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Telegraph (Gr. tele, far, and graphein, to write) implies the production of writing at a distance by means of an electric current upon a conductor. Telephone (Gr. tele, far, and phone, sound) implies the production of sound at a distance by the same means, though the word telephone was in early use to describe the transmission of sound by means of a rod or tightly stretched string connecting two diaphragms of wood, membrane, or other substance. This last plan of transmitting sound came to be known as the string telephone, and it retained this name until the invention of the electric telephone.

Like the electric telegraph, the electric telephone was an evolution. The string telephone, in the hands of Wheatstone, showed, as early as 1819, that the vibrations of the air produced by a musical instrument were very minute, and could be transmitted hundreds of yards by means of a string armed with delicate diaphragms. But while the string telephone served to confirm the fact that sounds are vibrations of the atmosphere which affect the tympanum of the ear, it remained but a toy or experimental device till after electric telegraphy became an accepted science, that is, in the year 1837 and subsequently. One of the earliest steps toward the evolution of the electric telephone was taken by Mr. Page, of Salem, Mass., in 1837, who discovered that a magnetic bar could emit sounds when rapidly magnetized and demagnetized; and that those sounds corresponded with the number of currents which produced them. This led to the discovery, between 1847 and 1852, of several kinds of electric vibrators adapted to the production of musical sounds and their transmission to a distance. All this was wonderful and momentous, but a little while had still to elapse before one arose bold enough to admit the possibility of transmitting human speech by electricity. He came in 1854, in the person of Charles Bourseul, of Paris, who, though as if writing out a fanciful dream, said, “We know that sounds are produced by vibrations, and are adapted to the ear by the same vibrations which are reproduced by the intervening medium. But the intensity of the vibrations diminishes very rapidly with the distance, so that it is, even with the aid of speaking-tubes and trumpets, impossible to exceed somewhat narrow limits. Suppose that a man speaks near a movable disk, sufficiently flexible to lose none of the vibrations of the voice, that this disk alternately makes and breaks the current from a battery, you may have at a distance another disk, which will at the same time execute the same vibrations.”

A STRING TELEPHONE.

Bourseul further showed that the sounds of the voice thus reproduced would have the same pitch, but admitted that, in the then present state of acoustic science, it could not be affirmed that the syllables uttered by the human voice could be so reproduced, since nothing was known of them, except that some were uttered by the teeth, others by the lips, and so on. The status of the telephone then, according to Bourseul, was that voice could be reproduced at a distance at the pitch of the speaker, but that something more was needed to transmit the delicate and varied intonations of human speech when it was broken into syllables and utterances. To transmit simply voice was one thing; to transmit the timbre or quality of speech was another.

THOMAS ALVA EDISON.

Bourseul made plain the problem that was still before the investigator. And now comes one of the most remarkable episodes in the history of electricity,—a chapter of mingled shame and glory. In the village of Eberly’s Mills, Cumberland County, Pa., lived a genius by the name of Daniel Drawbaugh, who had made a study of telephony up to the very point Bourseul had left it. He had transmitted musical sound, sound of the voice, and other sounds in the same pitch. He had said that this was all that could be done till some means was discovered of holding up the constant onward flow of the electric current along a conducting wire by introducing into such flow a variable resistance such as would impart to simple pitch of voice the quality or timbre of human speech. Drawbaugh achieved this in his simple workshop as early as 1859–60, according to evidence furnished to the United States Supreme Court at the celebrated trial of the cases which robbed him of the right to his prior invention. He did it by introducing into the circuit a small quantity of powdered charcoal confined in a tumbler, through which the current was passing. The charcoal, being a poor conductor and in small grains, offered just that kind of variable resistance to the current necessary to reproduce the tones and syllables of speech. He transmitted speech between his shop and house, and proved the success he had met with before audiences in New York and Philadelphia. But he neglected to care for the commercial side of his discovery, though many of his patents antedated those which contributed to deprive him of deserved honor and profit.

In 1861, Reis, of Germany, came into notice as the inventor of a telephone which transmitted sound very clearly, but failed to reproduce syllabified speech. However, the principle and shape of his transmitter and receiver were accepted by those who followed him. Two men now came upon the scene who had reached the conclusion already arrived at by Drawbaugh, and who became rivals over his head for the honor and profit of an invention by means of which the quality of the voice in speaking could be transmitted. These two were Elisha Gray, of Chicago, and Alexander Graham Bell, of Boston. Their respective devices seem to have been akin, and to have been presented to the patent office almost simultaneously; so nearly so, at least, as to make them a part of that long, costly, and acrimonious legal contention over priority of invention which did not end till 1887.

