Читать книгу Falling Upwards: How We Took to the Air - Richard Holmes - Страница 17

Civilian balloons and a different kind of competitive showmanship reappeared in France at the time of the Peace of Amiens in 1802. They were promoted by André-Jacques Garnerin (1770–1825), who launched his career by performing a spectacularly dangerous first parachute drop from a balloon over Paris’s Parc Monceau in 1797, when he was twenty-seven. As a young man, Garnerin had fought in the French Revolutionary armies, but he had been captured and incarcerated in the Hungarian castle of Buda for three desperate years. He spent his time there designing imaginary balloons to lift him out of the prison courtyard, or parachutes with which he could leap from the castle battlements.⁷ Finally released and returned to Paris, he turned his ballooning escape-fantasies into a full-time profession, and became head of the first of the famous French ‘balloon families’ (a role later inherited by the Godards).

Garnerin pioneered a new kind of balloon event: not merely the conventional single ascent, but a whole series of acrobatic displays, parachute drops and night-flights with fireworks. To add to the excitement, his dashing young wife Jeanne-Geneviève made the first recorded parachute jump by a woman in 1799. These shows attracted enormous crowds, and soon the Garnerins became famous throughout European capitals. Garnerin had numerous posters made of their flights, often showing him in heroic, eagle-like profile. Napoleon himself began to see that the balloon had a potential propaganda value even greater than the military one.⁸

The Peace of Amiens was barely signed when Garnerin daringly took his balloon show and parachute drops to London. His reception was surprisingly friendly, perhaps because he was joined not only by Jeanne-Geneviève, but also by his pretty niece Lisa. Garnerin’s first London ascent, from Chelsea Gardens on 28 June 1802, attracted a huge audience: ‘Not only were Chelsea Gardens crowded, and the river covered with boats, but even the great road from Buckingham Gate was absolutely impassable, and the carriages formed an unbroken chain from the turnpike to Ranelagh Gate.’⁹

Fearlessly launching in a near-gale, Garnerin flew along the line of the Thames, from the West End to the East End, directly over the City, and then out north-eastwards over the Essex marshes. He was effectively seen by half the population of London. Forty-five minutes later he crash-landed in Colchester, but came back the same day in a coach, gallantly announcing that his balloon had been torn to pieces – ‘we ourselves are all-over bruises’ – but that he would fly again within the week. Indeed, he next ascended from the old Lord’s cricket ground (on the site of the present-day Dorset Square) on 5 July. Advertising his flights with sensational engravings, Garnerin popularised night-ballooning and parachuting in England, and also the dangerous attitude that ‘the balloon show must go on’ whatever the weather.

The following year, 1803, Garnerin published Three Aerial Voyages, describing his London flights and including an amusing account, evidently intended for English readers, supposedly written by his wife’s cat: ‘Brought up under the care of Madame Garnerin, I may be said to have been nursed in the very bosom of aerostation, and to have breathed nothing but the pure air of oxygenated gas since the first moment of my birth. Hearing of my mistress’s intended ascension, I determined to share the danger …’¹⁰

Scientific ballooning was not entirely forgotten in France. In August 1804 the mathematician Jean-Baptiste Biot and the chemist Joseph Gay-Lussac made a high-altitude scientific ascent, in the one war balloon Coutelle had succeeded in bringing back from Cairo to Paris. They tested the composition of the air in the upper atmosphere, and the strength of the magnetic field, but found no significant alteration from ground level in either. Biot passed out during the descent, so Gay-Lussac went up again alone in September, climbing to 22,912 feet, a new altitude record which would stand for over half a century. Here, in the tradition of Dr Alexander Charles, along with his instrument readings he calmly recorded his breathlessness, fast respiration and pulse, inability to swallow and other symptoms, and concluded that he was very close to the limit of the breathable atmosphere. In the historical section of his classic book Through the Air (1873), the great American aeronaut John Wise later reflected on the courage of these early scientific ascents into the absolute unknown: ‘It is impossible not to admire the intrepid coolness with which they conducted these experiments … with the same composure and precision as if they had been quietly seated in their scientific cabinet in Paris.’ Wise also raised the prophetic possibility of using such high-altitude balloons unmanned for weather observations: ‘Balloons carrying “register” thermometers and barometers might be capable of ascending alone to altitudes between eight and twelve miles.’ But such experiments would have to wait for a time of international scientific cooperation, ‘when nations shall at last become satisfied with cultivating the arts of peace, instead of sanguinary, destructive and fruitless wars’.¹¹

Indeed, it was the celebration balloon, used for propaganda and patriotic rather than scientific purposes, that most readily held the public’s attention in France. In December 1804 Napoleon commissioned Garnerin to construct and launch a massive, decorated but unmanned balloon to celebrate his coronation as emperor in Paris. It was festooned with silk drapes, flags and banners, and carried an enormous golden imperial crown suspended from its hoop on golden chains. Having been successfully launched above Notre Dame during the coronation ceremony, this fantastic contraption flew southwards right across France, and amazingly crossed the Alps during the night. The following day it was spotted symbolically descending upon Rome, the imperial city, a triumph for Garnerin’s craftsmanship.¹²

The huge balloon veered towards St Peter’s and the Vatican Palace, then swooped down low across the Forum. But here the symbolic triumph was turned into a propaganda disaster. The enormous golden crown became hooked on the top of an ancient Roman tomb and broke off, leaving the balloon to disappear, with its banners flapping, over the Pontine Marshes. By unbelievable coincidence, or thoroughly appropriate bad luck (you can never tell with balloons), the tomb upon which Garnerin’s prophetic balloon had deposited Napoleon’s golden crown was that of the infamous tyrant and murderous pervert, the Emperor Nero. Napoleon’s name was hooped like a deck-quoit over Nero’s.^fn9 Once this ill-starred news was efficiently relayed back to Paris by Napoleon’s diplomatic service, Garnerin and his balloons began to fall out of imperial favour.¹⁴