Читать книгу History, Gazetteer, and Directory of Shropshire [1851] - Samuel Bagshaw - Страница 14

There are several ancient monuments which have been removed hither on the demolition of other sacred edifices in the town and county, which are preserved in the ample side aisles. The oldest in the church is in the south aisle, a mutilated figure of a warrior in the costume of the reign of King John, and supposed to represent the founder of the Abbey, Earl Roger de Montgomery, who died in the year 1094. In the north aisle is the recumbent figure of a person in the robes and coif of a judge brought from St. Chad’s. In the south aisle is a monument brought from St. Giles’s church, with a figure in priestly vestments. Opposite the last is the effigy of a knight in linked armour, removed from the priory church of Wombridge, conjectured to commemorate Sir Walter de Dunstanville, who died in the 25th of Henry III., 1240. In the south aisle an alabaster altar tomb, bearing the recumbent figures of a man (in the habiliments of war) and his wife, remembers William Charlton, who died in 1524. This monument was originally erected in Wellington church. An altar tomb in the north porch, in the style of the fifteenth century, has a figure of a knight in plate armour, partly covered with a monastic dress, and another figure in the dress of a hermit of the Romish church. Near the east end of the north aisle, is a large altar tomb with full length figures, to the memory of Richard Onslow, Esq., speaker of the House of Commons, in the 8th of Elizabeth, who died 1571, and his lady. This memorial was formerly placed in the chancel of old St. Chad’s church. Above this is a mural monument brought from St. Chad’s, representing a gentleman in a ruff, and a lady with long veil thrown back, kneeling under two arches; above, a lady in a habit and coif, and a little girl kneeling, to the memory of Thomas Edwardes, Esq., who died 1634, and of Mary, the wife of his son, Thomas Edwardes, Esq., who died 1641. In the south aisle is an alabaster altar tomb, in the Grecian style, bearing the figure of an alderman in his civic robe, and a lady in the scarlet gown formerly worn by the lady mayoresses of Shrewsbury, commemorative of William Jones, Esq., who died 1612, and his wife, who died in 1623. The monument was originally placed in St. Alkmund’s church. There are numerous other mural monuments, of more modern dates, which are elegantly designed, in memory of deceased members of some of the principal families of the parish. In the vestry is an old painting of the Crucifixion, which in 1728 occasioned much strife between the minister and his flock. In that year Mr. Latham, who had been lately inducted to the vicarage, presented a petition to the Bishop of Lichfield and Coventry, praying that a picture representing our Saviour upon the cross might be removed out of the church. A counter petition was also presented by the parishioners, but the wardens shortly after received an order from the bishop for the removal of the picture. It was afterwards long possessed by the family of Hilton, by whom it was again restored to the parishioners of the Holy Cross. The living is a vicarage with St. Giles annexed, valued in the king’s book at £8. The small tithes are commuted for £363, and the impropriator, Lord Berwick, receives £110. The patronage is vested in the Right Hon. Lord Berwick, who received it in exchange for three small livings in Suffolk; incumbent, Rev. Robert L. Burton, M.A. The vicarage of the Holy Cross is a small fabric of wood and plaster situated in the Abbey Foregate, now converted into two cottages. From time immemorial certain lands have been vested in the churchwardens and their successors; they now produce an income of £250 per annum. “The vicar and churchwardens are a corporation with power of making leases of the landed possessions, &c., and have a common seal which is appended to such documents. The seal is kept in a chest secured by three locks, and the keys are severally in the possession of the vicar and two churchwardens. It is of brass of the visica piscis form, and has in the centre a baton or mace, and on each side a clothed arm projecting towards the centre, that on the dexter side holding a pastoral crook, that on the sinister side a naked sword; the ground work studded with stars, and around the margin this inscription:—S.COMMVNE DE FFORYATE MONACHOR.” The space of ground on the east side of the church, containing 7300 yards, whereon formerly stood the choir and Lady Chapel of the monastery, was in 1840 converted into a public cemetery.

