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UNDER SENTENCE OF DEATH
CHAPTER VI

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I said to myself, “Since I have been furnished with the means of writing, why should I not use them? But what shall I write?” Shut up between four cold and naked stone walls, with no liberty for my feet, no vista for my eyes to range, my sole occupation to follow the slow movement of the white square of light, which, falling through the wicket in my cell door, seemed chiselled in the dark wall of my prison, and, as I said before, alone with one remembrance, the remembrance of a crime and its punishment, of murder, and of death—what have I to say, I who have no longer part and parcel in this world? And how will this shattered brain enable me to write anything worth reading?

But why not? Even though all around me is sombre and out of gear, is there not in me a tempest, a struggle, a tragedy? This fixed idea that holds me in its power, does it not present itself to me each hour in a different shape, in a novel form, and each one more hideous and blood-stained than the one that preceded it? Why should I not endeavour to speak to myself of all the terrible and hitherto unknown sensation that I experience in the desolate position in which I am. Assuredly there is ample material, and though my days are numbered, yet there is enough of anguish, terror, and torture in these last hours of mine to wear out the pen and to empty the inkstand.

Besides, the only method in which I can allay my torments is to observe them closely. The mere fact of describing them will give me repose.

And then what I write will not be without its use. This record of my sufferings hour by hour, and minute by minute, punishment heaped on punishment, if I have the strength to carry it up to that point where it will be physically impossible for me to continue it further—this history, unfinished as it necessarily must be, but as complete as I can make it, will it not be well worthy of perusal? Will not this vivid reproduction of agonizing thoughts in that ever-increasing torrent of grief, in that intellectual dissection of the last hours of a man sentenced to death—will it not, I say, contain a striking lesson for those who have condemned him? Perhaps it will make them think twice ere they again consign the living, breathing head of a man to the hands of the executioner. Perhaps, unhappy wretches, they have never considered the slow torture which follows a condemnation to death.

Has the idea never struck them that in the man whom they are going to suppress there is a reasoning intelligence, an intelligence that had counted on a prolonged life, a soul which was not prepared for death? No; they only see in all this the vertical fall of the triangular blade, and doubtless consider that for the condemned man there is neither past nor future.

But my pages will undeceive them. Some day, perhaps, they will be printed, and those who read them will pause for a few moments in this record of a soul’s sufferings which they had up to that time never even suspected. They were proud to be able to kill the body with the smallest amount of physical pain. But what good is that? What is physical, when compared with mental pain? A day will come when, perhaps, these memoirs, the last impressions of an unhappy man, may have contributed–Unless, indeed, after my death the wind may toss about the courtyard a few pieces of paper stained with mud, or else, pasted in a broken pane of glass in the porter’s lodge, they may serve to exclude the rain.

Under Sentence of Death

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