Both Bell and Gray reached the conclusion that the transmission of articulate speech was impossible unless they could produce electrical undulations corresponding exactly with the vibrations of the air or sound waves. They brought this similarity about by introducing a variable resistance into the electric current by means of an interposing liquid, just as Drawbaugh had done years before with his tumbler of powdered charcoal. Bell exhibited his instrument with comparative success at the Centennial Exhibition in 1876 in Philadelphia; but much had yet to be done to perfect a telephone of real commercial value.

The years 1877–78 were years of great activity among electricians, whose prime object was to perfect a telephone transmitter and receiver, by means of whose mutual operations at opposite ends of a circuit all the modulations of speech could be preserved and passed. To this end Berliner introduced into a transmitter or sender the then well-known principle of the microphone (Gr. mikros, small, phone, sound), which magnified the faint sounds by the variation in electrical resistance, caused by variation of pressure at loose contact between two metal points or electrodes. Edison quickly followed with a similar transmitter or sender, in which one of the electrodes was of soft carbon, the other of metal. Then came (1878) Hughes and Blake with senders, in which both of the electrodes were of hard carbon. Subsequently came other and rapid modifications of the sender, both in the United States and Europe, till the form of telephone now in popular use was arrived at, and which, strange to say, is, in its method of securing the necessary variable resistance in the circuit, quite like that employed by Mr. Drawbaugh; to wit, the introduction of fine carbon granules into a small metal cup just behind the vibrating diaphragm or disk of the sender. The circuit goes into the diaphragm in front, passing through the carbon granules and out through the back of the instrument. The action of talking into the sender causes the granules to be agitated, thus opening and closing the circuit and producing the conditions necessary to the transmission of articulate speech. The diaphragm or disk is the very thin covering of the cup containing the granules. It is sometimes made of carbon, but generally of hard metal, as steel. On being struck by the sound waves of the voice, it vibrates to correspond. The same vibrations are reproduced in the receiver at the opposite end of the circuit, and thus one listens to the phenomenon of transmitted human speech. The current for telephonic purposes is furnished by one or more batteries or cells, whose effect is heightened by the presence of an induction coil. The tendency now is to make “bipolars”—two contacts at the diaphragm—in place of a single contact. This style is becoming more in vogue in order to meet the demands of long-distance work. To each telephone is attached a generator or device for ringing a little bell as a signal that some one wishes to communicate. To such perfection have telephones been brought that it is quite possible to converse intelligibly at the distance of a thousand miles, with a less satisfactory service at twice or thrice that distance. The possibilities of clear speech-transmission at indefinite distance are without measure. Like the telegraph, the telephone has opened an immense and profitable industry, involving hundreds of millions of dollars. At the end of the century it is, unfortunately, monopolistic; but the time is near when a reasonable charge for service will enable every business house to communicate with its customers, and when even the remote corners of counties will be brought into touch with their capitals and with one another. Along the lines of civilizing contact the telephone fairly divides the wonders of the century with the telegraph, while for intimate intellectual communication it is a triumph of genius without parallel. It is the dispenser of speech in city, town, and village; in factory and mine, in army and navy; throughout government departments; and in Budapest, Hungary, it is a purveyor of general news, like the newspaper, for the “Telephone Gazette” of that city has a list of regular subscribers, to whom it transmits, at private houses, clubs, cafes, restaurants, and public buildings, its editorials, telegrams, local news, and advertisements.

A very natural outgrowth of the telephone was that curious invention known as the phonograph (Gr. phone, sound, and graphein, to write). It is not only an instrument for writing or preserving sound, but for reproducing it. As a simple recorder of sound, it was an instrument dating as far back as 1807, when Dr. Young showed how a tuning-fork might be made to trace a record of its own vibrations. But Young’s thought had to go through more than half a century of slow evolution before the modern phonograph was reached; for in the phonautograph of Scott, the logographs of Barlow and Blake, and the various other attempts up to 1877 to make and preserve tracings of speech, there were no successful means of reproducing speech from those tracings hit upon.