The Church of St. Giles stands at the eastern extremity of the suburb of the Abbey Foregate, the living of which is annexed to that of Holy Cross. It is a small plain building consisting of nave, chancel, and north, aisle, with a small bell turret at the west end. Of its foundation we possess no record, but the structure is doubtless as old as the early part of the twelfth century, and some confirmation is afforded to this conjecture by the arches of the northern and southern doors, having the characteristics of that era. The nave is divided from the side aisle by three pointed arches, sustained on plain round pillars. It is highly probable that the north aisle was made for the accommodation of persons afflicted with leprosy—the hospital of which formerly stood near the church, and from which they had access by a pointed doorway, when they might hear the offices of religion without endangering other worshippers with their contagious malady. A lofty pointed arch separates the nave from the chancel, which is terminated by a flat arched eastern window, which is exquisitely beautified with stained glass, executed by Mr. Evans. The four lower compartments have full length figures of the Evangelists, standing upon hexagonal pedestals. Over each figure is a beautiful canopy of tabernacle work, and the intersections of the tracery contain the symbols of the Evangelists. In the three principal compartments of the upper division, are fine representations of the salutation, the wise men’s offering, and the presentation in the temple. The small lancet window on the north side, contains a figure of the patron saint, St. Giles, exquisitely executed. On the floor are several ancient stones bearing crosses, probably denoting the interment of some of the masters of the old hospital. From an entry in the parish registrar of the date 1655, it appears this church formerly possessed a steeple at the west end. In the steeple was a great bell and two smaller ones, which were taken down in 1672, and used in the following year, with four lesser bells, and the great “Wenefrede bell,” in the recasting of the present ring of bells in the Abbey church. For a long period this venerable edifice exhibited a rude appearance of damp and neglect, and divine service was celebrated only on two Sunday evenings during the year. In 1827, however, the Rev. W. G. Rowland, the liberal donor of the beautiful east window, thoroughly repaired and happily rescued it from the ruin and decay to which in its previous condition it was fast hastening. Subsequently the massive oak benches were removed, and replaced with new ones; a new pulpit and altar screen of oak, beautifully carved in unison with the architecture were added, and the whole building fitted up for divine service by the munificence of the Rev. Richard Scott, who also gave £500 towards augmenting the salary of the officiating minister. Since June, 1836, divine service has regularly been performed on the Sabbath. The Rev. Joseph Simpson, M.A., is the officiating minister. In the parish book is the following memorandum:—“1585, paid Barnett and his sonne for pulling down the crosse of St. Gyles, xviij d.” This cross formerly stood in the church yard, and was curiously sculptured. A large stone which now lies in the church yard, with a cavity on the upper side, was most probably the base and socket of the cross. It is now termed the pest basin, which tradition states to have been used during the time of the plague for holding water, in which to avoid the spread of the disease the people deposited their money in their bargains for provisions with the country folk.

St. Alkmund’s Church, situated in St. Alkmund’s Square, is a neat structure of freestone, erected in 1795, with the exception of the tower and spire, which fortunately escaped the fate of a former edifice, inconsiderately destroyed under a mistaken apprehension of its stability. The original church was founded by Ethelfleda, daughter of Offa, King of Mercia, who governed that kingdom at the beginning of the ninth century. King Edgar, by the advice of St. Dunstan, gave other lands and possessions, and placed here a dean and ten prebends. Its patron saint was a prince of the Northumbrian family, who is said to have been buried at Lilleshall. At the Doomsday survey, this church had possession of nine manors, in all about 4,020 acres, out of which 620 were in demesne, and a rent of £8. 8s. 8d., which, with other rents, produced a revenue of £500 per annum. The manner in which it lost this appendage, as recorded in Dugdale, is an example of the fluctuations to which, in those days of turbulence, even the most sacred property was liable. King Edward the Confessor wrested these lands from one Spirtes, a canon of St. Alkmund’s, and gave them to Godfrey Wiffesune. On his death, about two years after the conquest, Nigel, an ecclesiastic, obtained them. After his decease, one Gilbert de Cundore, a layman, had possession of them, and retained them till he was excommunicated by the bishop. In order to obtain absolution, he and his knights submitted to do penance, and were flogged by the canons at the altar of St. Alkmund’s church. The property finally centred in Roger, Earl of Hereford, who held it by force of arms.

