Читать книгу Tufti the Priestess. Live Stroll Through a Movie - Вадим Зеланд - Страница 12

Don’t get all steamed up, don’t get steamed up, my dears – mug up! Let’s repeat what we’ve covered so far.

• The snail horns and house keep you trapped in the current frame.

• To free yourself from the trap, you must shift into active gear —

• Don’t wait and hope, compose reality. Requirements:

• Constantly practice managing the upcoming frame. Method:

• Expectation, intention, problem – immediate activation and frame illumination.

Compose events in which the outcome is unknown but also compose things that are likely to come true. For example, you are going somewhere and intend to go through a door. You know that this event will happen anyway. Nevertheless, illuminate this frame. Imagine in your thoughts, in words, and even better, visually, opening the door and walking through it.

Don’t be lazy, don’t be lazy! Do you think that you can hide in your house and no one will see you? I’ll get you either way. Why do we need endless repetition? In order to rewire the snail mould. You won’t believe that reality will succumb to your will until you see it for yourself, moreover, repeatedly.

Controlling frame movement in small-scale events is the most effective training method, as a result of which you will…

– Learn to wake up and control your attention.

– Develop your plait, visualisation skills, and intention.

– Switch into active gear, and eventually acquire the ability to free yourself from the dominant script and compose your own reality.

What happens after you activate yourself? You become the only character in your entire environment, who is not subject to the external script. And, failing that, as soon as you lose yourself and become immersed in the motion picture, you instantly identify with it, becoming its integral part, moreover, a dependent, imitative part – a mannequin.

But once again, you drag your attention away from the current frame and illuminate the upcoming frame. In this moment, you come alive in the motion picture and start moving freely, at your own discretion. Now you still occupy the same mannequin but in a totally different capacity. Imagine a mannequin in a shop stepping down from the display window and going about its business. This is roughly what happens to you.

You are still in the motion picture as before, but at the same time, you are taken out of the sequencing as if your individual frame could move freely along the film roll. Let’s just say, now your ‘frame frequency’ is different from the frequency of the reality frames, which enables you to free yourself up from the confines of the dominant script.

Have you ever seen in a movie or on TV, what a spinning wheel or propeller looks like? It appears to spin instantly or turn in the opposite direction, because the spinning blade frequency and interval are quite different to the frame interval. Similarly, your attention and plait manipulations place you in a different frequency and interval to reality. In this sense, you can move freely about the film.

The yet-to-be-realised future drags you from the sequence of the present when you take hold of that future and try to affect it. The impending reality, though written in the Eternity archive, is always multi-variant and has not been totally defi ned or composed by anyone – nobody owns it yet. When someone turns up, who will compose a variant of it, then that future surrenders to their instruction. And if that someone is you, it becomes yours.

Do you want reality to be yours? So, take it, and compose it as you wish. This is a fundamentally new approach to your reactions, behaviour, and existence. The difference is that your attention will no longer get stuck in the current frame but strive ahead instead. Observance is replaced by advance, and passive waiting by agency. You no longer string along with reality as if on a leash, but direct it, driving it forward.

But before your desired reality can become the physical reality of your daily life, you, my head-choppers, must get yourself a reprogramming. I can’t do this for you. You may not get it perfect, straight away. You will only be able to create what agrees with your everyday, routine experience. Until you finally believe that you are capable of composing reality, it will slip away from you unyielding.

The only way of recasting the mould is the same way it was created in the first place – through daily, mundane practice. Track the impending frame, track yourself, compose reality. If you do as I tell you, reality will do as you tell it.

It is best to carry out regular, multiple repetitions until it be-comes a habit, otherwise you won’t learn anything. And if you don’t learn, I will remove your houses and turn you into even more horrible creatures – slugs. I am Tufti, your Owner, and I do with you what I wish.