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Оглавление

Contents


Acknowledgments vii
Introduction 1
Trisha Brown, Back to the Future
1 Seeing the Score 12
Trillium (1962)
2 Memory and Archive 36
A string: Homemade, Motor, Outside (1966)
3 In a Crack between Dance and Art 65
“Equipment Dances” (1968–1971)
4 The Economy of Gesture 107
The “Accumulations” (1971–1973)
5 To Diagram, to Dance 151
Locus (1975)
6 Anthologizing Process 183
Line Up (1977)
7 Subjectivity, Desire, and the Thinking Body 202
Water Motor (1978)
8 From the White Cube to the Black Box (1979–1981) 229
9 The Name of the Game 262
Set and Reset (1983) and Lateral Pass (1985)
10 Abstraction and Theatricality 290
Newark (Niweweorce) (1987)
Epilogue 312
Trisha Brown’s Archival Imagination
Notes 325
Index 385
Trisha Brown

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