“The superior and dean of this collegiate church had, in common with those of other Saxon foundations, the right of hereditary succession, and even claimed a privilege of alienating the property to other than religious uses. In the year 1150, when monastic institutions were universally popular, and the colleges of the secular clergy had fallen into disrepute, Richard de Belesme, then dean of St. Alkmund’s, voluntarily surrendered the estates of the deanery, which lay at Lilleshall, towards the endowment of an abbey of canons regular of St. Augustine, about to be erected on that spot made sacred by the sepulchre of the patron saint of his church; and so great was his zeal for this new institution, that he solicited and obtained the consent of the Pope and King Stephen for dissolving the college entirely, and for transferring all its estates to the new abbey. Thus stripped of all its landed property, the benefice sank from a collegiate establishment to a poor vicarage, which continued in the patronage of the monks of Lilleshall till the dissolution, when it became vested in the crown.”

The old church was a spacious structure, exhibiting various styles of architecture, from the Anglo-Norman period to the middle of the sixteenth century. Of its antiquity, however, few features remain; for the panic caused by the sudden fall of St. Chad’s church, induced the parishioners of St. Alkmund to petition parliament to pull down the body of the old church, and erect a new one on its site. The modern building is in the ancient pointed style of architecture; an oblong square, eighty-two feet by forty-four feet, with a recess for the altar. The ancient tower, terminated with crochetted pinnacles, remains, and is seventy feet high, surmounted with a chaste and elegantly proportioned spire, one hundred and fourteen feet—making a total of 184 feet from the ground. Over the altar is a window of painted glass, executed about fifty years ago by Eginton, representing Evangelical Faith, in a female figure as large as life kneeling on a cross, with the eyes elevated and the arms extended towards a celestial crown, which appears amidst the opening clouds, This window was erected at a cost of two hundred guineas. The church is handsomely fitted up, and will accommodate a congregation of 800 persons. Upon the gallery, at the west end, is a good organ, erected by subscription in 1823. The tower contains a peal of eight bells, recast in 1813. The sound of church bells was supposed to be very efficacious in chasing away the spirit of darkness by our superstitious ancestors. The following curious notice will shew that they were not at all times proof against infernal agency:—

“This yere, (1533) upon twelfe daye, in Shrowsbury, the dyvyll appearyd in St. Alkmund’s churche, there when the preest was at high masse, with great tempeste and darknesse, so that as he passyd through the churche he mountyd up the steeple in the saide churche, tering the wyers of the saide clocke, and put the print of his clawes upon the 4th bell, and took one of the pinnacles away with him, and for the time stayed all the bells in the churches within the saide towne, that they could neyther toll nor ringe.”

Of the ancient tombs and mural monuments which abounded in the old edifice, none were preserved in the present structure worthy of notice, with the exception of a tablet to Chief Justice Jones, who died in 1692. Several tablets of a modern date adorn the walls. The living is a vicarage, valued in the king’s book at £6, now returned at £219. Patron, the Lord Chancellor; incumbent, the Rev. Charles Edward Leopold Wightman, M.A.

St. Julian’s Church is situated upon elevated ground, at the top of the Wyle-cop, near to St. Alkmund’s church. Of its early foundation in Saxon times we possess no particulars. It was distinguished through several reigns as a rectory and a royal free chapel, with a peculiar jurisdiction. According to Tanner, at a very early period it was annexed to the free chapel of St. Michael, within the castle, and so continued until the reign of Henry IV., when they were both resigned into the king’s hands. Subsequently, the rectory was granted, among other things, to augment the new foundation of Battlefield College, and thenceforth the living became a mere stipendiary curacy. On the dissolution of that college, the living was granted by the crown to John Capper and Richard Trevor; and after many subsequent transfers, passed into the family of Prince, from whom it has descended to the present patron, the Earl of Tankerville.

