Читать книгу The Greatest German Classics (Vol. 1-14) - Various - Страница 1481
PLAN FOR A HISTORY OF ART DURING THE EIGHTEENTH CENTURY
ОглавлениеThe historical conception of related conditions promotes the more rapid development of the artist as well as of the man. Every individual, especially if he be a man of capacity, at first seems far too important to himself. Trusting in his independent power, he is inclined to champion far too quickly this or that maxim; he strives and labors with energy along the path he has himself chosen; and when at length he becomes conscious of his one-sidedness and his error, he changes just as violently, enters upon another perhaps equally erroneous course, and clings to principles equally faulty. Not until late in life does he become aware of his own history and realize how much further a constant development in accordance with well tested principles might have led him.
If the connoisseur owes his insight to history alone, which embodies the ideas which give rise to art, for the young artist the history of art is of the greatest importance.
[Illustration: WINCKELMANN]
He should not, however, search in it for indistinct models, to be pursued passionately, but for the means of realizing himself and his point of view, with its limitations. But unfortunately, even the immediate past is seldom instructive to man, through no fault of his own. For while we are learning to understand the mistakes of our predecessors, time is itself producing new errors which, unobserved, ensnare us, and the account of which is left to the future historian with just as little advantage to his own generation.
But who would indulge in such mournful observations, and not rather endeavor to promote the greatest possible clearness of view in his own branch of study? This is the duty assumed by the writer of the present sketch, the difficulty of which will be seen by connoisseurs, who, it is hoped, will point out its deficiencies and correct its imperfections, thereby making a satisfactory future work possible.
WINCKELMANN'S LETTERS To BERENDIS
Letters are among the most important monuments which the individual leaves behind him. Imaginative persons often picture to themselves, even in solitary musings, the presence of a distant friend, to whom they impart their most private opinions; and in the same manner a letter is a kind of soliloquy. For often the friend to whom, we write is rather the occasion than the subject of the letter. Whatever rejoices or pains, oppresses or occupies us, is poured forth from the heart. As lasting evidences of an existence or a condition, such papers are the more important for posterity, the more the writer lives in the moment and the less he is concerned with the future. Winckelmann's letters sometimes have this desirable character.
Although this excellent man, who educated himself in solitude, was reticent in society, serious and discreet in his personal life and conduct toward others, he was free and unconstrained in his letters, in which he often reveals himself, without hesitation, just as he felt. We see him worried, troubled, confused, doubting and dilatory, but also cheerful, alert, bold, daring, and unrestrained to the degree of cynicism; altogether, however, as a man of tempered character and confident in himself; who, although the outer conditions offered to his imagination so much to choose from, usually chose the best way, except when he took the last impatient step which cost him his life.
His letters, having the general characteristics of rectitude and directness, differ according to the persons to whom they are addressed, which is always the case when a clever correspondent imagines those present with whom he is speaking at a distance, and therefore no more neglects what is proper and suitable than he would in their presence.
Thus the letters addressed to Stosch (to mention only a few of the larger groups of Winckelmann's letters) seem to us fine testimonials of honest cooperation with a friend for a definite purpose; a proof of his great endurance in a difficult task, thoughtlessly undertaken without proper preparation, but courageously and happily concluded; they sparkle with the liveliest literary, political, and society news, and form a charming picture of life, which would have been more interesting if they could have been printed entire and unmutilated. Charming also is his frankness, even in passionate disapproval of a friend for whom the writer was never tired of testifying as much respect as love, as much gratitude as attachment.
The consciousness of his own superiority and dignity, combined with a genuine appreciation of others, the expression of friendship, cordiality, playfulness and pleasantry, which characterize the letters to his Swiss friends, make this collection extremely interesting and lovable as well as exceedingly instructive, although Winckelmann's letters cannot on the whole be termed instructive.
The first letters to Count Bünau, in the valuable Dassdorf collection, reveal an oppressed, self-absorbed spirit, which hardly ventures to look up to such an exalted patron. That remarkable letter in which Winckelmann announces his change of religion is a real galimatias, an unfortunate and confused document.
The first half of our own collection serves to make this period comprehensible, yea, immediately intelligible. They were written partly at Nöthenitz, partly at Dresden, and are directed to an intimate and trusted friend and comrade. The writer stands revealed in all his distress, with his pressing, irresistible desires, but on the road to a new and distant happiness, earnestly sought.
The other half of our letters are written from Italy. They preserve their direct, unrestrained character; but above them hovers the joyfulness of the southern sky, and they are inspired with an exuberant delight in the goal which he has attained. Besides this, they give, compared with other contemporary letters that are already known, a more complete view of his position.
The pleasure of appreciating and passing judgment upon the importance of this collection, which is perhaps greater from the psychological than from the literary point of view, we leave to receptive hearts and judicious minds. We shall add only a few words about the man to whom they were written, in accordance with our available information.
Hieronymus Dieterich Berendis was born at Seehausen in the Altmark in the year 1720, studied law in the University of Halle, and was for some years after his student days auditor of the Royal Prussian Regiment of Hussars, usually called the Black Hussars from their uniform, but at the time named after their Commander von Ruesch. After leaving that rude life, he continued his studies in Berlin. During a sojourn at Seehausen he made the acquaintance of Winckelmann, whose intimate friend he became, and through whose recommendation he was afterward engaged as tutor of the youngest Count Bünau. He conducted his pupil to Brunswick where the latter studied at the Karolinum. When the Count afterward entered the French service, his father, who was at that time minister of state at Weimar, conducted Berendis into the service of the Duke, in which he first became military counsellor, entering afterward the service of the Dowager Duchess as Financial Councillor and Keeper of the Privy Purse. He died on the 26th of October, 1783, at Weimar.