Читать книгу Flute, Accordion or Clarinet? - Jo Tomlinson - Страница 6

Contents

Foreword by Sarah Rodgers

ACKNOWLEDGEMENTS

Introduction

Amelia Oldfield

Chapter 1The Clarinet

Henry Dunn, Amelia Oldfield, Catrin Piears-Banton and Colette Salkeld

Chapter 2The Piano Accordion

Susan Greenhalgh, Dawn Loombe

Chapter 3The Flute

Caroline Anderson, Veronica Austin, Emily Corke, Mary-Clare Fearn, Esther Mitchell and Jo Tomlinson

Chapter 4The Cello

Philip Hughes, Annie Tyhurst, Catherine Warner and Tessa Watson

Chapter 5The Trumpet and the Flugelhorn

Philippa Derrington, Mike Gilroy, Shlomi Hason and Concetta Tomaino

Chapter 6The Bassoon

Penelope Birnstingl, Lisa Margetts, Joanna Burley and Grace Watts

Chapter 7The Violin

Katy Bell, Nicky Haire, Trisha Montague and Sharon Warnes

Chapter 8The Viola

Angela Harrison and Oonagh Jones

Chapter 9The Harp

Rivka Gottlieb, Anna Lockett and Holly Mentzer

APPENDIX 9.1: HARP THERAPY TRAINING

APPENDIX 9.2: MUSIC-THANATOLOGY TRAINING

Chapter 10The Guitar

Steven Lyons, Jonathan Poole, Caroline Long, Alex Street and Prodromos Stylianou

Chapter 11Lower Brass (the Trombone and the Euphonium)

Trygve Aasgaard, George Murray and Helen Mottram

Chapter 12The Oboe

Nathan Bettany, Stella Compton Dickinson and Špela Loti Knoll

Chapter 13The Saxophone

Luke Annesley, Susanna Crociani, Billy Davidson and Anita Vaz

Chapter 14The Bass (the Double Bass and the Bass Guitar)

Joseph Piccinnini, Paolo Pizziolo and John Preston

Reflections

Amelia Oldfield

AUTHORS’ BIOGRAPHIES

SUBJECT INDEX

AUTHOR INDEX