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THE PART FOR THE WHOLE
Оглавлениеfrom Nicole Brossard: Selections
tr. Jennifer Moxley
my lacerating strategist who leads me to fiction
censored in the liar’s edits or time
the split: desire’s reflection is like this
a lure thrown out in vain
spinning through space until
the ‘creature’ says: my blood doesn’t fit
this version or excerpt anymore
to save her provocative skin
to lose reason the rush the goods
spread out by the mirror if you attempt
a moon’s discretion between your thighs
the liquid outcome
vulva – lu e(t) vu – read and seen
in reality you undress her skin
and take it all in
feigned – the entire bid / fiction –
the injury’s intuition (the injured)
her tongue speaks with a hole the one licked
or it’s a place to perplex the delicious expert
she trembles in love inversely
her memory perplexes the slut story museum
woman / voting booth / stretch marks: what a beautiful baby!
she soaks without quoting, very private
that tends to flow
the day drenched in ink
green or that moment you open your robe
egress illustrated
circadian today and
the moon your condition of rhythm sister
with syrupy insides she depletes
the planet of corridors filled with crossroads
my wife aroused a vow circling your passionate neck
her ass and thank goodness dissolves the
first stone or this erosion of the dismissal
for she cheats all lost time by playing
opposite
silently on the outskirts of town
without context (swallowing but concise)
so she says: that’s senseless
or irony of the after-effect the abolished
without history and mother tongue in hospital
convulsively white this body speaks
perhaps to amuse herself underground
but at heart charged without restraint
she start over from the bottom of the page
filled with the unleashed scents that undress her:
flying
drying up or fictive the liar opens
her fist this abduction all confined by the masculine
spread out
her withdraw – it depends – at what price
and the beyond amends her history
you get wet and dry up in pleasant parallels
drifting when the net is lifted
or concealed down to your feet you put on the brakes
and yet this pretext intervenes with your hand as process
a gripping sift of the inside or a return to self
this morning shifting history with a silent e
La Partie pour le tout
1975, tr. 2010