Читать книгу Villani's Chronicle - Giovanni Villani - Страница 9

Table of Contents

Our aim has been to translate all the passages from the first nine books of Villani's Chronicles which are likely to be of direct interest and value to the student of Dante.[1] A few chapters have been inserted not for their own sakes but because they are necessary for the understanding of other chapters that bear directly on Dante. When a chapter contains anything to our purpose, we have usually translated the whole of it. Where this is not the case the omissions are invariably indicated by stars * * * * * *. We have given the headings of all the chapters we have not translated, so that the reader may have in his hand the continuous thread of Villani's narrative, and may have some idea of the character of the omitted portions. By these means we hope we have minimised, though we do not flatter ourselves that we have removed, the objections which are legitimately urged against volumes of selections.

The nature of the interest which the Dante student will find in these selections will vary as he goes through the volume.

The early portions, up to the end of Book III., are interesting not so much for the direct elucidation of special passages in Dante as for the assistance they give us in realizing the atmosphere through which he and his contemporaries regarded their own past; and their habitual confusion of legend and history.

From Book IV. on into Book VIII. our interest centres more and more on the specific contents of Villani's Chronicle. Here he becomes the best of all commentators upon one phase of Dante's many-sided genius; for he gives us the material upon which Dante's judgments are passed, and enables us to know the men and see the events he judges as he himself knew and saw them. Chapter after chapter reads like a continuous commentary on Purg. vi. 127-151; and there is hardly a sentence that does not lighten and is not lightened by some passage in the Comedy. Readers who have been accustomed to weary themselves in attempts to digest and remember historical notes (into which extracts from Villani, torn from their native haunts, have been driven up for instant slaughter, as in battue shooting) will find it a relief to have the story of the battles and revolutions of Florence, as Dante saw and felt it, continuously set before them—even though it be, for the present, in the partial and therefore mutilated form of "selections."

When we come to the later portions of Book VIII. and the first part of Book IX. the interest again changes. To the events after 1300 Dante's chief work contains comparatively few and scattered allusions; but as the direct connection with his writings becomes less marked the connection with his biography becomes more intimate. As we study the tangled period of Florentine politics that coincides with Dante's active political life (about 1300 a.d.), the ill-concerted and feeble attempts of the exiles to regain a footing in their city, and later on the splendid but futile enterprise of Henry, we seem to find the very fibres of Dante's life woven into the texture of the history. The dream of the De Monarchia was dreamed by Henry as well as by Dante; but as we read the detail of his failure it is borne in upon us that he not only did fail but must fail, for his ideal was incapable of realization. Italy was not ready for him, and had she been ready she would not have needed him.

Finally, the last pages of our volume, which cover selections from the portion of Book IX., extending from the death of Henry to the death of Dante himself, are for the most part inserted for a very special reason, as to which some little detail is necessary. Strangely enough they derive their importance not from any interest Dante may have taken in the events they record, but from the fact that he did not take enough interest in them to satisfy one of his most ardent admirers. The editions of Dante's collected works include a correspondence in Latin hexameters between Johannes de Virgilio and Dante. Now in the poem that opens this correspondence Johannes refers to Statius and to Lethe in a manner that proves beyond all doubt that the whole of the Purgatorio as well as the Inferno was in his hands. But he alludes to the Paradiso—the poem of the "super-solar" realms which is to complete the record of the "lower" ones—as not yet having appeared. It therefore becomes a matter of extreme interest to the Dante student to learn the date of this poem. Now one of the considerations that led Johannes to address Dante was the hope of inducing him to choose a contemporary subject for a Latin poem and so write something worthy of himself and of studious readers! With this object he suggests a number of subjects:—

"Dic age quo petiit Jovis armiger astra volatu: Dic age quos flores, quæ lilia fregit arator: Dic Phrygias damas laceratos dente molosso: Dic Ligurum montes, et classes Parthenopæas."

"Come! tell thou of the flight by which Jove's armour-bearer (the Imperial Eagle = Henry VII.) sought the stars. Come! tell thou of the flowers and lilies (of Florence) crushed by the ploughman (Uguccione da Faggiuola). Tell of the Phrygian does (the Paduans) torn by the mastiff's (Can Grande's) tooth. Tell of the Ligurian mountains (the Genoese) and the Parthenopæan fleets (of Robert of Naples)."

The correctness and security of the interpretation of this passage will not be doubted by any one accustomed to the pedantic allusiveness of the age; and it is moreover guaranteed by the annotator of the Laurentian MS., thought by many to be Boccaccio himself. It will be seen, therefore, from the study of the concluding pages of this volume, that when Johannes addressed Dante (after the appearance of the Inferno and the Purgatorio, but before that of the Paradiso) Henry VII. had died (a.d. 1313), Can Grande had defeated the Paduans (a.d. 1314 and 1317), Uguccione had defeated the Florentines (a.d. 1315), and Robert had collected his fleet to relieve Genoa (February, 1319). It also seems highly probable that Can Grande had not yet suffered his reverses at the siege of Padua (August, 1320). This is perhaps the one unassailable datum for the chronology of Dante's works, and we have therefore included in our selections so much as was needed to establish it. Our readers will perhaps forgive us for having then left the fate of Genoa hanging in the balance, for as Villani says: "Who could write the unbroken history of the dire siege of Genoa, and the marvellous exploits achieved by the exiles and their allies? Verily, it is the opinion of the wise that the siege of Troy itself, in comparison therewith, shewed no greater and more continuous battling, both by sea and land."