Читать книгу Canaletto - Octave Uzanne - Страница 2
Alfred de Musset (1810–1857)
Venice
Оглавление1. Venice: the Piazzetta towards San Giorgio Maggiore, c. 1724.
Oil on canvas, 173 × 134.3 cm.
The Royal Collection, London.
In Venice the Red,
No boat moves.
There is no fisher on the waters,
No lantern to be seen.
Alone, sitting on the strand,
On top of the serene horizon,
The great lion raises
Its bronze paw.
All around, in groups,
Are ships and rowboats.
Like herons
Resting in circles,
They sleep on top of smoky water
And cross,
With their flags, through the mist,
Caught up in light whirlwinds.
The fading moon
Hides its face that passes away
Against a starry,
Half-veiled cloud.
Then, the Saint Croix abbess
Pulls her cloak,
With the large folds,
Down over her surplice.
And then there are ancient palaces,
Solemn porticoes,
And the knight’s
White staircases,
The bridges and streets,
The mournful statues,
And the gulf moves,
Rippling under the wind.
All is quiet,
Save the guards with long halberds
Who watch
Through the arsenal’s crenellations.
Ah! More than one waits
In the moonlight.
Some young dandy
Keeps his ears open.
More than one who adorns herself
For the ball being prepared
Sets down a black mask
In front of the mirror.
On top of her bed, embalmed,
The rapturous Vanina
Is still embracing her lover,
As she drops off to sleep;
And mad Narcissa,
At the back of her gondola
Forgets herself
As she indulges in a feast that lasts till morning.
And who, in Italy,
Does not have a touch of madness?
Who does not save
Their most beautiful days for love?
Let’s leave behind the old clock
At the old doge’s palace,
As they count out the long-lasting boredom
Of his nights.
Instead, my beauty,
Let’s count all those many kisses,
Given…or forgiven
On your restive mouth.
Instead, let’s count your charms
And the sweet tears
That, in our eyes,
Sensuality has cost!
2. The Entrance to the Grand Canal, Venice, c. 1730.
Oil on canvas, 49.5 × 72.5 cm.
The Museum of Fine Arts, Houston.