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VII.

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Even so, for six months, Ivan never sought to meet his old love in her solitary widowhood. So many things prevented him. He was busy with the affairs of his company in London and Paris. Karen might have developed and changed so much meanwhile! She might not wish to see him. Above all, respect for Karen’s own feelings restrained him so soon after her loss from communicating with her.

At the end of six months, however, an announcement appeared in the Figaro one day that Madame Catarina Veristo, the famous soprano, so long in retirement, would appear next evening at a concert in Vienna for the first time since the death of her husband.

It was at a café on the Boulevards that Ivan read those words. He didn’t hesitate one second. In half an hour his portmanteau was packed, and he was on his way to the Gare de l’Est—destination, Vienna.

The concert-room where Karen—his Karen—was to sing was densely packed and crowded with an enthusiastic audience. Ivan secured a seat with difficulty halfway down the hall. He waited anxiously while the minor stars performed their parts. What would Karen be like now? How would success have changed her? Would the great singer care at all for her old Canadian lover? For he hadn’t seen her, of course, since she was a girl of eighteen in the dark pine forest at Nijni Ouralsk on the Upper Ottawa.

At last, a movement, a stir, a craning of necks in eager expectation. One great storm of applause rent the air on every side as a pale, frail girl, in a simple black dress, stepped timidly on to the platform, and glided forward towards the footlights. A thrill ran through Ivan’s frame at the familiar figure. It was Karen indeed—no one else—just the same sweet, old Karen. She was shrinking and delicate, like an Indian pipe-plant.

She advanced to the front, graceful, modest, tremulous, with a roll of music clasped nervously in her tender little hand, and began to pour forth her spontaneous song—so it seemed—in exquisitely pathetic modulation. Ivan thrilled once more at the sound. It was the same beautiful voice he had known in the log hut at Nijni Ouralsk—trained and strengthened, to be sure, by five years of study and assiduous practice, but natural and rich and daintily sweet-toned as of yore. Ivan looked at her and loved. The beauty of holiness shone in every feature. A great renunciation had but heightened the tender charm of that exquisite face. Sorrow had made Karen more lovely and more lovable than ever.

For many minutes she sang as though the room before her were absolutely empty, and she were pouring forth her full heart in unpremeditated music. Then, in the midst of the song, at a very critical moment, her eye chanced to wander down the central aisle, and caught Ivan’s fixed on her face with wrapt and eager attention. At that sight she started; her mouth twitched nervously. She knew him at a glance, though he sat there, not in the old familiar Canadian toque and jersey, but in the black evening dress of a European gentleman. For one second she faltered, as though she would fail in her piece. A delicate flush broke like dawn over her cheek; she seemed to forgot her song; she seemed to forgot her audience. The whole hall sat hushed at this unexpected pause in the diva’s performance. But it was only for a second. Next instant, Karen had recovered herself, and with her eyes fixed firmly on that one swimming spot in the central aisle—with Ivan for its focus—was pouring forth her whole soul in one wild, spasmodic burst of swan-like music. The audience hung entranced. It was marvellous, marvellous! Never before, said the Vienna papers next day, had Madame Veristo conquered her native timidity with such utter inspiration, such entire self-forgetfulness. She seemed lost in her song: one would say she existed in her voice alone. All else was as though it were not. She was wrapped up in her art as in a cloak of invisibility.

At the end of her song, the applause burst forth still more rapturous than ever. Loud cries of “Bis!—Bis!” rent the air like thunder. But Karen heeded them not. Walking backwards, as in a maze, she bowed herself off the platform. Two minutes later, an attendant made his way up through the crowded alley with a note for Ivan. He tore it open hastily. It was short—but long enough. “Come and see me after the concert in my room here.—Karen.”

He went. She received him at the door of her robing-room with one white little hand stretched out, tenderly, to meet him. “At last!” she said, trembling. He closed the door and looked hard at her. She stood before him there in her simple little black grenadine evening dress—the selfsame Karen he had known in those far woods by the Ottawa. His heart was full. He took her two hands in his and held them in silence for a moment. Then he clasped her to his breast: “My Karen!—my Karen!”

“Ivan!” Karen cried simply, “you were right—I was wrong. The Church taught me ill. You would have taught me better. We have truer guides, as you said, within us, than the casting of a lot. I chose badly that day when you called out, ‘Your hand is mine!’ Oh, Ivan, I have paid for it. Forgive me!—forgive me!”

“Then you have loved me always!” Ivan cried, half beside himself with delight.

Karen answered not a word. She only slipped her white hand into the bosom of her bodice, and drew out something. Ivan had noticed that she kept pressing one palm there hard as she sang, when her eyes caught his, and that she went on pressing through the rest of the song, as if to keep that wild heart of hers from bounding and bursting. She handed the thing across to him with a beautiful smile. He took it reverently. It was a tiny square packet, containing something that evidently had lain long next her own pure heart. “Undo it,” she murmured, rosy-red with a certain tremulous joy. And Ivan undid it.

It contained just a couple of dried Canadian flowers—two faded white snow-blossoms, and a feathery spray of tamarack.

They were the flowers he had given her the day before her marriage. She had worn them ever since next her bosom, no doubt. Then he thought of the words Peter Verstoff spoke on the raft that night: “Her hand is mine; but her heart—her heart is always yours, Ivan.”

Ivan Greet's Masterpiece

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