The present church, built in 1749 on the site of a former edifice, which had become ruinous, is an oblong structure in the Grecian style, consisting of nave, chancel, and side aisles, with a tower at the west end. This tower is the only existing portion of the old church which remains, and is crowned with eight crochetted pinnacles. It has an excellent illuminated clock; and a peal of six bells, which were recast in 1706. The interior has a handsome appearance: four Doric pillars on each side the nave support the ceiling, which is carved and decorated with the fret-work of the old church. Over the side aisles and west end are commodious galleries, in the latter of which is a superior organ, erected by subscription in 1834. The east window contains a figure of St. James, in ancient stained glass, which was purchased from a splendid collection brought from Rouen in 1804. Several of the other windows are ornamented with armorial bearings. There is only one monument of any antiquity: a coarse marble slab, inscribed in Longobaric capitals to a member of the Trumwin family. Among the memorials of a modern date is one to the memory of Mr. John Allatt, the benevolent founder of Allatt’s Free School. The south aisle contains a neat memorial, of the Grinshill freestone, to commemorate the liberality of the late Rev. Richard Scott, B.D., who expended upwards of £1,500 in the reparations of this church, and other improvements connected with the fabric. It contains the following inscription, dated 1847, in reference to the improvements made by Mr. Scott: “Who, in Christian love, and a desire to honour God with his substance, has caused an effective architectural character to be given to the exterior of the south side of this sacred edifice, which, from the limited funds raised for its re-edification in 1750, necessarily induced brick as a material, and a design possessing little claim to taste; stone piers are now set at each end of the building and between the lower windows, which have been lengthened. Above, on a block cornice, are Roman Doric pilasters which sustain an entablature, crowned by an open balustrade and vase-shaped acroteria. Fretted console tables have been added to the upper windows, the architecture entirely renewed, and, like those below, re-glazed with metallic frame-work. A new portal and door at the eastern end of the south aisle, and the surface of this portion of the church and chancel, covered with stucco; the apex of the gable being finished with an appropriate ornament.”

In the north aisle is a similar memorial, inscribed to the same individual for his munificent beneficence “In erecting an ornamental stone wall and parapet round the church-yard, flagging the foot-path underneath and that on the eastern side, and likewise along the basement of the church, renewing the steps at the south-east thoroughfare, and lowering, repairing, and enclosing those which form the main approach from the street to the cemetery; also for a new pavement in the area leading to and from before the south door, rebuilding the steps of the portico with the addition thereto of a continuous pedestal, painting the north side of the church, and cleaning the stone work, roofing the chancel, and placing thereon a stone cornice and blocking course, with a foliated cone at each angle, as well as for other useful improvements connected with the fabric.” The living of St. Julian’s is a perpetual curacy, returned at £159, in the patronage of Earl Tankerville, and incumbency of the Rev. James Jardine Rogerson, M.A. The chapel of Ford was formerly an appendent of this church.

St. George’s Church, situated at Frankwell, is a neat cruciform structure, in the Gothic style, with a short tower at the west end, ornamented with four pinnacles. It is built of the beautiful Grinshill freestone, from a design by Mr. Haycock. The cost was nearly £4,000, raised by voluntary subscription. It was consecrated for divine service on January 30th, 1832. The interior has a chaste and elegant appearance, and will contain a congregation of 750 persons. Of the sittings, 460 are free and unappropriated. By the liberality of the late Rev. Richard Scott, B.D., the chancel has been beautified with an altar screen, the gallery with a small organ, and the triple lancet windows filled with splendid stained glass. The centre window contains a full-length figure of Isaiah, clothed in a brilliant vest of purple, over which is thrown a green robe lined with ermine, denoting his royal descent. The windows on each side have spirited figures of St. Matthew and St. Mark. The former exhibits deep and serious meditation, and holds a manuscript in his left hand; and the latter, a venerable figure, is pointing to an open gospel, which he holds in his left hand. The windows in the north and south transepts are also embellished with glass of a rich and elaborate mosaic pattern, which contributes to the imposing effect of the splendid east window. The living is a perpetual curacy, returned at £118, in the patronage of the vicar of St. Chad; incumbent, the Rev. John Harding, M.A.

