Читать книгу Tufti the Priestess. Live Stroll Through a Movie - Вадим Зеланд - Страница 14

So how are you, my dears? Are you beginning to shine or do you continue to be wet? Quick, quick, transform!

• You were originally conceived to be luminescent creatures, looking ahead.

• Illuminating the frame successfully requires concentration, not effort.

• If the muscles are strained, the inner intention centre has been triggered.

• Follow the illumination method in a calm, relaxed manner.

• Principle: do not force reality; allow it to be.

Allow reality to carry out your assignment. Don’t forget, you are just illuminating the frame; it materialises by itself. Very little is required of you: compose reality and stand aside, like a third-party observer. Don’t interrupt or get in the way!

It is customary for you to think that all you have to do is apply some effort and the future will yield, but this requires a different approach. Physical strength, like willpower, only works within the reality of the current frame. You can fight manifest reality with all your stupid strength as much as you like, but that won’t work with forthcoming reality; this requires something else.

You, my little maniacs, must understand, just as I must explain, that there is a flip side to power – meta-power. It is, in a sense, the opposite of force, not weakness or apathy, but the power which acts from the other side of reality.

For ease of understanding, take a look in a mirror. From the side where you are standing, everything is material and can be touched. On the other side, in the reflection, everything is intangible but equally as real. If there is an object, then there will be a reflection. Is the object real? Then the reflection must be real too. I am explaining this to you so that you will understand, that it is not only the things that can be touched that are real.

The reality mirror is like a normal mirror, only it works the other way around: the image being reflected and the reflection itself change places. You can touch the reflection, but you can’t touch the image. The reflection is on the front side facing the mirror glass, and the image is on the other side. The frontal side is physical reality, while the other side is the dream space of the film roll archive.

As you already know, physical reality is like a frame, which moves along a film roll, only the film roll is primary, and the film itself is secondary, and so physical reality is a reflection of the object, located somewhere there, on the other side. And there in the film reel archive there are multiple versions of the future.

Judge for yourself: if the future is located on the other side of the reality mirror, can one somehow influence it with usual force, which only works here, on the front side of the miror? Not an option! You could bust a gut with effort, but it still wouldn’t work. Can you? Yes-yes-yes! You can, you can!

So as not to explode and to have the future you want, you must act from the other side of the mirror in accordance with the reality mirror rules, not the ordinary rules. So, how do you get there, to the other side or the mirror glass?

I have not mentioned it before, but you have in fact been there already. When in the process of waking up, you disengage from the script and practically fall into the world behind the glass. This cannot be seen overtly, and the reason it can’t be seen is that the surface of the reality mirror is not a surface or wall as such, so much as an intangible transitional boundary between the object and the reflection.

Everything is the same on both sides, and they look identical, only on one side the image is material and on the other, it is not. On the frontal side of the mirror, there is your material mannequin, and on the other side, a virtual one. When you wake up, your attention passes through the mirror boundary into your virtual mannequin.

It is your attention that moves, not your body, but this is sufficient, because you are your attention. Both bodies – virtual and material, each on either side of the mirror – move in unison. It’s a matter of where your attention is focused. If it is focused on the manifest frame, then you are totally engrossed in the script. If it is focused on the other side of the mirror, in the image frame, then you are free to move, both yourself and impending reality.

When I say ‘to propel yourself’ I mean it in the sense that you are self-aware and arbitrarily in control of your own motives and actions. Inside the frame, you move in the usual way, with your hands and feet using physical force. However, you move reality in a completely different way, with attention, intention, and meta-power.

You will gradually come to understand what meta-power is when you start to sense it. I would not be able to explain to you what physical force is if you had never tried using it. The same goes for meta-power; you have to feel it and develop it. Your plait is your meta-power tool. The frame illumination method is an exercise for developing meta-power at the same time as being a way of composing the reality you desire.

Next I will describe in more detail the rules and principles of the world beyond the mirror glass. You will suss it all out, eventually fathom it all. For now, don’t forget to carry out the method more often.

Do you want to learn to compose your own reality? Perhaps, you don’t want to? How could you not want to? What’s this, a slave uprising? If that’s the case, there will be sacrifices and offerings made, and very happy ones! Look at me! I am Tufti, your priestess. You will tolerate my despotism just as I tolerate the fact that I have to spend my time with snails, frogs, and other amphibians? U-la-la!