Читать книгу The Handcarved Bowl - Danielle Rose Byrd - Страница 19
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T H E H A N D C A R V E D B O W L
Chapter 1 | H A R V E S T
WHERE TO LOOK
These types of wood are popular choices not just because of their inherent properties,
but also because of their location. Because it’s important that wood has a high moisture
content, and that cutting a log means it will immediately begin to lose water, harvesting
starts happening a lot closer to home. There are ways to transport logs long distances,
and shipping small billets has become common practice in the green woodworking
community, but most of the time it makes the most sense to go out and harvest your own
material or grab some from a friend close by.
A TREE AMONG TREES
Clear, straight logs are perfect for
bowl carving. If you are looking to
cut down a tree, be mindful and
patient—the tree took its time
growing, so respect and careful
selection is the least that can be
paid for that grand effort. If you
are selecting a tree to cut down,
look for a tree that has grown
among other trees. If a tree begins
its life around others that have al-
ready put out branches to capture
sunlight, it won’t waste its energy
putting out branches until it has
grown tall enough to compete with
the others. In good conditions, it
will grow a straight trunk without
branches as it makes its expedi-
tious ascent to available sunlight.
While this situation makes
for better bowl carving wood, it
also could be more of a felling
challenge with so many other
trees around. Practice all safety
precautions if doing this work
yourself. Although a tree in the
middle of a field may seem like
the easier felling option, it may
yield very little viable material for
bowl carving because it’s likely to
have put out many branches while
growing, causing interruptions in
the clear grain in the trunk.
BRANCHES = GRAIN CHANGES
As branches grow from trees, the
grain changes, which presents
difficulties in the carving pro-
cess. Long-ago broken branches
that have healed over can be-
come knots that are very good at
disguising what lies beneath the
surface, and the issues may only
present themselves later on in the
carving process.
KNOTS AIN’T SO HOT
Knots are also undesirable for the
most part. Some may behave and
stay put, but most times they dry
at an inconsistent rate from the
wood around them and result in
checks. Others may pop right out
either during the carving or drying
process, or later on in its life. Small
pin knots may not present any
issues at all. Sometimes they’re a
nice design feature—just beware of
the risk when considering them.
ALREADY FALLEN
OR FELLED TREES
Opportunistic harvesting is
another option that has both its
advantages and disadvantages. In
the spring when trees are getting
trimmed, or after a storm with
high winds, are good times to go
looking for carving wood. Often-
times people are excited to have
someone clear some of the mess
left behind in exchange for mate-
rial, or to save them the trouble of
having to chip it.