Читать книгу The Man Who Invented Aztec Crystal Skulls - Jane MacLaren Walsh - Страница 5

0.1. Smithsonian crystal skull. Photo by James Diloreto (National Museum of Natural History, Department of Anthropology, 562841).

1.1. Duvergé sisters’ invoice (courtesy of Sylvain Bertoldi, Archives municipales d’Angers, 1 Num. 15).

3.1. Coatlicue monolith just behind the Tizoc stone in the patio of the Museo Nacional de México. Photo by William Henry Jackson (Smithsonian Institution, National Anthropological Archives).

3.2. Artifacts from Oaxaca drawn by José Luciano Castañeda (Smithsonian Libraries).

3.3. Stone mask and ceramic figurines in the Poinsett Collection drawn by Maximilien Franck (courtesy of the British Museum, London, AM2006, Drg. 128, pg. 21).

4.1. The vegetable market on canoes along the Viga Canal, ca. 1860 (Smithsonian Institution Archives, Nelson-Goldman Collection, RU 7364).

4.2. Aztec Calendar or Sun Stone on the western wall of Mexico City’s cathedral, ca. 1860 (courtesy of Hispanic Society of America, New York).

4.3. View of Teotihuacan archeological site showing the Pyramid of the Sun. Photo by William Henry Jackson (Smithsonian Institution, National Anthropological Archives).

5.1. Eugène Boban, carte de visite (courtesy of Museo Nacional de Historia, Chapultepec Castle, Mexico City).

5.2. Boban’s version of the Aztec macuahuitl (Smithsonian Institution, National Museum of Natural History, Blake Collection, 99009).

5.3. Blackware fake in Smithsonian collections (National Museum of Natural History, Department of Anthropology).

5.4. Museo Nacional Collection, 1865 (courtesy of Getty Research Collections, 2002.R.10).

5.5. Exposition Universelle Paris, 1867 (Smithsonian Libraries).

6.1. Boban’s shop at 35, rue du Sommerard in the 5th arrondissement (courtesy of Hispanic Society of America, New York).

6.2a–b. Publicity photographs of the rue du Sommerard shop (courtesy of Hispanic Society of America, New York).

6.3. Stone ax from Boban’s collection in the Musée Pincé (courtesy of Musées d’Angers).

7.1a. Drawing of gold bell in Hispanic Society Collection (courtesy of Hispanic Society of America, New York).

7.1b. Photo of bell from The State Hermitage Museum, St. Petersburg. Photograph © The State Hermitage Museum. Photo by Vladimir Terebenin.

8.1a–c. Publicity photographs of Boban’s pre-Columbian collection in Paris (courtesy of Hispanic Society of America, New York).

8.2. Reproduction of the Boban Calendar Wheel published in 1866 in the Archives de la Commission Scientifique du Mexique (Smithsonian Libraries).

8.3. Drawing of pyrite mirror by Jean Amatus Klein, 1865 (courtesy of Hispanic Society of America, New York).

8.4. Drawing of Boban’s concept of the Aztec macuahuitl (courtesy of Musée Pincé, Angers).

8.5. Mural showing jaguar warrior in the church of San Miguel Arcangel in Ixmiquilpan, Hidalgo, Mexico (detail of internet scan by author).

9.1a. Xipe Totec mask displayed in the Pavillon de Sessions, Louvre (courtesy of Musée du quai Branly, Paris).

9.1b. Maximilien Franck drawing of Xipe Totec mask (courtesy of the British Museum, London, AM2006, Drg. 128, pg. 30).

9.2a. Huastec sculpture in Musée du quai Branly (courtesy of Musée du quai Branly, Paris).

9.2b. The same figure as drawn by Maximilien Franck in 1829, when it was in the Museo Nacional (courtesy of the British Museum, London, AM2006, Drg. 128, pg. 42).

9.3a. Drawing of carved stone faces and ceramic vessels by Maximilien Franck, 1829 (courtesy of the British Museum, London, AM2006, Drg.128, pg. 35).

9.3b. Carved stone face (courtesy of the Musée du quai Branly, Paris, 71.1878.1.171AM).

9.4. Three views of carved stone figure by Maximilien Franck, 1828–30 (courtesy of the British Museum, London, AM2006, Drg.128, pg. 47).

9.5a. “Terra cottas reproducing cranial deformation” from Boban’s 1875 article in Le Musée Archéologique (Smithsonian Libraries).

9.5b. Smiling head in Musée du quai Branly collections (courtesy of Musée du quai Branly, Paris).

9.6. Quetzalcoatl carving in Musée du quai Branly collections on exhibit at the Louvre (courtesy of Musée du quai Branly, Paris).

9.7. Maximilien Franck drawing of seated stone figure (courtesy of the British Museum, London, AM2006, Drg.128, pg. 41).

9.8. Monkey with tulip-shell pendant (courtesy of Musée du quai Branly, Paris, 71.1878.1.81AM).

9.9a–b. Front and back of Aztec feather insigne (courtesy of Musée du quai Branly, Paris, 71.1878.1.2963).

9.10a. Feather blanket from Musée du quai Branly collections (courtesy of Musée du quai Branly, Paris, 71.1881.80.110).

9.10b. Photograph that Boban sent to Gabriel de Mortillet showing feather blanket in his collection (courtesy of Musée d’Archéologie nationale, Saint-Germain-en-Laye, M5001_1100490_Album Noir 37, folio 191).

