Читать книгу Dark Avenues / Темные аллеи. Книга для чтения на английском языке - Иван Бунин, Иван Алексеевич Бунин - Страница 9

An official from the provincial revenue department[79], a widower, elderly, married a young thing, a beauty, the daughter of the local military commander. He was taciturn and modest, while she was selfassured. He was thin, tall, of consumptive build, wore glasses the colour of iodine, spoke rather hoarsely and if he wanted to say anything a little louder would break into a falsetto. And she was short, splendidly and strongly built, always well dressed, very attentive and organized around the house, and had a sharpness in the gaze of her wonderful blue eyes. He seemed just as uninteresting in all respects as a multitude of provincial officials, but had been wed to a beauty, in his first marriage too – and everyone simply spread their hands: why and wherefore did such women marry him?

And so the second beauty calmly came to hate his seven-year-old boy by the first one, and pretended not to notice him at all. Then the father too, out of fear of her, also pretended that he did not have, and never had had a son. And the boy, by nature lively and affectionate, became frightened of saying a word in their presence, and then hid himself away completely, made himself as though non-existent in the house.

Immediately after the wedding he was moved out of his father’s bedroom to sleep on a little couch in the drawing room, a small room next to the dining room, furnished with blue velvet furniture. But his sleep was restless, and every night he knocked his sheet and blanket off onto the floor, and soon the beauty said to the maid:

“It’s scandalous, he’ll wear out all the velvet on the couch. Make his bed up on the floor, Nastya, on that little mattress I ordered you to hide away in the late mistress’s big trunk in the corridor.”

And the boy, in his utter solitude in all the world, began leading a completely independent life, completely isolated from the whole house – inaudible, inconspicuous, identical from day to day, he sits meekly in a corner of the drawing room, draws little houses on a slate or reads in a halting whisper always one and the same little picture book, bought still in his late mother’s time, builds a railway out of matchboxes, looks out of the windows… He sleeps on the floor between the couch and a potted palm. He makes up his little bed himself in the evening, and diligently clears it away, rolls it up himself in the morning, and carries it off into the corridor to his mother’s trunk. All the rest of his bits of belongings are hidden away there too.

28th September 1940