Читать книгу A History of the Japanese People - Kikuchi Dairoku - Страница 104
THE FOURTEENTH EMPEROR, CHUAI (A.D. 192—200) AND THE EMPRESS JINGO (A.D. 201—269)
ОглавлениеWere the Records our sole guide, the early incidents of Chuai's reign would be wrapped in obscurity. For when we first meet him in the pages of the Kojiki, he is in a palace on the northern shores of the Shimonoseki Strait, whence he soon crosses to the Kashii palace in Kyushu. His predecessors, while invariably changing their residences on mounting the throne, had always chosen a site for the new palace in Yamato or a neighbouring province, but the Records, without any explanation, carry Chuai to the far south after his accession. The Chronicles are more explicit. From them we gather that Chuai—who was the second son of Yamato-dake and is described as having been ten feet high with "a countenance of perfect beauty"—was a remarkably active sovereign. He commenced his reign by a progress to Tsuruga (then called Tsunuga) on the west coast of the mainland, and, a month later, he made an expedition to Kii on the opposite shore. While in the latter province he received news of a revolt of the Kumaso, and at once taking ship, he went by sea to Shimonoseki, whither he summoned the Empress from Tsuruga. An expedition against the Kumaso was then organized and partially carried out, but the Emperor's force was beaten and he himself received a fatal arrow-wound. Both the Records and the Chronicles relate that, on the eve of this disastrous move against the Kumaso, the Empress had a revelation urging the Emperor to turn his arms against Korea as the Kumaso were not worthy of his steel. But Chuai rejected the advice with scorn, and the Kojiki alleges that the outraged deities punished him with death, though doubtless a Kumaso arrow was the instrument. His demise was carefully concealed, and the Empress, mustering the troops, took vengeance upon the Kumaso.
Thereafter her Majesty became the central figure in a page of history—or romance—which has provoked more controversy than any incident in Japanese annals. A descendant of the Korean prince, Ama-no-Hihoko, who settled in the province of Tajima during the reign of the Emperor Suinin, she must have possessed traditional knowledge of Shiragi, whence her ancestor had emigrated. She was the third consort of Chuai. His first had borne him two sons who were of adult age when, in the second year of his reign, he married Jingo,* a lady "intelligent, shrewd, and with a countenance of such blooming loveliness that her father wondered at it." To this appreciation of her character must be added the attributes of boundless ambition and brave resourcefulness. The annals represent her as bent from the outset on the conquest of Korea and as receiving the support and encouragement of Takenouchi-no-Sukune, who had served her husband and his predecessor as prime minister. A military expedition oversea led by a sovereign in person had not been heard of since the days of Jimmu, and to reconcile officials and troops to such an undertaking the element of divine revelation had to be introduced. At every stage signs and portents were vouchsafed by the guardian deities. By their intervention the Empress was shown to be possessed of miraculous prowess, and at their instance troops and ships assembled spontaneously. The armada sailed under divine guidance, a gentle spirit protecting the Empress, and a warlike spirit leading the van of her forces. The god of the wind sent a strong breeze; the god of the sea ruled the waves favourably; all the great fishes accompanied the squadron, and an unprecendented tide bore the ships far inland. Fighting became unnecessary. The King of Shiragi did homage at once and promised tribute and allegiance forever, and the other monarchs of the peninsula followed his example. In short, Korea was conquered and incorporated with the dominions of Japan.
*It should be clearly understood that the names by which the sovereigns are called in these pages, are the posthumous appellations given to them in later times when Chinese ideographs came into use and Chinese customs began to be followed in such matters. The posthumous was compiled with reference to the character or achievements of the sovereign, Thus Jingo signifies "divine merit," on account of her conquests; "Chuai" means "lamentable second son," with reference to his evil fate, and "Keiko" implies "great deeds." These three sovereigns were called during life, Okinaga-Tarashi, Tarashi-Nakatsu, and 0-Tarashi, respectively.