unlike our “skip-rope.” This is performed by two women holding the ends of a line and whirling it regularly round and round, while a third jumps over it in the middle according to the following order. She commences by jumping twice on both feet, then alternately with the right and left, and next four times with the feet slipped one behind the other, the rope passing once round at each jump. After this she performs a circle on the ground, jumping about half a dozen times in the course of it, which bringing her to her original position, the same thing is repeated as often as it can be done without entangling the line. One or two of the women performed this with considerable agility and adroitness, considering the clumsiness of their boots and jackets, and seemed to pride themselves in some degree on the qualification. A second kind of this game consists in two women holding a long rope by its ends and whirling it round in such a manner over the heads of two others standing close together near the middle of the bight, that each of these shall jump over it alternately. The art therefore, which is indeed considerable, depends more on those whirling the rope than on the jumpers, who are, however, obliged to keep exact time in order to be ready for the rope passing under their feet.

Of all these games I observed only the one called pitkusiraqpoq by Parry, which I saw played several times at Cumberland Sound. (See Appendix, Note 3.)

While in times of plenty the home life is quite cheerful, the house presents a sad and gloomy appearance if stormy weather prevents the men from hunting. The stores are quickly consumed, one lamp after another is extinguished, and everybody sits motionless in the dark hut. Nevertheless the women and men do not stop humming their monotonous amna aya and their stoicism in enduring the pangs of hunger is really wonderful. At last, when starvation is menacing the sufferers, the most daring of the men resolves to try his luck. Though the storm may rage over the icy plain he sets out to go sealing. For hours he braves the cold and stands waiting and watching at the breathing hole until he hears the blowing of the seal and succeeds in killing it.

When those who have remained at home hear the sound of the returning sledge, they rush out of the houses to meet it. Quickly they help the bold hunter to get on shore. The sledge is unloaded, the seal dragged into the house, and every one joyfully awaits his share. The animal is cut up, every household receiving a piece of meat and blubber. The gloomy huts are again lighted up and the pots, which had been out of use for some days, are again hung up over the lamps.

If the hunter, however, has tried in vain to procure food, if the storm does not subside, the terrors of famine visit the settlement. The dogs are the first to fall victims to the pressing hunger, and if the worst comes cannibalism is resorted to. But all these occurrences are spoken of with the utmost horror. In such cases children particularly are killed and eaten. Fortunately, however, such occurrences are very rare.