11.1. Obsidian artifact in Musée du quai Branly collections (courtesy of Musée du quai Branly, Paris, 71.1878.1.498).

11.2. Rock crystal skull in Musée du quai Branly collections (courtesy of Musée du quai Branly, Paris, 71.1878.1.57).

11.3. Carved stone figure about which Augustin Damour consulted Boban in 1883. Ernest T. Hamy published the piece in the Journal de la société des américanistes in 1907, identifying it as Ixcuina (Smithsonian Libraries).

12.1. The announcement that appeared in The Two Republics, 1 January 1886 (courtesy of Hispanic Society of America, New York).

12.2. One of several posters printed in Mexico to advertise Boban’s museum (courtesy of Hispanic Society of America, New York).

12.3a–b. Front and side view of Aztec warrior figure exhibited in 1885 in Museo Científico, Mexico City (courtesy of Hispanic Society of America, New York).

12.4. Part of Boban’s stirrup and spur collection (courtesy of Hispanic Society of America, New York).

12.5a–b. Two of the mummies from Santo Domingo exhibited in 1885 in the Museo Científico, with detail of the mummies and the table of skulls behind them (courtesy of Bibliothèque nationale, Paris, DMO n.a.f. 21476: item 278).

13.1a. Main temple at Xochicalco, Morelos, Mexico (courtesy of Hispanic Society of America, New York).

13.1b. Engraving of same image of temple published in La Nature in 1886 (courtesy of Hispanic Society of America, New York).

13.2a. “Cuadro Arqueológico y Etnográfico de la Republica Mexicana” (Smithsonian Libraries).

13.2b. Detail of poster’s title and author information (Smithsonian Libraries).

15.1. Boban skull auctioned to Tiffany & Co. and later sold to the British Museum (courtesy of the British Museum, London, Ethno 1898.1).

15.2. Crystal skull in Smithsonian’s Blake Collection (Smithsonian Institution, Department of Anthropology, 98949. Annual Report 1896: 463).

15.3. Crystal skull in the Christy Collection at the British Museum (courtesy of the British Museum, London, Am, St.420).

15.4. Small crystal skull in the Pinart collection of the Musée du quai Branly (courtesy of Musée du quai Branly, Paris, 71.1878.1.216).

15.5a–b. Costantino and Mala crystal skulls in the collections of the Museo Nacional (courtesy of the Museo Nacional de Antroplogía, Mexico City).

15.6. Crystal skull on a reliquary in the Vincenzo Funghini Collection (courtesy of Museo Nazionale d’Arte Medievale e Moderna, Arezzo, Italy).

15.7. Crystal skull in the Zaverio Calpini Collection, Turin, Italy (courtesy of the Fondazione Torino Musei).

15.8a–b. Saints Peter of Alcántara and Teresa of Avila by Melchor Pérez Holguín, with detail of a hand holding a rosary with a skull bead below the crucifix (courtesy of Hispanic Society of America, New York).

15.9a. Jean Amatus Klein drawing of a small crystal skull, obsidian earplugs, and another crystal adornment (courtesy of Hispanic Society of America, New York).

15.9b. Jean Amatus Klein drawing of Aztec antiquities and ornaments (courtesy of Hispanic Society of America, New York).

16.1. A carte de visite photograph from a Manhattan studio that Boban sent to Thomas Wilson at the Smithsonian Institution in 1887 (Smithsonian Institution, National Anthropological Archives, NPC 028770.00).

16.2. Notes Boban took during his visit to the Smithsonian (courtesy of Hispanic Society of America, New York).

16.3. Boban’s note to the editor of La Nature (courtesy of Hispanic Society of America, New York).

16.4. Three Zapotec funerary vessels excavated near Mitla (Smithsonian Institution Archives, RU 7084).

16.5. Zapotec warrior figure with notes by W. H. Holmes (Smithsonian Institution Archives, RU 7084).

17.1. Photograph of Antonio Rojas (Smithsonian Institution, National Museum of Natural History).

17.2. Superimposition of face on Rojas skull (courtesy of Joe Mullins, Forensic Imaging Center, National Center for Missing and Exploited Children, Washington, DC).

18.1. Exhibition photograph of objects in the Eugène Goupil Collection (courtesy of Hispanic Society of America, New York).

18.2. Eugène Goupil’s exhibition cabinet at the 1889 Exposition Universelle in Paris (courtesy of Hispanic Society of America, New York).

19.1. Photo of Jean Frédéric Waldeck at ninety displaying a questionable codex, a cast of a jade Olmec statue, and an Aztec ceramic figurine while leaning on a human skull (courtesy of Bibliothèque nationale, Paris, DMO n.a.f. 21479: item 471).

19.2. Charles Espiridion Eugène Goupil (courtesy of Bibliothèque nationale, Paris, DMO n.a.f. 21480: item 7).

20.1. Detail of 1860s photograph of Eugène Boban (courtesy of Museo Nacional de Historia, Chapultepec Castle, Mexico City).

20.2. Carte de visite photograph of Eugène Boban in 1886, age fifty-two (Smithsonian Institution, National Anthropological Archives).

20.3. Frontispiece photograph of Eugène Boban in 1891, age fifty-seven, Documents pour servir à l’histoire du Mexique (Smithsonian Libraries).