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ACKNOWLEDGMENTS

I would like to honor my teachers and colleagues:

Janet Adler, for her insight into the discipline of Authentic Movement.

Bonnie Bainbridge Cohen, for her explorations in experiential anatomy.

John Elder, for his reflections on place-based ethics in college education.

Caryn McHose, for her articulation of evolutionary movement.

Anne Love Woodhull and Gordon Thorne for their commitment to art in the heart of community.

John M. Wilson for his cross-cultural perspectives in dance.

Portions of the text have previously appeared in The New England Review (“Farmstories”), Orion (“Notes on a Sense of Place in Dance”), Contact Quarterly (“Being Seen, Being Moved: Authentic Movement and Performance”), Whole Terrain (“Dance and the Environment”), and through Station Hill Press (Bodystories: A Guide to Experiential Anatomy). Appreciation to all the editors involved.

Iranian silver kneeling bull holding a vessel. Southwestern Iran, Proto-Elamite period, ca. 2900 B.C. The Metropolitan Museum of Art, Joseph Pulitzer Bequest, 1966. (66.173). All rights reserved, The Metropolitan Museum of Art.

Shayna Rae Peavey. Photograph by Bill Arnold.