St. Michael’s Church, situated in the populous suburb of Castle Foregate, is a neat brick structure, in the Grecian style of architecture, consisting of nave, side aisles, and elliptical recess for the communion, with an octagonal tower in three divisions, rising to the height of seventy feet, over the side aisles are galleries which are free; there is also a spacious gallery in the west end for the use of the school children, in which stands a small organ the gift of the Rev. W. G. Rowland, M.A. The pulpit and reading desk are octagonal, and placed on opposite sides of the church; the roof is panelled in large square compartments, and painted in imitation of oak. Three windows of stained glass which decorate the chancel are the exquisite productions of Mr. David Evans. The centre one is illustrative of the Nativity, from the celebrated “La Notte” of Correggio. The windows on each side represent the Annunciation, and the Presentation in the Temple; the former from a picture by Guido, and the latter from a celebrated painting by Rubens. These windows were the gift of the Rev. W. G. Rowland, M.A., to whose liberality the parishioners are also indebted for the service of communion plate, the peal of six bells, which hang in the tower, and the erection of the adjacent school rooms, for the education of the poor children of this populous portion of the parish of St. Mary’s. The church was erected at an expense of £2000, raised by subscription, and consecrated on the 24th August, 1830, as a chapel of ease to St. Mary’s church. The edifice contains 800 sittings, of which 600 are free and unappropriated.

The Church of the Holy Trinity, situated on the Meole-road, was erected in 1837, for the accommodation of the inhabitants of the populous suburb of Coleham. It was built at a cost of nearly £1900, raised by subscription, aided by the grant of £600, from the Lichfield Diocesan Society, and a further grant of £150, from the Incorporated Church Building Society. The structure is a neat fabric of brick with a short tower; the body of the church has five windows on each side, and an elliptical recess for the communion, separated, internally, from the nave by a circular arch. The church contains 812 sittings, of which 504 are free. The window over the altar contains beautifully executed figures in stained glass, of the Evangelists, and St. Peter and St. Paul; several of the other windows are beautified with scriptural medallions, in stained glass, which together with a handsome service of communion plate, were presented by the late Rev. Richard Scott, B.D. This place of worship was formed into a district parish church in 1841. The living is a perpetual curacy enjoyed by the Rev. James Colley, M.A.

Ancient Chapels.—Several ancient chapels formerly stood in various parts of the town, the most considerable of which seems to have been the collegiate chapel of St. Michael, within the castle. No vestige of its site now remains, though it probably existed, at least in a ruinous state, in the reign of James II., for, it appears at that time, an order was made by the corporation, “that enquiry should he made after the stones taken away from the ruins of St. Michael’s chapel within the castle.” Part of the Chapel of St. Nicholas, on the left hand entrance to the council house, is still standing; it is of the early Norman era, and most probably was built by the first Norman, Earl of Shrewsbury, for the use of such of his retainers as resided in the outer works of the castle. The only portions of this edifice at present remaining are the nave, a massive arch formerly opening into the chancel, and two similar side arches. The building is now converted into a stable. St. Catherine’s Chapel is stated to have occupied an elevated site upon Coton-hill. The Chapel of St. Mary Magdalene, a site near Trinity Church. St. Blase’s Chapel was situated in the Murivance. A tea garden near the site of the Belle-vue, was formerly called the Hermitage. These and other ecclesiastical edifices which once adorned this eminent town, have now disappeared; yet their faint traces still afford matter of interesting speculation for the antiquary.