Читать книгу Beckett, Lacan and the Voice - Llewellyn Brown - Страница 4
Table of Contents
ОглавлениеBeckett and Relation: A Preface to the Series
Abbreviations and editions used for works by Beckett
Abbreviations for works in English
Abbreviations for works in French
Lacan with Beckett: Departures
The Voices of Samuel Beckett: Introduction and First Approaches
Lacan and the Voice: A Preliminary Overview
Lacan and Beckett: Affinities?
The Limits of Certain Uses of Lacan
‘Jouissance’: a Factor of ‘Empêchement’
Further Developments Referring to Lacan: A Change of Orientation
Psychoanalysis, Beckett and the Voice: An Outline of Concepts
I — The Voice and Its Structure
Voice and Retroaction of the Signifier
The ‘Buffering’ Effect of the Paternal Metaphor
‘Foreclosure’ of the Paternal Metaphor
The Model of the ‘Pastout’ or the ‘Unlimited’
The Voice: Real and ‘Lalangue’
Metaphorical Formation of the ‘I’
Staging the ‘He’: ‘A Piece of Monologue’
III. — Continuous, Interrupted, Responses 1. The Continuous
Multiplicity and ‘Dead Voices’
The Inscription of Footsteps: ‘Footfalls’
The Infinite ‘Unborn’ Voice of ‘Footfalls’
The Image in ‘Rough for Radio II’
The Reading Voice: ‘being oneself one’s own other’
IV — Exteriority and Artifice 1. The Voice of the Machine
The Otherness of the Recorded Voice
Voice and Gaze: ‘Krapp’s Last Tape’
The Space of the Indescribable
The Auditor and the Jouissance of the Voice
The Inhuman Sound Editor: ‘Play’
The Sound Editor as the Character’s Double: ‘What Where’
The Sound Editor Affected in Return: ‘Cascando’, ‘Rough for Radio I’
Circumscribing the Subject’s Unknown: ‘Molloy’
‘Rough for Radio II’: from Torture to an Ephemeral Birth
‘What Where’: the Irremediable Abyss
