Читать книгу Ivan Greet's Masterpiece - Allen Grant - Страница 12

VIII.

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For a week or two the world was a blank to Clemmy. She knew only one thing—that Ivan had left her two sacred legacies. To print his book, to bring up his child—those were now the tasks in life set before her. From the very first moment she regarded the manuscript of his masterpiece with the profoundest reverence. Even before six stalwart negroes in their Sunday clothes came to bury her dead poet on the slope of the hillside under a murmuring clump of feathery bamboos, she had taken out that precious bundle of papers from Ivan’s box in the corner, which served as sofa in the bare little shanty, and had wrapped it up tenderly in his big silk handkerchief, and replaced it with care, and locked up the box again, and put the key, tied by a string, round her neck on her own brown bosom. And when Ivan was gone for ever, and her tears were dry enough, she went to that box every night and morning, and unrolled the handkerchief reverently, and took out the unprinted book, and read it here and there—with pride and joy and sorrow—and folded it up again and replaced it in its ark till another evening. She knew nothing of books—till this one; it had never even struck her they were the outcome of human brains and hands: but she knew it was her business in life now to publish it. Ivan Greet was gone, and, but for those two legacies he left behind him, she would have wished to die—she would have died, as negroes can, by merely wishing it. But now she couldn’t. She must live for his child; she must live for his idyll. It was a duty laid upon her. She knew not how—but somehow, some time, she must get that book printed.

Six weeks later, her baby was born. As it lay on her lap, a dear, little, soft, round, creamy-brown girl—hardly brown at all, indeed, but a delicate quadroon, with deep chestnut hair and European features—she loved it in her heart for its father’s sake chiefly. It was Ivan’s child, made in Ivan’s likeness. They christened it Vanna; ’twas the nearest feminine form she could devise to Ivan. But even the baby—her baby, his baby—seemed hardly more alive to Clemmy herself than the manuscript that lay wrapped with scented herbs and leaves in the box in the corner. For that was all Ivan’s, and it spoke to her still with his authentic voice—his own very words, his tone, his utterance. Many a time she took it out, as baby lay asleep, with tender eyelids closed, on the bed where Ivan had died (for sanitary science and knowledge of the germ theory haven’t spread much as yet to St. Thomas-in-the-Vale) and read it aloud in her own sing-song way, and laughed and cried over it, and thought to herself, time and again, “He wrote all that! How wonderful! how beautiful!”

As soon as ever she was well enough, after baby came, Clemmy took that sacred manuscript, reverently folded still in its soft silk handkerchief, among its fragrant herbs, and with baby at her breast, trudged by herself along the dusty road, some twenty-five miles, all the way into Kingston. It was a long, hot walk, and she was weak and ill; but Ivan’s book must be printed, let it cost her what it might; she would work herself to death, but she must manage to print it. She knew nothing of his family, his friends in England; she knew nothing of publishing, or of the utter futility of getting the type set at a Kingston printing-office; she only knew this—that Ivan wrote that book, and that, before he died, he meant to get it printed. After a weary trudge, buoyed only by vague hopes of fulfilling Ivan’s last wish, she reached the baking streets of the grim white city. To her that squalid seaport seemed a very big and bustling town. Wandering there by herself, alone and afraid, down its unwonted thoroughfares, full of black men and white, all hurrying on their own errands, and all equally strange to her, she came at last to Henderson’s, the printer’s. With a very timid air, she mustered up courage to enter the shop, and unfolded with trembling fingers her sacred burden. The printer stared hard at her. “Not your own, I suppose?” he said, turning it over with a curious eye, like any common manuscript, and evidently amused at the bare idea of a book by an up-country brown girl.

And Clemmy, half aghast that any man should touch that holy relic so lightly, made answer very low, “No, not me own. Me fren’s. Him dead, and I want to know how much you ax to print him.”

The man ran his eye through it, and calculated roughly. “On paper like this,” he said, after jotting down a few figures, “five hundred copies would stand you in something like five-and-thirty pounds, exclusive of binding.”

Five-and-thirty pounds! Clemmy drew a long breath. It was appalling, impossible. “You haven’t got so much about you, I suppose!” the printer went on, with a laugh. Clemmy’s eyes filled with tears. Five-and-thirty pounds! And a brown girl! Was it likely?

“I doan’t want it print jes’ yet,” she answered, with an effort, hardly keeping back her tears. “I only come to ax—walk in all de way from St. Tammas-in-de-Vale, so make me tired. Bime-by, p’raps, I print him—when I done got de money. I doan’t got it jes’ yet—but I’m gwine home to get it.”

And home she went, heavy-hearted; home she went to get it. Five-and-thirty pounds, but she meant to earn it. Tramp, tramp, tramp, she trudged along to St. Thomas. Between the pestilential lagoons on the road to Spanish Town she thought it all out. Before she reached the outskirts, with her baby at her breast, she had already matured her plan of campaign for the future. Come what might, she must make enough money to print Ivan Greet’s masterpiece. She was only a brown girl, but she was still in possession of the two-acre plot; and possession is always nine points of the law, in Jamaica as in England. Indeed, with her simple West Indian notions of proprietorship and inheritance, Clemmy never doubted for a moment they were really her own, as much as if she were Ivan’s lawful widow. Nobody had yet come to disturb or evict her; nobody had the right, in Jamaica at least: for Ivan Greet’s heirs, executors, and assigns slumbered at peace, five thousand miles away, oversea in England. So, as Clemmy tramped on, along the dusty high road, and between the malarious swamps, and through the grey streets of dismantled Spanish Town, and up the grateful coolness of the Rio Cobre ravine to her home in St. Thomas, she said to herself and to his baby at her breast a thousand times over how she would toil and moil, and save and scrape, and earn money to print his last work at last as he meant it to be printed.

Ivan Greet's Masterpiece

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