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An adequate edition of Villani would have to examine his statements in detail, and, where necessary, to correct them. Such a task, however, would be alike beyond our powers, and foreign to our immediate purpose. These selections are intended to illustrate the text of Dante; and for that purpose it is of more consequence to know what were the "horrible crimes" of which Dante supposed Manfred to be guilty, than to enquire whether or no he was really guilty of them. To know whether Constance was fifty-two, or only thirty, when she married Henry VI., and whether he took her from a convent or a palace is of less immediate consequence to the student of Dante than to be acquainted with the Guelf tradition as to these circumstances.

At the same time, the reader may reasonably ask for some guidance as to the point at which the authentic history of Florence disengages itself from the legend, and, further, as to the general degree of reliance he is justified in placing on the details supplied by Villani.

On the first point very few words will suffice. There was probably a Fiesolan mart on the site now occupied by Florence from very remote times; but the form of the "ancient circle" carries us back to a Roman camp and a military colony as the origin of the regular city. Beyond this meagre basis the whole story of "Troy, and of Fiesole and Rome," in connection with Florence must be pronounced a myth. The notices of Florence before the opening of the twelfth century are few and meagre, but they suffice to prove that the story of its destruction by Totila, and rebuilding by Charlemagne, is without foundation; and of all the reported conquests of Fiesole that of 1125 is the first that we can regard as historical.

The history of Florence is almost a blank until about 1115 a.d., the date of the death of the Countess Matilda.

With respect to the second point, it is impossible to give so brief or conclusive an answer. Villani is as valuable to the historian as he is delightful to the general reader. He is a keen observer, and has a quick eye for the salient and essential features of what he observes. When dealing with his own times, and with events immediately connected with Florence, he is a trustworthy witness, but minute accuracy is never his strong point; and in dealing with distant times and places he is hopelessly unreliable.

The English reader will readily detect his confusions in Book VII., § 39, where at one time Richard of Cornwall, and at another Henry III., is called king of England; and Henry of Cornwall and Edward I. are regarded indifferently as sons of Richard or sons of Henry III., but are always said to be brothers instead of cousins.

Here there is little danger of the reader being misled, but it is otherwise in such a case as that of Robert Guiscard and the house of Tancred in Book IV., § 19. By way of putting the reader on his guard, we will go into this exceptionally bad, but by no means solitary, instance of Villani's inaccuracies.

Tancred, of the castle of Hauteville (near Coutances, in Normandy), had twelve sons, ten of whom sought their fortunes in southern Italy and Sicily. Four of these were successively Counts of Apulia, the last of the four being Robert Guiscard. He was followed by his son Roger, and his grandson William, who died childless. Another of the sons of Tancred was Roger, who became Count of Sicily. He was succeeded by his son Roger II., who possessed himself of the Apulian domains of his relative William, on the decease of the latter. Roger now had himself proclaimed King of Sicily by the anti-pope Anaclete, and united Sicily and Naples under his sway. He was followed by his son William (the Bad), and his grandson William (the Good), on whose death, without issue, Henry VI., who married Roger's daughter Constance, claimed the succession in the right of his wife. (L'Art de Vérifier les Dates.)

The most important of these relations may be set forth thus:

	Tancred of Hauteville
Robert Guiscard Count of Apulia	Roger I. Count of Sicily
Roger	Roger II. King of Sicily
William
	William the Bad	Constance = Henry VI.
	William the Good

Let the reader construct the family tree from the data in Villani, and compare it with the one given above. He will find that Villani, to begin with, makes Robert Guiscard a younger son of the Duke of Normandy, then makes his younger brother, Roger I., into his son (occasionally confounding him with Roger II.); and, finally, ignores William the Bad, and makes William the Good the brother of Constance. His details as to the pretender Tancred are equally inaccurate. These must suffice as specimens; but they are specimens not only of a special class of mistake, but of a style of work against which the reader must be constantly on his guard if he intends to make use of any detailed dates or relations, or even if he wishes to make sure that the Pope or other actor named in any connection is really the right one.

So, too, even well within historical times, Villani is prone to the epic simplification of events. His account of the negociations of Farinata with Manfred, and of the battle of Montaperti for instance, represents the Florentine legend or tradition rather than the history of the events. These events are conceived with the vividness, simplicity and picturesque preponderance of personality which make them easy to see, but impossible to reconstruct in a rationally convincing form.

To enter into further detail under this head would be to transgress the limits we have set ourselves.