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IX.

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And she worked with a will. She didn’t know it was a heroic resolve on her part; she only knew she had got to do it. She planted yam and coffee and tobacco. Coffee and tobacco need higher cultivation than the more thriftless class of negroes usually care to bestow upon them; but Clemmy was a brown girl, and she worked as became the descendant of so many strenuous white ancestors. She could live herself on the yams and breadfruit; when her crop was ripe she could sell the bananas and coffee and tobacco, and hoard up the money she got in a belt round her waist, for she never could trust all that precious coin away from her own person.

From the day of her return, she worked hard with a will; and on market-days she trudged down with her basket on her head and her baby in her arms to sell her surplus produce in Linstead market. Every quattie she earned she tied up tight in the girdle round her waist. When the quatties reached eight she exchanged them for a shilling—one shilling more towards the thirty-five pounds it would cost her to print Ivan Greet’s last idyll! The people in St. Thomas were kind to Clemmy. “Him doan’t nebber get ober de buckra deat’,” they said. “Him take it berry to heart. Him lub him fe’ true, dat gal wit’ de buckra!” So they helped her still, as they had helped Ivan in his lifetime. Many a one gave her an hour’s work at her plot when the drought threatened badly, or aided her to get in her yams and sweet potatoes before the rainy season.

Clemmy was an Old Connexion Baptist. They all belonged to the Old Connexion in the Linstead district. Your negro is strong on doctrinal theology, and he likes the practical sense of sins visibly washed away by total immersion. It gives him a comfortable feeling of efficient regeneration which no mere infant sprinkling could possibly emulate. One morning, on the hillside, as Clemmy stood in her plot by a graceful clump of waving bamboos, hacking down with her cutlass the weeds that encumbered her precious coffee-bushes—the bushes that were to print Ivan Greet’s last manuscript—of a sudden the minister rode by on his mountain pony—sleek, smooth-faced, oleaginous, the very picture and embodiment of the well-fed, negro-paid, up-country missionary. He halted on the path—a mere ledge of bridle-track—as he passed where she stood bending down at her labour.

“Hey, Clemmy,” the minister cried in his half-negro tone—for, though an Englishman born, he had lived among his flock on the mountains so long that he had caught at last its very voice and accent—“they tell me this good-for-nothing white man’s dead who lived in the hut here. Perhaps it was better so! Instead of trying to raise and improve your people, he had sunk himself to their lowest level. So you’ve got his hut now! And what are you doing, child, with the coffee and tobacco?”

Clemmy’s face burned hot; this was sheer desecration! The flush almost showed through her dusky brown skin, so intense was her indignant wrath at hearing her dead Ivan described by that sleek fat creature as a “good-for-nothing white man.” But she answered back bravely, “Him good friend to me fe’ true, sah. I doan’t know nuffin’ ’bout what make him came heah, but I nebber see buckra treat nagur anywhere same way like he treat dem. An’ I lubbed him true. And I growin’ dem crop dah to prin’ de book him gone left behind him.”

The minister reflected. This was sheer contumacy. “But the land’s not yours,” he said testily. “It belongs to the man’s relations—his heirs or his creditors. Unless of course,” he added, after a pause, just to make things sure, “he left it by will to you.”

“No, sah, him doant make no will,” Clemmy answered, trembling, “an’ him doan’t leave it to anybody. But I lib on de land while Ivan lib, an’ I doan’t gwine to quit it for no one on eart’ now him dead and buried.”

“You were his housekeeper, I think,” the minister went on, musing.

And Clemmy, adopting that usual euphemism of the country where such relations are habitual, made answer, hanging her head, “Yes, sah, I was him housekeeper.”

“What was his name?” the minister asked, taking out a small note-book.

“Dem call him Ivan Greet,” Clemmy answered incautiously.

“Ivan Greet,” the minister repeated, stroking his smooth double chin and reflecting inwardly. “Ivan Greet! Ivan Greet! No doubt a Russian!... Well, Clemmy, you must remember, this land’s not yours; and if only we can find out where Ivan Greet belonged, and write to his relations—which is, of course, our plain duty—you’ll have to give it up and go back to your father.” He shook his pony’s reins. “Get up, Duchess! ” he cried calmly. “Good morning, Clemmy; good morning.”

“Marnin’, sah,” Clemmy answered, with a vague foreboding, her heart standing still with chilly fear within her.

But, as soon as the minister’s ample back was turned, she laid down her cutlass, took up little Vanna from the ground beside her, pressed the child to her breast, and rushed with passionate tears to the box in the hut that contained, in many folds, his precious manuscript. She took the key from her neck, and unlocked it eagerly. Then she brought forth the handkerchief, unwound it with care, and stared hard through her tears at that sacred title-page. His relations indeed! Who was nearer him than herself? Who had ever so much right to till that plot of land as she who was the guardian of his two dying legacies? She would use it to feed his child, and to print his last book. She could kill his own folk if they came there to take it from her!

Ivan Greet's Masterpiece

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