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Rudolph Reeve sat by himself on the Old Long Barrow on Pallinghurst Common. It was a September evening, and the sun was setting. The west was all aglow with a mysterious red light, very strange and lurid—a light that reflected itself in glowing purple on the dark brown heather and the dying bracken. Rudolph Reeve was a journalist and a man of science; but he had a poet’s soul for all that, in spite of his avocations, neither of which is usually thought to tend towards the spontaneous development of a poetic temperament. He sat there long, watching the livid hues that incarnadined the sky—redder and fiercer than anything he ever remembered to have seen since the famous year of the Krakatoa sunsets—though he knew it was getting late, and he ought to have gone back long since to the manor-house to dress for dinner. Mrs. Bouverie-Barton, his hostess, the famous Woman’s Rights woman, was always such a stickler for punctuality and dispatch, and all the other unfeminine virtues! But, in spite of Mrs. Bouverie-Barton, Rudolph Reeve sat on. There was something about that sunset and the lights on the bracken—something weird and unearthly—that positively fascinated him.

The view over the common, which stands high and exposed, a veritable waste of heath and gorse, is strikingly wide and expansive. Pallinghurst Ring, or the “Old Long Barrow,” a well-known landmark, familiar by that name from time immemorial to all the country-side, crowns its actual summit, and commands from its top the surrounding hills far into the shadowy heart of Hampshire. On its terraced slope Rudolph sat and gazed out, with all the artistic pleasure of a poet or a painter (for he was a little of both) in the exquisite flush of the dying reflections from the dying sun upon the dying heather. He sat and wondered to himself why death is always so much more beautiful, so much more poetical, so much calmer than life—and why you invariably enjoy things so very much better when you know you ought to be dressing for dinner.

He was just going to rise, however, dreading the lasting wrath of Mrs. Bouverie-Barton, when of a sudden a very weird yet definite feeling caused him for one moment to pause and hesitate. Why he felt it he knew not; but even as he sat there on the grassy tumulus, covered close with short sward of subterranean clover, that curious, cunning plant that buries its own seeds by automatic action, he was aware, through no external sense, but by pure internal consciousness, of something or other living and moving within the barrow. He shut his eyes and listened. No; fancy, pure fancy! Not a sound broke the stillness of early evening, save the drone of insects—those dying insects, now beginning to fail fast before the first chill breath of approaching autumn. Rudolph opened his eyes again and looked down on the ground. In the little boggy hollow by his feet innumerable plants of sundew spread their murderous rosettes of sticky red leaves, all bedewed with viscid gum, to catch and roll round the struggling flies that wrenched their tiny limbs in vain efforts to free themselves. But that was all. Nothing else was astir. In spite of sight and sound, however, he was still deeply thrilled by this strange consciousness as of something living and moving in the barrow underneath; something living and moving—or was it moving and dead? Something crawling and creeping, as the long arms of the sundews crawled and crept around the helpless flies, whose juices they sucked out. A weird and awful feeling, yet strangely fascinating! He hated the vulgar necessity for going back to dinner. Why do people dine at all? So material! so commonplace! And the universe all teeming with strange secrets to unfold! He knew not why, but a fierce desire possessed his soul to stop and give way to this overpowering sense of the mysterious and the marvellous in the dark depths of the barrow.

With an effort he roused himself, and put on his hat, which he had been holding in his hand, for his forehead was burning. The sun had now long set, and Mrs. Bouverie-Barton dined at 7.30 punctually. He must rise and go home. Something unknown pulled him down to detain him. Once more he paused and hesitated. He was not a superstitious man, yet it seemed to him as if many strange shapes stood by unseen, and watched with great eagerness to see whether he would rise and go away, or yield to the temptation of stopping and indulging his curious fancy. Strange!—he saw and heard absolutely nobody and nothing; yet he dimly realized that unseen figures were watching him close with bated breath, and anxiously observing his every movement, as if intent to know whether he would rise and move on, or remain to investigate this causeless sensation.

For a minute or two he stood irresolute; and all the time he so stood the unseen bystanders held their breath and looked on in an agony of expectation. He could feel their outstretched necks; he could picture their strained attention. At last he broke away. “This is nonsense,” he said aloud to himself, and turned slowly homeward. As he did so, a deep sigh, as of suspense relieved, but relieved in the wrong direction, seemed to rise—unheard, impalpable, spiritual—from the invisible crowd that gathered around him immaterial. Clutched hands seemed to stretch after him and try to pull him back. An unreal throng of angry and disappointed creatures seemed to follow him over the moor, uttering speechless imprecations on his head, in some unknown tongue—ineffable, inaudible. This horrid sense of being followed by unearthly foes took absolute possession of Rudolph’s mind. It might have been merely the lurid redness of the afterglow, or the loneliness of the moor, or the necessity for being back not one minute late for Mrs. Bouverie-Barton’s dinner-hour; but, at any rate, he lost all self-control for the moment, and ran—ran wildly, at the very top of his speed, all the way from the barrow to the door of the manor-house garden. There he stopped and looked round with a painful sense of his own stupid cowardice. This was positively childish: he had seen nothing, heard nothing, had nothing definite to frighten him; yet he had run from his own mental shadow, like the veriest schoolgirl, and was trembling still from the profundity of his sense that somebody unseen was pursuing and following him. “What a precious fool I am,” he said to himself, half angrily, “to be so terrified at nothing! I’ll go round there by-and-by, just to recover my self-respect, and to show, at least, I’m not really frightened.”

And even as he said it he was internally aware that his baffled foes, standing grinning their disappointment with gnashed teeth at the garden gate, gave a chuckle of surprise, delight, and satisfaction at his altered intention.

Ivan Greet's Masterpiece

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